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Dance In The UK: NYCB’s Nutcracker Production

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by Jessica Wilson

The Nutcracker

There’s an extremely Christmassy privilege heading to the UK on 22nd December, in the form of New York City Ballet’s brand new production of George Balanchine’s The Nutcracker, with tickets priced at just ten pounds. This multi-million dollar production includes a forty foot Christmas tree which weighs a staggering one tonne, seventy ballet dancers, fifty children from the School of American Ballet – the official school of NYCB – and a sixty-two piece orchestra. It is ultimately described by the New York Post as “the Christmas show of all Christmas shows”.

NYCB has an unparalleled active repertory of more than 150 works, many of which are considered modern masterpieces. The Company was established in 1948 by choreographer Balanchine and Lincoln Kirstein, joined by Jerome Robbins in 1949 as associate artistic director.  Now under the artistic direction of Ballet Master in Chief Peter Martins, the company performs an impressive annual 21-week season in New York, the longest home season of any dance company in the world.

The production’s defining feature is its vast scale, described as a ‘virtually live performance’ to be screened in cinemas all over the UK. This will ultimately provide mass audiences with the chance to view such an iconic and prestigious work by Balanchine, who is generally argued to be the father of modern ballet. This great accessibility is proved unhindered by the extremely limited run, due to the fact it is the ‘golden ticket’ of ballets for all dance lovers, available nationally. [Read more…]

Review: Every Step You Take by Jock Soto

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by Catherine L. Tully

I’m fascinated by the lives of dancers. Even though I was one, I can never seem to get past the fact that each of us has such a distinctly different path–and a totally unique perspective on what it is like to live this life.

Because of that, I was excited to read Every Step You Take, a memoir written by Jock Soto (with Leslie Marshall). After all, this is a man that I grew up watching in the ballet world. Soto was a principal dancer with NYCB when he retired at the age of 40, and this book begins with the end of his career on stage. A peek inside the thoughts and fears that swirl around one’s head when the final performance looms, I thought it was a great opener.

Where, I thought, will this book go from here? [Read more…]

10 Questions With…Ryan Wenzel

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Today on 10 Questions With… we welcome dance blogger Ryan Wenzel…

Ryan Wenzel

1.     How did you become involved with dance?

Completely by accident. I never danced or saw any professional dance when I was growing up in Green Bay, Wisconsin. A friend of mine in New York has been a fan of New York City Ballet for years and convinced me last year to join him at a weekend matinee. It was an all-Robins program: Dances at a Gathering and West Side Story Suite. I didn’t love it at the time – I was intimidated by it – but I was intrigued, so I bought books about Robbins and George Balanchine and devoured them. By the end of New York City Ballet’s next season, I was hooked, and I started seeing other types of dance as well.

2.    What are you currently doing in the field?

I write Bodies Never Lie, a blog mostly about the New York dance performances I see. I also work full-time as the online communications manager for Henry Street Settlement, a nonprofit organization on Manhattan’s Lower East Side that includes the Abrons Arts Center.

3.    Would you share your thoughts about where you think dance is headed as an art form?

I have no idea. At this point I’m working overtime just to figure out where dance has been!

4.    What gave you the idea for your blog? [Read more…]

10 Questions With…Sophie Flack

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Sophie Flack

This week on “10 Questions With…” we’re featuring Sophie Flack, author of “Bunheads”… a book about the ballet world. I’m reading it right now, and it’s fabulous!

1. How did you get involved in dance?

When I was seven, the Boston Ballet studios were under renovation and they temporarily relocated to my school gymnasium. I’d see these lithe ballerinas lingering in the hallways as they stretched and spoke to one another between rehearsals. I begged my mother to take ballet classes, but I was too shy to walk into theclass that first day. I wanted my mother to go with me. It took me six months to find the courage to walk in alone.

2. What is your dance background?

I began my training at the Boston Ballet School learning the Vaganova technique. When I was eleven I was introduced to the Balanchine technique by Patricia McBride at the Chautauqua summer intensive. After watching a video of McBride dancing Tchaikovsky Pas de Deux, I decided that I wanted to dance with the New York City Ballet, because I wanted to move like she did.

When I returned home, I transferred to Ballet Workshop of New England in order to study Balanchine technique. I spent my summers training with Suzanne Farrell, Gloria Govrin, Violette Verdy and Patricia McBride.

My mother would drive me to New York City in order to take private lessons with Nancy Bielski and Wilhelm Burmann, some of the best coaches in the country. I took open classes at Steps on Broadway alongside New York City Ballet dancers, and regular Pilates privates with Laurie Hurt.

At fifteen, I was accepted into the School of American Ballet on full scholarship and moved to New York City alone. At age seventeen, I joined the New York City Ballet as an apprentice and became a member of the corps de ballet the following year.

After dancing with the New York City Ballet for nine years, I retired from professional dance in 2009.

3. What is your book about, and who is it written for? [Read more…]

Review: The Dancer’s Way, By Linda Hamilton, PhD and New York City Ballet

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by Catherine L. Tully

Once in a while a dance book comes out that is so on-target you want everyone to read it. The Dancer’s Way is such a book.

Written by Linda Hamilton, PhD and New York City Ballet, this book addresses the dancers of today and provides guidance for them by sharing information about tools that are used in the NYCB wellness program.

Some of the subjects that are covered in this book include things such as good work habits, cross-training, eating right, weight control strategies and stress management. These are broken down into sections and grouped under the heading “Five Keys To Peak Performance”.

There is no doubt that the considerable information here is the best available in the business. Dr. Hamilton is the wellness consultant at New York City Ballet, as well as a member of the International Association for Dance Medicine & Science. She has written a column for Dance Magazine for many years, and is also a consultant for the Ailey School and Career Transition for Dancers. She was also a dancer at NYCB.

Peter Martins himself wrote the introduction for this book–an appropriate selection, given the fact that he was Ballet Master in Chief of NYCB when the wellness program began and has worked with it ever since. In the introduction, Dr. Hamilton mentions the fact that in only three years this approach has slashed disability at NYCB by 46 percent. To me–that is truly an amazing number.

The fact is, the information contained in these pages is used every day by some of the best dancers in the world. That’s a big-time endorsement, in and of itself. But one of the best things about the information in this book is that it can apply to everyone from the casual dancer to the serious company member. Those who are interested in learning how to protect their bodies and enrich their health while being physically fit will appreciate this comprehensive approach to wellness. There is something here for people of all levels.

In addition to the information mentioned above, other gems that this book shares with the reader include:

+ Information on getting an orthopedic screening. This type of exam can help identify orthopedic issues that may arise, depending on the individual’s body. It was developed by Dr. William Hamilton.

+ A list of books, DVDs and Web sites. Resources for everything from eating disorders to dance medicine education and referrals.

+ A food diary worksheet.

+ A dance medicine glossary.

This is a book that belongs in the library of every dancer and on the shelves at every studio.

Buy Now

For more information on Dr. Linda Hamilton, including other books she has authored, wellness tips and more, visit her Website

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