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DVD Review: Still Moving: Pilobolus at Forty – A Film By Jeffrey Ruoff

April 28, 2014 by 4dancers

logoby Emily Kate Long

The dance company Pilobolus is named for a fungus that has the ability to launch its spores a distance of up to two meters—for a person, that would mean being thrown through the air at 100 times the speed of sound. The pilobolus fungus is also remarkable for its accuracy. The company makes no such claims; late co-founder Jonathan Wolken describes how Pilobolus’s first forty years brought about “the evolution of our own style…whatever that might be.” As co-diector Robby Barnett remarks, and as Ruoff illustrates, the company is process-oriented. For Barnett, that process is more interesting than any of the finished dances the company has produced.

Still Moving opens with footage of the dancers loading up a couple of cars and hitting the road. They’re on their way from the company’s studios in Washington Depot, CT to Dartmouth College in Hanover, NH. Wolken, Barnett, and Michael Tracy began the collaboration that would evolve into Pilobolus at Dartmouth in the early 1970s. With no prior dance education, they worked to amuse themselves, living communally and practicing in any spare space they could find.

Forty years out, the company still embraces that experimental, simple, communal way of living and working (some interviews are punctuated by insects chirping in the background). The dancers are like a family, supporting one another through injuries and Wolken’s death in 2010.

Ruoff captures the company thoughtfully through interviews, performance footage, and clips of Pilobolus in rehearsal. Perhaps most telling is footage from the community workshops, classes in which the public get to participate in the creative process of developing movement, comfort and trust in one another to make a short dance work.

The film runs 38 minutes. The DVD also contains a version dubbed over with Ruoff’s insightful commentary. This documentary does a thorough job of celebrating what’s so unique about Pilobolus, a modern dance company that, as Barnett half-jokes, doesn’t “know anything about modern dance.”

 

 

Filed Under: Dance Video, Reviews Tagged With: dance video, dvd review, modern dance, pilobolus

Collaboration: Making Music For Dance

November 6, 2012 by 4dancers

4Dancers.org readers can download free music by Cory Gabel. Click here.

By now readers know that I am very much a fan of talking about music for dance. To that end, today we have Cory Gabel with us to talk about how an original piece is created for dance from his point of view…the music side!

1. Can you tell readers how you got involved with making music for dance?

Around 2002, I was transitioning out of my alternative rock band Limestone Rome. I moved into instrumental music and writing scores for film. Around that time I caught a great Pilobolus performance where they integrated all kind of modern rock, alternative, techno, electronica – all the styles I like to work in. Seeing the power of that music with dance a light bulb kind of went off – why don’t I write original music for THAT?!

cory gabel
Cory Gabel

2. What is your music like?

It’s such a cliche to say that’s it’s hard to categorize, but it truly must be – iTunes seems to put every release I come out in a different category! As far as musical styles, I combine elements of modern orchestral, industrial rock, electronic dance music, usually aiming for a fairly large, theatrical or epic sound. I always like to contrast those thick sonic textures with very minimal, simple sounding melodies of solo strings, piano or vocals. When my music gets reviewed or commented on, I often hear comparisons to Trent Reznor, Philip Glass, Moby, Danny Elfman and others.

3. What is the process of making music for dance like?

It really varies depending on the project and the nature of the collaboration. For more theatrical pieces, I may actually get involved with the development of the story, working with the artistic director to sketch out the acts and pieces and determining what styles and tempos of music will work for each. For pieces that are more thematic, the choreographer usually has an idea of what they’re looking for, and may even already have some music they’re working with. We talk about what is and is not working with what they have, really aiming to uncover the emotional core of what they’re trying to convey.

I almost always work remotely – so it’s lots of correspondence via phone and email – I send music as it develops, they send me back videos from rehearsals. It actually works very well!

4. What special considerations are there when working on projects such as these?

It’s recognizing that for the music to work at its best, it needs to be completely married to the dance that will be happening with it. Film music is meant to be felt emotionally, but not necessarily heard. Pop and rock music are their own sole attraction. But music for dance works when you really can’t imagine one without the other. I think that’s why many of the people I’ve worked with want to continue our collaborations – it’s hard to go back to picking out CDs and other music that weren’t written to perfectly compliment their choreography once they’ve seen how cool that can be!

5. What are the greatest challenges?

It seems increasingly hard for ballet and dance companies to commit to completely original works, I’m sure much of which is financial. Additionally, the idea of creating all new music, choreography, costumes, lighting, can seem a bit ambitious for many companies (and their boards!). So – navigating through all the conversations to get to the point where everyone says “let’s do it!” – that’s actually the challenge. In my experience, however, I’ve yet to have a project where everyone involved didn’t feel it was both creatively and financially successful at the end.

music for dance6. What about the rewards?

I absolutely love tech and dress rehearsals. It’s at that point that I finally get to see how the music that I’ve written and produced has also been the foundation for dozens of other creative people – dancers, choreographers, musicians, designers- to work their craft. Plus, I’m a junkie for the buzz before any kind of live performance – the nerves, the glitches, the last minute changes – that’s very much part of the thrill!

7. What’s next for you?

I’m collaborating again with Gregory Hancock Dance Theatre in Indianapolis, we’re going to re-stage and expand The Casket Girls (originally premiered in 2009) for Halloween 2013. I just completed Water Wars with Sonia Plumb Dance, and we’re also talking about a new production for 2013. I’m always having conversations with potential collaborators, which I can’t announce just yet, but I encourage dance companies of any size to reach out – I’d love to hear about your ideas for new works!

4Dancers.org readers can download free music by Cory Gabel. Click here.

The following clip is an excerpt-mix of nearly 20 original pieces written for dance by Cory Gabel.

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[soundcloud id=’39342032′ artwork=’false’]

Filed Under: 4dancers, Editorial, Music & Dance Tagged With: choreographer, cory gabel, dance, gregory hancock dance theatre, music, music and dance, music for dance, philip glass, pilobolus, sonia plumb dance, water wars

Chicago Dancing Festival: Dancing Movies

August 7, 2012 by 4dancers

If you’ll be in the Chicago area on Tuesday, August 21st, head over to the Museum of Contemporary Art (220 E. Chicago Ave.) for a day of dance films during the Chicago Dancing Festival.

Selections include:

+ The Academy Award-nominated PINA (2011). This movie captures the emotional intensity and unique aesthetic of the German post-modern dance pioneer Pina Bausch. 2 pm and 6 pm

+ All is Not Lost (2011), a collaboration between the rock band OK Go and Pilobolus. This work places band members and Pilobulus dancers in a playful and surreal human kaleidoscope. 12 – 8 pm (concurrent in the MCA lobby)

+ Fanfare for Marching Band (2012) is a collaboration between Chicago dance filmmaker Danièle Wilmouth and the punk circus marching band Mucca Pazza. This fantasy short follows the adventures of a ragtag musical militia. 12 pm and 5:45 pm

+ The documentary First Position (2011) follows six talented ballet hopefuls through preparation and competition in one of the most prestigious youth ballet competitions in the world, the Youth America Grand Prix. 12:15 pm and 4 pm

There is no charge to attend this event but it’s sure to be popular so getting there early is probably a good idea!

This day of dance on film is curated by Sarah Best.

4dancers is proud to be a media sponsor for the Chicago Dancing Festival.

Filed Under: 4dancers, 4teachers Tagged With: all is not lost, chicago dancing festival, dance movies, daniele wilmouth, first position, mucca pazza, museum of contemporary art, pilobolus, pina

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