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Angela Dice Nguyen – From Chicago To San Francisco

September 10, 2014 by Rachel Hellwig

Angela_self_portrait_of_a_woman
Angela Dice Nguyen. self-portrait of a woman by Demis Volpi. Photograph by Vin Reed.

How many seasons did you perform with DanceWorks Chicago?

I performed with DanceWorks Chicago for three full seasons: 5, 6, and 7. My finale performance was the company’s first tour of the new eighth season, so my time with DWC correlates fairly well with a common count-off phrase dancers use to come together in preparation for a strong start: “5, 6, 7, 8…”

What did you learn at DanceWorks Chicago and how has it helped you?

When to make a pun, how to “go from good to great,” and what not to wear during a photo shoot: this is what I have learned at DWC, among other things, such as embracing a sense of humor. In all seriousness though, DanceWorks Chicago has changed my perspective of the world. Through dance as the means of exchange and communication, I have learned that I am only one of countless others, and yet I am the only one of me. My curiosity and bravery towards the new and unknown exist because of the respect I have developed for personal exploration, shared experiences, and permission to make mistakes. Julie Nakagawa, through thoughtful guidance, somehow crafts a way to encourage focus in certain areas and emphasizes that the journey matters more than the product or destination. I learned how to learn at DanceWorks, which is an empowering realization, and I can continue moving forward with this invaluable tool.

What was one of your favorite pieces that you danced in for DanceWorks Chicago? Could you describe it a little for us? [Read more…]

Filed Under: Dancer Spotlight Tagged With: Angela Dice Nguyen, danceworks chicago, Demis Volpi, Joshua Manculich, Julie Nakagawa, Monologue by Joshua Manculich, Robert Moses’ Kin Creativity and Phrasing Worksho, Sarah Bush Dance Project, self-portrait of a woman by Demis Volpi

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