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Lessons Beyond The Barre

October 13, 2015 by 4dancers

Cara Marie Gary
Cara Marie Gary and Vlada Kysselova embrace after a performance. (Photo courtesy of Cara Marie Gary)

by Cara Marie Gary

In prepping for the theater today, I was reminded of a beloved teacher and started thinking of the insight she’s given me over the years. My earliest memory of her advice was when I was fourteen years old, competing in the VI Serge Lifar International Ballet Competition. It was the first time I had left the United States and traveled without my parents. I was immersed into a new culture and language while being severely jet-lagged from a lengthy flight to Kiev, Ukraine. But most importantly, this was the first time I learned an important lesson from someone I cherish dearly in the dance world. [Read more…]

Filed Under: 4dancers, Career Tagged With: 4dancers, ballet coach, ballet competition, ballet technique, cara marie gary, dancers, joffrey, joffrey ballet, leotard, Serge Lifar International Ballet Competition, sleeping beauty, stage makeup, tights, Vlada Kysselova

Five Tips For A Successful Ballet Makeup Application

September 16, 2011 by 4dancers

Today we have professional makeup artist, Jill Glaser with us, sharing five great tips for stage makeup that ballet dancers can make use of….and a quick shout out to pro dancers out there–if you have any additional tips that you have found useful, please leave a comment and share your knowledge with others out there!     – Catherine

Jill Glaser

Theatrical makeup techniques are used when doing a makeup application for the ballet dancer. In both the theater and the dance performance, the makeup applied must not only help create a “character”, but also be visible from the stage

  1. The dancer must understand the principles of highlight and contour, or shadow, in order to add drama to the face.  Highlight, sometimes in the form of shimmer, may be applied to the brow bone and cheeks.  Highlight may be added to the lips by the addition of gloss.  Darker, matte shades may be added to create shape, such as definition of the jawline and cheekbone.
  1. If the theater is large, then the makeup application should be more dramatic; there will be less blending of light and shadow.  If the theater is small, the makeup application should be less subtle, but still more dramatic than street makeup. [Read more…]

Filed Under: 4dancers, Editorial Tagged With: ballet dancer, ballet makeup, jill glaser, makeup for dancers, stage makeup, theatrical makeup

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