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The Dance COLEctive Celebrates 20 Years

March 11, 2016 by Rachel Hellwig

Margi Cole reflects on her journey as a choreographer and The Dance COLEctive‘s upcoming 20th anniversary performance, Revelry/20 Years.

Margi Cole. Photograph by William Frederking.
Margi Cole. Photograph by William Frederking.

What continues to inspire you to choreograph after 20 years?

I am quite simply inspired by the creative process. I am still curious. I want to experiment with new ideas, new bodies, new challenges. I want to see if I can be more creative than the last time. How can I challenge the bodies in the space? How can I challenge myself? I get excited about working with the dancers, creating puzzles for them to take on, challenging their weaknesses and amplifying their strengths. I am enamored with watching the dancers tackle the material and grow from it. I am inspired by the authenticity of the experience. It is a truly intimate and satisfying privilege to be present in that creative space.

What are some of the most valuable artistic insights you’ve learned along the way?

Gosh. So many. Probably the biggest thing I would offer is that it is OK to fail. It is not fun, but there is so much to be learned from not succeeding. I can’t tell you how many times I have tried and failed and tried again. I wish I had been less worried about failing when I was younger and more of a risk taker. I find myself taking risks more now but they are calculated, less organic. Do your research. Be brave. Be humble about your failures and modest about your successes. The other thing that is just as hard is balancing your creative self, your personal self and your administrative self. Be careful that they do not become so tightly wound that you can’t separate one from the other. It means making sacrifices along the way. [Read more…]

Filed Under: 4dancers Tagged With: Katie Petrunich, Madelyn Doyle, Margaret Jenkins, margi cole, Revelry/20 Years, shannon edwards, the dance colective

Choreography: On Developing A Personal Philosophy

October 21, 2014 by 4dancers

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Madelyn Doyle, photo by William Frederking

You are choreographing for The Dance COLEctive’s “Higher Ground”, an upcoming weekend of performances in Chicago. Can you tell readers a bit about your piece and the idea behind it?

This piece is a look at the physical and mental necessities for an individual to develop a personal philosophy. The materials available to us such as media, literature and specialized individuals give us the ingredients to formulate ourselves, but what does one ultimately need in order to create their true individuality? Experience. Only then do we choose our path and honestly become what we are meant to be.

How did you work with the dancers throughout this process? What was that like?

I provided them with composition assignments, and free-writing prompts to generate movement and text. Then, I gathered the movement information and carefully sewed the pieces together in what I thought was the best way the dance would make sense.

In terms of music, how did you go about selecting what you would use for this, and did you choose it prior to or after your choreography?

After my choreography. I focused on the mood that I wanted to portray, and went from there.

What were the biggest challenges in terms of choreographing this piece?

Putting things together in a coherent fashion. There was so much beautiful movement that the dancers created, and using it in a way that made sense and created a story was difficult.

What has been the greatest learning experience for you throughout this process?

How to be on the other side.

What do you hope that the audience will see when they view your work?

That everyone should acknowledge the ridiculous things we do to better ourselves. As long as we are aware of them and realize that we should, in the end, rely on ourselves to do the work and make the choices.


BIO: Madelyn Doyle, a fourth year member of The Dance COLEctive, graduated from Columbia College Chicago with a Bachelor of Fine Arts in Dance Education and received a K-12 Certification in Dance through the University of Wisconsin in Milwaukee. She has been a part of the We Stand Sideways Dance Co., Thread Meddle Outfit, and independent productions with artist Megan Adams. In addition to establishing the Dance Department of Lindblom Math and Science Academy in Chicago, she has assisted for the presenting series of Riverside Brookfield High School’s Orchesis and choreographed for numerous musicals and high school dance companies in the Northwest Suburbs. Madelyn is a Choreographer/Teacher/Producer for the Arlington Youth Dance Ensemble in Arlington Heights, and founded her company Demi Dancers in 2013 to support creative movement and pre-ballet in local preschools and montessori schools.

Filed Under: Making Dances Tagged With: choreography, Madelyn Doyle, making dances, the dance colective

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