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My Pretty Feet

January 30, 2015 by 4dancers

IMG_0858
Pointe shoe “gear” – photo by Jessika Anspach McEliece

He looks over at me with that twinkle in his eyes, and I see the mischievous 7-year-old boy gleam through my husband’s 32-year-old self.

“Come on babe… just do it. Just show them your feet… please?” and turning toward his friends – okay more like acquaintances… practical strangers to me – he proudly says, “You guys have gotta see these things…”

I shoot a half glance-half glare back at him and he knows exactly my train of thought. But how can I be mad at him when he’s looking at me like that? When he’s so proud of them for me? How can I really be that embarrassed by my “worker tools,” as he puts it? After all, that is what they are, callouses and all… And it could be worse… He could ask me to put my leg over my head, or have them guess my weight.

I meekly slip off my loafers and hesitantly raise my gaze to meet their slightly horrified faces.

My feet.
My feet.

“Um…. Wow. Aghh… Yeah. So do they hurt? Because they look like they hurt.”


That’s the typical reaction I get whenever pedestrians (non-dancers, that is) see my very ugly ballerina feet – and they are very ugly. Our physical therapist, Boyd Bender, actually keeps a photo of them on his iPhone to show any of his clients who might feel self-conscious about their own toes…

And ever since Center Stage and that scene where Jody Sawyer takes off her pointe shoes to show a very bloody blister (you know the one…), it has been a point of fascination – pun slightly intended.

The funny thing, I find, is what we consider “pretty feet” in the dance world has nothing to do with how pristine they look in flip-flops… That’s relatively easy to accomplish: buff down those callouses and shellac a bit of red nail polish and voila! You’re good to go… ish.

There’s only so much you can do for those bunions…

The hard part is getting those feet to look pretty in pointe shoes… harder still to get the pointe shoe to cooperate with you. To conjure the effect of weightless, effortless floating; balancing or turning on a dime – these are hallmarks of ballet and yet not easy feats by any means. I can’t always blame every problem I have on the shoes, but sometimes they really do have a mind of their own!

Well after 19 years of wearing these mini instruments of torture I’ve learned a few tricks to making them work for me, instead of the other way around… [Read more…]

Filed Under: Breaking In Shoes, Pointe Shoes Tagged With: blisters, boyd bender, breaking in pointe shoes, bunions, callouses, center stage, corns, dance shoes, francia russell, freed of london, jessika anspach, jody sawyer, pacific northwest ballet, PNB, pointe shoes, toe shoes

If The Shoe Fits…Pointe Shoe Preparation

May 7, 2012 by 4dancers

by Catherine L. Tully

Pointe shoes have become an integral part of ballet as an art form and, just as each dancer has a unique pair of feet, every ballerina has their own way of preparing these shoes for class or performance. Some slam them in doors to soften them up, while others work on them with little hammers to get the feel “just right”. The break-in method can vary depending on factors such as the brand of shoe and the type of role that is being performed.

We talked a bit at the beginning of the year about these special slippers, and today we’re going in for a closer look…

Rebecca King, corps de ballet dancer with Mimi City Ballet and author of the dance blog Tendus Under A Palm Tree wears Freed pointe shoes. We asked her to share her “secret formula” for getting them ready to wear, and this is what she had to say…

Rebecca King

“Preparing a pair of pointe shoes is as much a ritual to a ballerina as it is a necessity. Even though, as professionals, our shoes are shipped to us straight from London, made by hand with love by our chosen “makers” to our exact specifications, many dancers find it necessary to make some extra alterations. It can take dancers years to get their shoes exactly as they want them and some dancers go their entire career in search of the elusive perfect shoe.

A maker hand-builds about 30-40 pairs of shoes at Freed of London every day, each shoe costing around $100. About two-thirds of the shoes produced are created for individual dancer’s specifications. (Find out more about these fascinating pieces of art on Freed’s website.)

I wear a size four, with a double X width, made by my beloved “U” maker. On the bottom of my shoe underneath the width, he stamps his symbol, “U”, as a kind of signature; laying claim to his craftsmanship. The thing I love most about Mr. U is how aesthetically beautiful his shoes are. Something about the way the toe of the shoe is built compliments every wearer’s foot. He is a very important person in my life.

The first thing I do is remove the pesky nail from the heel of the shoe. This nail is meant to secure the paper “shank”, or the inner sole of the shoe, to the outer sole of the shoe. Once it is removed, I cut the paper shank to the shoe’s middle seam, essentially cutting it in half. Because my feet are not very good, this allows the sole of my shoe to bend and lets me point my feet to their full potential. I then glue the end of the shank to the outer sole so it does not move around as I dance.

Photo by Rebecca King

Next, I put super glue in the tips of the shoes. When the tip of the shoe gets soft, it no longer functions like I need it to; this is my ultimate pointe shoe pet peeve. Mr. U even puts an extra piece of burlap in the tip with extra glue upon my request, but I always apply more glue for good measure.

Then I cut the satin off the top of the shoe and quickly darn around the edges. This gives me a little extra support when my shoes start to die, and also ensures that the freshly cut satin stays in place.

Finally, the ribbon process begins. I use pink ribbons secured over crisscrossed thin pink elastic. I prefer the thin elastic, as I don’t feel a lot of pressure on my ankles, while the crisscross restricts my movement laterally, helping to prevent ankle sprains.

Though this is my current process, if you check back with me in two years, I am fairly certain I will have a new procedure, as my system is constantly evolving. But as for now, I feel I can dance my best with a half shank, extra super glue, and Mr. U on my side.”

As Ms. King clearly illustrates, ballerinas have a special relationship with their pointe shoes. However, for ballet companies, the costs associated with keeping the ladies on their toes can be astronomical. According to Miami City Ballet’s website, the average pair of pointe shoes typically only last for one performance.

Photo by Rebecca King

Here is a closer look at what ballet companies across the nation pay to keep the ladies on their toes:

Last year the dancers at Oregon Ballet Theatre used about 1,500 pairs of pointe shoes which added up to $120,000.

Texas Ballet Theatre will spend $80,000 on pointe shoes this year.

Miami City Ballet dancers wear 3,000 pairs of pointe shoes each season for a total cost of $200,000.

Last season Cincinnati Ballet spent $82,000 on pointe shoes for the company.

And New York City Ballet? Their dancers can go through 40 to 50 pairs each performance. This means a staggering total of  8,500+ pairs of pointe shoes each year. I don’t even want to do the math on that one. (But according to this article on The Huffington Post, it adds up to $500,000!)

Filed Under: 4dancers, Breaking In Shoes, Freed, Pointe Shoes Tagged With: breaking in pointe shoes, cincinnati ballet, dancer, freed, freed of london, freed pointe shoes, Miami City Ballet, new york city ballet, oregon ballet theatre, pointe shoes, rebecca king, texas ballet theatre

The History & Making Of Freed Pointe Shoes

January 12, 2012 by 4dancers

In the late 1920’s, Frederick Freed left England’s leading pointe shoe manufacturer (along with his wife and one assistant) to set up shop in a small basement, making shoes of their own. Over time, his reputation for producing quality shoes increased, as did the demand for his shoes. This took the Freed brand to the forefront of the industry where it remains one of the most respected shoes among ballet dancers worldwide. Amazingly, after all these years The Freed of London Shop is still located at the same address.

Courtesy of Freed

There is something to be said for tradition.

Today over 250,000 pairs of Freeds are made every year, and they are sold in over 50 countries. Every one of them is hand-crafted by a Professional Pointe Shoe Maker, each of which makes between 30 and 40 pairs daily. Makers shape their shoes in a unique way and they are identified by their own personal stamp on the bottom of the shoe. Symbols include letters, a key, a heart and a Maltese Cross, among others.

Freed Pointe Shoes, Photo by Christopher Duggan

[Read more…]

Filed Under: Freed Tagged With: freed of london, freed pointe shoes, making freeds, pointe shoes, toe shoes

The Freed Pointe Shoe

January 6, 2011 by 4dancers

Today I’m pleased to announce that we will be doing a series of posts about Freed pointe shoes in the coming weeks on 4dancers. Brenda Neville is a professional fitter and works in retail management at Freed’s boutique store in New York, and she was kind enough to walk us through some of the history, as well as talk a bit about fitting pointe shoes properly and other pointe shoe-related topics. You’ll hear more about these subjects soon…

I admit to having a certain “soft spot” for Freeds. Although I started with Capezio Pavlova’s back in the day, I always was fascinated by the unusual color of Freed pointe shoes. As soon as I was able, I switched over—and never looked back. Freeds were the shoes I wore for the rest of my time as a ballet dancer. And I loved them.

I can still recall going to have them fitted with my Mom in some old building downtown. We would get into the caged metal elevator and ride up to the level that the store was located on. It always seemed like there were no other people in the building when we were there. Instead of that being a spooky experience, it was almost magical. I always enjoyed going to get new shoes… [Read more…]

Filed Under: Freed Tagged With: freed of london, freed pointe shoes, freeds

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