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Finis: A Different Angle

September 30, 2011 by 4dancers

by Christopher Duggan

My job at Jacob’s Pillow Dance Festival allows me to experiment with different angles and types of shots and practice how these different approaches to dance photography can aid the festival and the company in different ways. When Lar Lubovitch Dance Company performed at the Ted Shawn Theatre, I was able to photograph dress rehearsal from the front of the house as well as performances from backstage.

My front of house photo session was all about getting “the shot” for the press reviewing the dances. In order to get a great shot for press I have a few things on my mind: shoot horizontal, don’t cut off hands or feet or toes, show the choreography, find trios and small groups, look for “signature” moments that showcase the piece.

Backstage, without these constraints, I was able to capture the dances more playfully. I was only feet away from the dancers and so I paid closer attention to the dancers’ facial expressions, catching little momentary exchanges between them and moments of emotional connection with the choreography. The life in the backstage photos makes them a terrific fit for marketing materials. The images are much closer and more intimate, you can see the dancers’ personalities and the hard work that goes into their performance.

You can see more of my photos from front of house vs. backstage on my blog at: http://blog.christopherduggan.com/2011/09/jacob%E2%80%99s-pillow-dance-festival-lar-lubovitch-dance-company/

Christopher Duggan, Photo by Julia Newman

Contributor Christopher Duggan is the founder and principal photographer of Christopher Duggan Photography, a New York City-based wedding and dance photography studio. Duggan has been the Festival Photographer for Jacob’s Pillow Dance since 2006. In this capacity, and as a respected New York dance photographer, he has worked with renowned choreographers and performers of international acclaim as well as upstarts in the city’s diverse performance scene. Duggan often teams up with his talented wife and Pillow videographer Nel Shelby. A husband and wife dance documentation team, they are equipped to document performances, create and edit marketing videos and choreography reels, and much more. Visit Christopher online at www.christopherduggan.com.

Filed Under: Finis Tagged With: christopher duggan, dance, dance photography, dress rehearsal, jacob's pillow, lar lubovich, ted shawn theatre

The Business Of Dance: Balance & Opposition In All Things

August 26, 2011 by 4dancers

by Lizzie Leopold

Photo by Matthew Gregory Hollis, Choreography by Lizzie Leopold - une elephante, Tickets to premiere of this work at Brown Paper Tickets ( http://www.brownpapertickets.com/event/181387)

Balance seems like a potent metaphor for running a dance company.  High on releve, eyes fixed on one still point, center held tight, arms strong, shoulders relaxed and just a little bit of luck…

Whether you are a one-man-show, wearing all the hats yourself, or an organization with a hundred employees, the balance of the artistic and administrative branches is a significant challenge.  The priority to make new, exciting dances and the priority to run a solvent, growing business continually compete for top billing.

One of my favorite explanations of this divide comes from twentieth century German-born philosopher Theodor Adorno.  He calls it culture vs. administration.  Culture, the artistic branch, is the reflection of pure humanity without any regard for its functional relationships within society.  It is defined by a spontaneity and is not concerned with expansion or preservation.  One the other end, Adorno’s administration is the task done “looking down from on high,” that assembles, distributes, evaluates and organizes.  Administration has the unavoidable tendency towards expansion, both quantitatively and qualitatively.  These categories slip seamlessly and eerily onto the mold of the not-for-profit dance company.

The two branches are both completely opposed and yet completely dependent on one another.  The challenge from the outset is a precarious balancing of artistic vision and commerce, a dance between art and money carefully choreographed by the artist and facilitated by the board of directors and administrative team. [Read more…]

Filed Under: 4dancers, Editorial, The Business Of Dance Tagged With: administration, dance, dance class, lizzie leopold

Feet–Glorious Feet

August 3, 2011 by 4dancers

by Stacey Pepper Schwartz

Summer is a time when you see people walk around in bare feet.  Usually I only see this in a creative movement or modern dance classes.  People can be very shy about their feet.  We tend to see feet as a mode of transportation instead of a body part.  We hide our feet in shoes, boots or sneakers.  But in summertime out come the feet.  Sandals, flip flops, and yes, sometimes bare naked.  Around Memorial day I heard a lot of my friends proclaiming they needed pedicures because summer was coming.  I found this comment so strange because I don’t feel feet need to be dressed up to be shown in public.

Most kids love to pull off their shoes and socks the moment they get a chance.  Whenever I ask my daughter to take off her shoes, her shoes come off  and then her socks fly off in two different directions.  I can’t keep track of her socks because I can’t keep them on her feet.  At some point, maybe in the teenage years when feet start to sweat or smell, people become shy or even disgusted by feet.  Now is the time to explore our glorious feet because they are not hidden away in some formidable boots. [Read more…]

Filed Under: 4dancers, 4teachers, Editorial Tagged With: bare feet, dance, dancers, feet

10 Questions With…Tim O’Shei

August 1, 2011 by 4dancers


Today on “10 Questions With…” we have Tim O’Shei from Live! Starring … You!

Tim OShei, Heather Morris, Ina Summers

1. Can you tell readers a bit about your background in writing?

Sure. I’ve always focused on entertainment, sports, business and children’s writing. The magazines I’ve written for range from Dance Spirit to The Sporting News to Scholastic’s Scope, which is for middle schoolers. As an author, I’ve written more than 60 books for kids on subjects like spies, princesses, and survival.

One of my favorite things about writing books is author visits in schools. When I do those visits, I like to tell kids about my succession of dreams, all of which seemed to fail (but actually didn’t): When I was 4, I wanted to become Superman – but couldn’t fly. At 10 I wanted to become a rock star – but the only instrument I was good at was the tuba. Then, at 14, I wanted to be a baseball player — but couldn’t hit the ball.

By 16, I realized I was pretty good at writing, and that I loved doing it. I pitched a story about a baseball scout (who was also a family friend) to a national magazine called Baseball Digest. The editor called and said, “I like your idea, but I have no idea if you can write. Go ahead and do it, and if we like it, we’ll pay you $150 and publish it. If not, then that’s it.” So I went ahead and did the interviews, wrote the story, and got it published. The editor was pretty happy with it and offered for me to do more writing for the magazine. So, in 11th grade, I ended up interviewing big-league baseball players in the locker room and on the field.

Through that, I realized that that writing was a great way to touch all of my dreams – and in a sense, make them come true. Over the next bunch of years, I interviewed hundreds of athletes as a sports writer and hundreds of performers – including rock stars – as an entertainment writer. Once I got to play a game of “professional” baseball, which was actually a movie shoot. (I was writing a story about this baseball movie and they asked me to be an extra, playing left field for a team called the Omaha Royals.) I even interviewed two actors who played Superman – Christopher Reeve and Dean Cain – which I suppose is the closest I could possibly come to that dream!

2. You have written for dance publications during your career. Which ones have you done articles for and how did you get involved with the dance world?

I’ve written a bunch of stories in the last four to five years for Dance Spirit and Dance Teacher. Both are great magazines. I got started when I met a woman named Katia Bachko, who at the time was a Dance Teacher editor, at a writing conference in New York City. I was working on the original Live! Starring … You! book at the time, and wanted to incorporate dance into it. I figured the best way was to write about it.

When I met Katia, she looked at me and said, a bit hesitantly, “Do you dance?” I’m 6-foot-1 and more than 200 pounds  — and I wish I could dance.

“No,” I told her. “But my wife was a dancer. And I’m a teacher.” (Which is true — I’ve taught elementary, middle, high school and college.) Then I added, “So I figure I could write for Dance Teacher!” That worked. I started writing for DT, and DS soon followed.

A funny side note: I actually made my dance debut recently in a dads’ routine for my daughter’s studio. I was dressed as a tulip – with green petals and pink tutu and ribbon socks – and we did a two-minute ballet to Tiny Tim’s “Tiptoe Through The Tulips.” That really made me appreciate dancers’ skills!

3. What do you enjoy about writing articles that have to do with dance?

Dancers impress the heck out of me. They’re so incredibly skilled and passionate. Dance is a perfect mix of athleticism, story telling and visual art.

Beyond that, I’m also fascinated by the mentality that dancers in the commercial world must adopt in order to survive. When you’re a backup dancer for big pop star – Lady Gaga, Beyoncé, Usher, Britney, Rihanna, Justin Bieber, whomever – you’re right on stage, playing a key role in a huge show, and on the receiving end of massive cheers. But they’re almost never meant for you. And once you’re offstage, the makeup is off and the street clothes on, you’re a regular person. Depending how you look at it, that’s either seriously cool or (if you want to be the star) will leave you desperately wanting more.

4. Can you talk a bit about what your latest project, Live! Starring … You!, is about? [Read more…]

Filed Under: 10 Questions With..., 4dancers, 4teachers, Editorial Tagged With: dance, dance spirit, dance teacher, disney channel, glee, heather morris, icarly, justin bieber, lady gaga, live starring you, lsy, Miranda Cosgrove, tim o'shei

Review: Carla And Leo’s World Of Dance

July 20, 2011 by 4dancers

Quite frankly, this is an amazing book. Created by a former fashion model and dancer and designed for children ages 8 to 12, “Carla and Leo’s World of Dance” is well written and beautifully illustrated.

The book tells the story of best friends, Leo and Carla, who take classes at a dance studio. They sample everything from swing to foxtrot to tango. Throughout their journey, the reader learns about the history and background of each dance style as their teacher, Miss Paulina teaches them.

The book is visually engaging from the moment you see it. The cover features a darling picture of Carla and Leo dancing together, and he has sparkles on his tie while she has them dotted throughout her skirt–a detail you can’t see from the photo.

Thierry Perez is the illustrator, and he is nothing short of amazing. Every picture is imaginative and skillfully drawn–the book is really a feast for the eyes. It’s the kind of thing that as a child I would have cherished, and looked at again and again.

Author, Agatha Relota has done a wonderful job of capturing her love of dance here–it’s contagious. She strikes a nice balance between educating the reader and sharing the excitement of discovering dance for the first time. I also appreciated the fact that she chose something other than ballet to highlight, as so many dance books limit themselves to that as subject matter. This one exposes kids to a wide range of styles and teaches them what countries they hail from as well. You can tell a great deal of thought went into the format. Also, Relota’s friend, Jessica Alba penned a forward for her–something that was a bit unexpected, yet interesting.

If you are looking for a terrific dance book, “Carla and Leo’s World of Dance” is as good as they come. I wish I had something this cool when I was a 10-year-old girl.

It’s stunning.

You can purchase this book on Amazon.com.

Filed Under: 4dancers, 4teachers, Books & Magazines, Dance Gifts, FOR SALE, Reviews, Studios Tagged With: agatha relota, carla and leo's world of dance, cha-cha, dance, dance book, foxtrot, jessica alba, tango, thierry perez

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