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Book Review: Balanchine: Russian-American Ballet Master Emeritus

July 26, 2013 by 4dancers

by Emily Kate Long

balanchineIn Balanchine: Russian-American Ballet Master Emeritus, Reine Duell Bethany gives young adults (dancers and nondancers alike) a highly readable, thought-provoking, and inspiring biography of the twentieth-century choreographer.  Over ten chapters, Bethany walks the reader thoughtfully through Balanchine’s early life in Russia, his work for Diaghilev, and his eventual establishment in the US as the head of New York City Ballet and the School of American Ballet. The author traces Balanchine’s personal history and relationships, his development as a choreographer, and his work and personality as a businessman and international cultural ambassador. Throughout, adequate yet succinct historical, cultural, and social context is provided, making Ballet Master Emeritus as useful and appealing to young people interested in history or politics as ballet. For creative types, Reine Duell Bethany’s poignant, inspiring writing reinforces the importance of such qualities as faith, sacrifice, integrity, courage, and dedication in the pursuit of artistic goals.

Balanchine: Russian-American Ballet Master Emeritus would make a valuable addition to the young dancer’s library. It captures the subject in a way that is both revealing and sensitive, while placing George Balanchine and New York City Ballet in a landscape beyond the self-contained.

Balanchine: Russian-American Ballet Master Emeritus

Reine Duell Bethany, 193 pages

Filed Under: Books & Magazines, Reviews Tagged With: balanchine, dance book, diaghilev, reine duell bethany

DVD Review: Ballet Russes

June 25, 2013 by Ashley David

by Emily Kate Long

Alice Nikitina and Serge Lifar in the ballet La Chatte, 1927. By Sasha via Crossett Library Bennington.

Alice Nikitina and Serge Lifar in the ballet La Chatte, 1927. Photo by Sasha; Courtesy of Crossett Library Bennington.

This collection offers three colorful, humorous ballets. It’s the ninth volume in a series which includes, on other discs, works by Stravinsky, Tchaikovsky, Poulenc, Debussy, and Ravel. The entire “Diaghilev-Ballets Russes” series intends to highlight one surviving aspect of the artistic and cultural powerhouse that was the Ballets Russes. Where stagings evolve, records of choreography are lost, or dancers’ memories fall short, scores last and continue to recall this vital period in dance history.

First on the disc is Darius Milhaud’s Le Train Bleu, which premiered in Paris in 1924. The ballet was choreographed by Nijinska with costumes by Chanel. It illustrates with irony a set of light, sunny episodes at the beach—right in line with the carefree spirit of the “Roaring Twenties.” The ballet takes its name from that of a luxury train to the French Riviera. Milhaud’s work strongly influenced that of Copland and Bernstein, composers with whom today’s dance audience may be more familiar. Those roots are easy to hear in Le Train Bleu. The score also shares jazzy, humorous elements with the work of George Gershwin. Think “Rodeo” meets “Candide” meets “An American in Paris,” all tangled up in an exaggeratedly pompous Offenbach march.

Next is a suite of dances from Les Femmes de Bonne Humeur, Tomassini’s orchestration of five Scarlatti sonatas. The score was commissioned in 1917 for a ballet to be choreographed by Massine and designed by Bakst. Here again is a set of ebullient, joyful episodes. It’s easy to imagine the comedy that must have taken place onstage—the plot of the ballet, whose title translates to “The Good-Humored Women,” centers around games of romance in a small Italian town.

The third work in this collection is Henri Sauguet’s La Chatte, commissioned in 1927 for the Ballets Russes’ twentieth season—just one year before Diaghilev’s death. It was choreographed by Balanchine and designed by Naum Gabo and Anton Pevsner. Colorful and vibrant, La Chatte tells the story of a young man who falls in love with a cat. With Aphrodite’s help, the cat turns into a girl but is put to the test during a fantastic Scherzo when the goddess sends a mouse through the bedroom. The girl is unable to resist her instincts and chases the mouse; she is then transformed back into a cat.

This collection is enjoyable to listen to for its variety and brightness, in addition to being significant for its history.

Diaghilev-Ballets Russes Vol 9

SWR Music/Hanssler Classic

German Radio Philharmonic Orchestra conducted by Robert Reimer

74 minutes

Filed Under: DVDs Tagged With: ballet russe, ballets russes, diaghilev, la chatte

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