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Closer To The Edge Of Dance – Zephyr’s Michelle Kranicke

December 11, 2014 by Rachel Hellwig

Michelle Kranicke. Photo by Cheryl Mann.
Michelle Kranicke. Photo by Cheryl Mann.

Assistant Editor Rachel Hellwig interviews Michelle Kranicke from Zephyr – a Chicago-area experimental dance company that has been around for over 20 years…

What inspired you to start Zephyr?

I was very young when I started Zephyr so the reasons behind why I founded the company don’t really resonate with Zephyr’s current aesthetic and mission.  What is more important to me right now is what inspires me to continue.  And that is my continued fascination with creating work, dance specifically, and trying to push beyond known ideas and preconceptions about what the art form can be.

 

What’s it like to be artistic director, choreographer, and performer all at once?

I have been all three for so long I guess I am not sure what it is like to not be artistic director, choreographer and performer all at once.  I think the roles of director, choreographer, and performer are linked, each having their own specific requirements and priorities.  For example, in my role as director I try to make sure that both Zephyr’s productions and its education work are an extension of the company’s mission.  To that end I try to make sure company class is structured so that dancers are not only learning technique, but also developing an innate understanding of Zephyr’s aesthetic so that when I am working as a choreographer the performers I am working with have all the tools they need. Regarding Zephyr’s long history of arts integrated education programming, working with schools and students using movement and the creative process to access knowledge and understanding, Zephyr trains its teaching artists in the same clear detailed manner with which its aesthetic is presented.  As far as my performer self, that is often the most straightforward role, and one where I am deeply connected.

 

[Read more…]

Filed Under: Making Dances Tagged With: artistic director, choregoraphy, choreographic process, directing a dance company, making dances, Michelle Kranicke, zephyr dance, zephyr dance chicago

FlySpace – A Strategic Dance Partnership

April 2, 2013 by 4dancers

Once again Chicago is blazing a trail in the dance world–this time with a collaborative effort between four female choreographers who are teaming up to get ahead instead of going it alone. Each of these women is the head of a contemporary dance company in the area, and together they have decided that pooling resources is a better approach than competing against one another.

We shared some questions with Margi Cole, Artistic Director of The Dance COLEctive and one of the founders of FlySpace–the name they have given to this new sharing paradigm. We’re pleased to tell you more about this new consortium here…

What exactly is FlySpace, and how did the idea for it come about?  

Margi Cole, Member of FlySpace and Founder of The Dance COLEctive

In a theater, fly space is the volume above the stage where scenery and lighting hang together ready to be lowered into view. Some call it ‘heaven.’

Initially a funder brought our peer group together to talk about reasons why we had all garnered a certain amount of stability and accolades for our work as artists but had not been able to get over the hump in terms of elevating our general operating budgets to a higher level that, in a sense, matched the prestige we had accomplished thus far as artists in the community. After that meeting we started meeting on our own and from there we started discussing ways in which we could combine resources to help each other, and a shared vision for marketing our genre seemed like the most level playing field. Things progressed from there.

Now we’ve launched FlySpace as a resource-sharing consortium comprised of The Dance COLEctive, Hedwig Dances, Same Planet Different World Dance Theatre, and Zephyr Dance.

When you were discussing the idea with the other participants, were there any concerns about working together in this way?

Yes and no. Many of us were and are primary administrators for our organizations. I spend a lot of time talking to myself…  To that end it was a gift to be able to share ideas, bounce things off each other, have critical discourse and come out on the other side with some new and exciting ideas. Sadly we are all competing for the same resources so the real key during these discussions is leaving your “ME” shirt at the door. I think it takes a sophisticated, seasoned administrator and artist to sit at the table in an altruistic way and think for the better of the group, the community and the art form at large. These are important skills!

The Dance COLEctive performing “Moving Stories”, Photo by William Frederking

In terms of pooling resources, can you give a few examples of specific things you will be sharing?

Well, first and foremost, we are sharing ideas, knowledge, connections and trust. Not that we did not want to do that before but now we really have the space to do that, and the brainpower. All of these things take time, energy and thoughtful progression. Ultimately we will have a shared email list of patrons that we can use individually and for ongoing FlySpace events. We have several ideas related to technology that we are going to explore throughout our next phase of development. These ideas are related to data gathering and management, ticketing, marketing, social media and actively engaging with our patrons. So the sky is the limit!

The FlySpace Dance Series is a joint performance effort at the Jay Pritzker Pavilion in Chicago. How did the four of you work together to make this event happen?

We worked together to submit a proposal to the city, knowing all along that we wanted to make sure when we launched officially that we did what we do best – making work and performing. We were fortunate to be offered two weekends on the Pritzker Stage. Absolutely no way we could pass that up. Then, ultimately, how we divided the presentation into two companies over two weekends came down to the ways in which we wanted to use the space and the desire to put forward a substantial chunk of work to represent each company, and its aesthetic, fully.

As FlySpace evolves, how will the four of you make decisions about its scope and direction?

We have really been treating FlySpace like making a dance. The process around any good collaboration has flexibility, improvisation, happy surprises and failures. Ultimately we have an idea and as it unfolds and grows we will shape FlySpace with intuition and luck. That luck is sometimes finely calculated and sometimes just about being in the right place at the right time. It is a lot like flying…

The FlySpace Dance Series runs from April 5th through April 14th at the Jay Pritzker Pavilion in Chicago. Tickets are available at brownpapertickets.com or by phone at 773-871-0872.

Filed Under: Making Dances Tagged With: chicago dance, flyspace, hedwig dances, margi cole, same planet different world, the dance colective, zephyr dance

10 Questions With…Michelle Kranicke

October 10, 2011 by 4dancers

Today on 10 Questions With… we feature a Chicago-area dance professional, Michelle Kranicke…

Michelle Kranicke

My mother was an enormous ballet fan, and as a child she took me to see many performances.  Although it wasn’t love at first sight, it took me awhile to develop a love for dance.  I actually did not begin taking ballet class until I was 13.  But once I fell, I fell hard. I grew up in Chicago and there were always ballet companies touring and performing in the city, so I was fortunate to see many of the classics.

2.      What has your dance career been like?

It has definitely a lot of work, but it has also been extremely rewarding.  It’s a gift to be able to grapple with aesthetic ideas all day.  I have had the privilege of working with so many talented dancers.  For some dancemakers the performance is the best part, but for me I love the rehearsal process.  I love watching ideas unfold and then really honing and developing those ideas.

3.      What are you doing currently in the field?

I am actually stepping back and taking a good hard look at my dancemaking process.  I am going back to the fundamentals of my own creative process and trying to take those fundamentals apart.  I am really looking to extend the art form, to push against the boundaries of dance and extend ideas about movement as far as possible.  I am using proximity and stillness, and trying to move dance from a predominantly visual experience for the viewer into  an aural or kinesthetic experience as well.

4.      If you had to describe Zephyr Dance to someone, what would you say? [Read more…]

Filed Under: 10 Questions With... Tagged With: chicago-area dance, dance appreciation, Michelle Kranicke, zephyr dance

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