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10 Questions With…Allan Greene

June 5, 2012 by 4dancers

Allan Greene

Today on 10 Questions With… we have Allan Greene, a pianist that works in the dance world…

We would also like to welcome Allan to our contributing writer staff here at 4dancers. He’ll be writing a new monthly column appropriately titled, “Music Notes”…

1. How did you get started in music?

I started composing on my own when I was eight years old after I tired of copying songs from our third grade songbooks. The next year I began studying the cello at my elementary school, and the next year I began studying piano with the wife of one of my father’s electronic engineer colleagues. Things moved rapidly from there.

The cantor at my family’s synagogue recommended me to a Viennese choir-master who passed me on to an eccentric Juilliard-trained pianist. The intensity of the Juilliard training was too much for me and conflicted with Boy Scouts and after-school basketball. I moved on to a retired violinist / pianist who devoted his Saturdays to me, and presented me in recital several months before my 16th birthday.

All the while I was composing on my own. At the age of twelve I was composing suites of atonal works, for various chamber music combinations as well as solo piano. My high school choir performed a setting I created of a poem by James Joyce. Stylistically, I was heading out the trajectory blazed by Charles Ives, inventing what I called “stream-of-consciousness music” analogous to Joyce’s literary technique: I created a musical narrative out of musical objets trouvés, using juxtaposition of styles and recognizable snippets to shape the drama. A generation later, due to the invention of sampling synthesizers, personal computers and audio production software, some of my ideas were independently showing up as common compositional tools in film and television scores.

2. What brought you into the dance world?

Accompanying ballet and modern dance classes was a work-study contract gig available at Carleton College (Northfield, Minnesota) in my freshman year. After a term washing dishes at one of the college’s cafeterias, it was a god-send. I found it easy, delightful to watch and participate in, and, importantly, made being a musician both quotidian and artistic. I’ve never liked having the spotlight trained on me, so this allowed me to participate and observe simultaneously. Accompanying dance became a laboratory for me to study the effect on collaborating artists of all kinds of music and all sorts of harmonies, melodies, rhythms and textures. It still is.

3. Where has your career taken you in terms of playing for dancers? [Read more…]

Filed Under: 10 Questions With..., Music & Dance, Music Notes Tagged With: abt, allan greene, american ballet theater, balanchine, Ballet, ballet music, dance class, dance theatre of harlem, four temperaments, modern dance, music for dance, piano, the joffrey ballet, Tisch School of the Arts

Ballet Class CD Review: Under The Palms

March 27, 2010 by 4dancers

CD Title: Under The Palms, Brazilian, Cuban, Creole and other Tropical Music For Ballet Class

By: Behind Barres Presents: Paul Lewis & Judy Rice 

I have to confess that I was a little frightened to see what this CD was all about when I heard the title. If done poorly, it could have been a disaster.

Luckily, I had no need to worry.

Under the Palms is a terrific CD for ballet class. If you are ever having a day where you need a little bit of inspiration, use this album and you’ll be in a better mood in no time. Recorded with a single stereo microphone, it gives the music the sound of live piano in the studio. I doubt that it’s possible to feel anything other than energetic when you hear these tracks. So many ballet class CDs sound the same that it was very refreshing to hear something so different–and so good.

Peppy without being campy, I was very impressed that the CD was filled with such thoughtfully arranged tracks. Carefully metered out by Lewis without losing heart and soul, the flow here is palpable. Although most of the music is upbeat, the slower tracks are also quite pretty.

The class was designed by Judy Rice, a professional with over 20 years of experience as an instructor, including time on faculty at the Joffrey Ballet School, Steps and the Broadway Dance Center. Pianist, Paul Lewis has 29 years of experience playing–and it shows. He is the company pianist for the Joffrey Ballet.

Don’t be afraid to take a chance on this CD–it’s better than many of the “regular” ones out there, yet it is truly different. Adding it to your lineup will give you a sunny pick for those days that you need one.

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Filed Under: 4teachers, Dance Gifts, FOR SALE, Reviews, Studios Tagged With: Ballet, behind barres, class, judy rice, music, paul lewis, piano, under the palms

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