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Stacey Pepper Schwartz On Dance

July 16, 2010 by 4dancers

Today, Stacey Pepper Schwartz is here with 4dancers to share some more thoughts on dance…

1. What is the benefit of teaching children about “creating shapes” when it comes to dance?

Interesting question.  I don’t really think I teach kids about creating shapes.  We all create shapes when we move, we do it naturally.  I teach kids to become aware of their bodies and become aware that they are creating shapes.  We break down shapes into straight lines, angles and curves.   What does a straight line feel like and look like?  Bend the line and create a point.  Now it is an angle.  How is that different then a straight line?  Soften that angle, make it round.  Now you have a curve.  Dance freely around the space, now stop.  What kind of shape are you in?  Are there angles, curves and straight lines?  Are your arms in one shape and your legs in another?

Stacey Pepper Schwartz

If kids understand the elements of movement then learning and perfecting technique can be a natural progression in their dance education.  If you ask a child to keep her leg straight when she turns and her arms curved, well this is not that difficult because you have explored shape already.  The young dancer has the resources and experiences to pull from.

The benefit of learning about creating shapes is learning about what the body can do, as well as learning about the images and ideas the body can invoke.  If you ask your students to tell you about a tree, they might say it has a big trunk, the roots go deep into the ground and it has branches reaching upward.  Have the dancers create the tree shape in their bodies. Next, have your students then observe a tree.  Discuss the shapes, the curves, the bulges and knots in the trunk, the branches that bend down to the ground in an angle.  Now have your students create the shape in their bodies again.  You will have shapes that you probably have never seen your students create before. 

2. What age group do you like working with best and why?

This is going to sound like a cop-out but any age that is in front of me.  Each age has its own challenges but the important thing is to have an objective and to be aware of the developmental milestones of each age.  I actually love teaching various ages together. It is very challenging but there is something so beautiful when all ages can move together, connected by a physical experience.

3. How has having a daughter impacted your work as a dance teacher?

I would never have created Up Down & All Around, the creative movement DVD for kids and parents.  It was because I wanted to teach and create and I had to find a solution to teach without being in a studio all the time.   Also, my focus changed.  I wanted to reach out to more families and explore teaching families the joy of moving together.  I dance with my daughter all the time.  I danced with her ever since she was little.  But I never taught her how to dance.  Kids know how to dance.  I guess my philosophy deepened when I danced with her.  Teaching dance is about teaching body awareness, spatial awareness, the elements of movement as well as technique and placement.  Yes, there is a correct way of spotting or stretching but there is no wrong or right way of moving.

Watching my daughter dance, and dancing with her solidified this in me.  Dance is organic.  I appreciate this more now.

4. In your experience, what types of ideas are hard for young children to understand in dance class?

Hmm.  Space is difficult.   I always start with spatial awareness.  I find for a successful and safe movement experience this is a must.  This is a difficult concept for kids to understand because they have to be aware not only of themselves but the people and things around them.  And developmentally this can be challenging.

5. If you could tell people who have kids one thing about finding a good dance teacher, what would it be?

I would tell parents to find a dance teacher that is a good teacher.  What I mean by this is find someone that is focused on the development of the child, on the overall learning experience of the child.  It is not just about a great performance at the end of the year, but a wonderful experience throughout the year. 

Bio: Stacey is the Founder and Director of Leaping Legs Creative Movement Programs. The focus of Leaping Legs Creative Movement Programs is to help people regardless of age, experience or ability, become educated about their movement potential, develop kinesthetic awareness, and become more physically fit and healthy together as a family, and community.Leaping Legs promotes its goal through the original Up Down & All Around DVD. Utilizing the elements of movement, the video entertains as it motivates kids and their families to exercise together using movement games, silly exercises and challenges. The DVD received Dr. Toy’s 100 Best Children’s Products 2009 Award and 10 Best Active Products 2009 Award. The DVD has also been featured in many magazines. In its August 2009 issue, Dance Teacher called the DVD “an essential tool for teaching the fundamentals of movement.”   

Stacey received her BFA in dance performance at Montclair State University and her MA in dance education from Teachers College, Columbia University. She has taught as an artist in residency and guest artist in public and private schools for over twelve years.

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Filed Under: 4teachers, Studios Tagged With: dance, stacey pepper schwartz

Teaching Tip: Reversing Combinations

July 5, 2010 by 4dancers

Teaching TipWhen I was a child, my dance teacher did something wonderful–she had us reverse combinations. Most of the time she would do this with small jumps, and it really made us think quickly. At first it was very hard, but after a while, I began to understand how to break things down into pieces and do them in reverse.

This helped prepare me for complex combinations later in my career. I was always able to pick things up fairly quickly, and I truly think that this is one of the reasons why.

One caveat–don’t do this with beginning students. They have enough work to do in terms of doing things properly. Reversing combinations is something best left for intermediate and advanced classes.

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Filed Under: 4teachers, Studios, Teaching Tips Tagged With: class, dance, reversing steps, teaching dance

Using Hashtags On Twitter

June 16, 2010 by 4dancers

If you are a Twitter user, the hashtag is your friend.

Hashtags are the # symbol, and on Twitter they are used to mark a certain subject for a search. For example, if I were to do this: #dance, it would categorize my tweet under dance in a search for that subject. While it doesn’t guarantee that people will find your tweets–it can really help!

Want to learn the details? Take a look at the Twitter page that gives you all the details.

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Filed Under: 4dancers, 4teachers, Social Media, Studios Tagged With: dance, hashtags, twitter

Dance Sabbaticals Do The Body Good

May 4, 2010 by 4dancers

Today we have the first post from 4dancers newest contributing writer. Please welcome Lucy Vurusic Riner…

I have been teaching dance to high school students for over 14 years.  In 1996 I student taught at Stevenson High School and got my very first teaching job there: ripe out of college.  I’ve been in the suburban public school system ever since.  Most of my thus far adult teaching life has been at Oak Park and River Forest High School in Illinois, where I am the dance program director.  I love  teaching and I love high school.  Yes, I’m one of those rare people you meet that loved those four years of her life.  It seemed natural to go back to this place I loved and teach what I love most.  Great life….I know.

But about two years ago I started getting cynical, resentful and just plain mean.  I couldn’t put my finger on why I was so bitter.  Going to work wasn’t nearly as fun and students were getting on my nerves on a daily basis.  All I saw in front of me were egotistical, self-absorbed teenagers that constantly wanted something.  Something was wrong with this picture.  Why had the typical teenager become such a nuisance to me?  I was burnt out.  I was mad.  How had I let 14 years of good professional dance life slip by me for a bunch of adolescents?  Sure I had continued to work for smaller companies in town and produce shows independently, as well as with others, but what could I have done?  I started asking the questions of “what if?” 

And so I applied for a sabbatical.  Most school districts have some sort of sabbatical, or “leave” program for their teachers.  I am fortunate to be part of a district that allows teachers to apply for sabbatical after 10 years of service.  My district also pays half your salary and allows you to keep full benefits while you are on sabbatical. Granted, you then guarantee your school two more full years of service and show that something you did while on sabbatical would contribute to your program.  Our district gives three sabbaticals each year.  I got lucky.

So for the last year (and a half because I also had a baby, but that is another post) I have been absorbed in dance.  I immersed myself in Spanish dance to learn a new style that I could create new curriculum around.  I promised to be in 15 productions (to date I have done 12) to enhance my performance skills and truly be the dancer I could not be with a full time job.  I started my own company, RE|Dance, with a long time dancer friend.  And I have taken class and seen dance whenever possible.  This year has been exhausting….but worth every minute.

So with about 28 days left in this school year I realize that my sabbatical is coming to an end.  Most people I run into ask me if I am sad.  Surprisingly, I am not.  This year has given me everything it was supposed to:  the opportunity to perform, the time to take class and improve my own technique and the learning of new ideas and ways to engage my students through my own personal experiences.  But the most important gift this sabbatical has given me is the renewed appreciation for my students.  I miss them.  All of them.  I cannot wait to get back in that classroom and teach them everything that I know and continue to learn about dance.

If we are to be good teachers, we must forever be students as well.  Taking time away from teaching has reminded me why I chose this profession in the first place.  I know I am lucky to work in a place that provides these opportunities for its teachers.  But whether this is a luxury you have or not, ask yourself what it is you need the next time you find yourself irritated with a student or frustrated with a show.  As artists it is our job to be true to ourselves.  If we aren’t, we can’t create meaningful work, and we surely can’t have meaningful connections with our students.  Find time to revisit who it is you wanted to be when you first started out. 

Sabbaticals do the body good.

Lucy Vurusic Riner

Contributor Lucy Vurusic Riner is a native Chicagoan who has been supporting and contributing to the dance community for over twenty years. She received her BS Degree in dance and dance education from Illinois State University.  Lucy has been a member of Molly Shanahan/Mad Shak Dance Company, RTG Dance Company and Matthew Hollis’ “The Power of Cheer.”  She has also had the opportunity to be part of the community cast of White Oak Dance Project and David Dorfman Dance.

Lucy has taught modern, hip hop, and jazz at numerous studios and high schools in the Chicagoland area.  She has been the Director of Dance at Oak Park and River Forest High School since 1999. In 2005, Lucy completed her Masters Degree in Education from National Louis University and also received the Midwest Dance Teacher of the Year award and was the youngest of four finalists in the running for the National Dance Teacher of the Year award.  Lucy and artistic partner, Michael Estanich, formed RE|Dance in 2010.  This dancer theater company investigates humanity in movement through long distance collaboration.  Lucy has also begun work on a long-term project entitled, “The Moving Vessel” which explores the impact of motherhood on the professional dancer.  When Lucy is not working with independent choreographers and producing her own shows, she is at home with her two great kids, Margie and Luka, and her very supportive husband, Jim.

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Filed Under: 4teachers, Editorial Tagged With: dance, david dorfman dance, lucy vurusic riner, mad shak, matthew hollis, molly shanahan, oak park river forest high school, rei dance, rtg dance company, sabbatical, the power of cheer, white oak dance project

National Dance Week 2010

April 28, 2010 by 4dancers

If you aren’t already aware, this week is National Dance Week, running from April 23rd to May 2nd…

Many activities are going on to celebrate dance this week in all forms and the official “National Dance Week” organization offers many ways to get involved. If you weren’t on board this year, take a look at some of the events and contests they offer and gear up for joining in next year…

This offers studio owners, schools and universities ample opportunity to bring about an awareness of dance, as well as raise the profile of the program or business within the community. Start planning now for 2011!

Filed Under: 4dancers, 4teachers, Organizations, Studios Tagged With: 2010, dance, national dance week

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