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The Dancing Literate Project

February 21, 2014 by 4dancers

by Nel Shelby

I’m amazed by Sumi Clements and Taryn Vander Hoop of Summation Dance. I started filming for them when they first started their dance company, and I was blown away by how driven and organized they were off the bat. We continued to film and edit their dance videos together and formed a really wonderful working relationship. I really respect what they continue to put out there choreographically and in their ideas of how to present dance.

Their Dancing Literate Project features performances by multiple emerging or established artists, curated by Summation Dance. The program was made to offer insight into the choreographic process and provide space for the audience to engage with the companies firsthand through Q&As with leaders in the dance world, a mini-lecture on “What to Look For” in dance and a free performance and class for kids in local public schools.

Ben Richards and Ashli Bickford filmed their most recent installment of the Dancing Literate Project at Judson Memorial Church for Nel Shelby Productions.  Take a look:

Contributor Nel Shelby, Founder and Principal of Nel Shelby Productions, is deeply dedicated to the preservation and promotion of dance through documentation of live performances, fully edited marketing reels, live-stream capture, and documentaries and films that encapsulate the essence of nonprofit organizations.

Her New York City-based video production company has grown to encompass a diverse list of dance clients including American Ballet Theater II, Bill T. Jones/Arnie Zane Company, Gallim Dance, Gotham Arts, Kate Weare and Company, Keigwin + Company, Monica Bill Barnes Company, The New York Public Library for the Performing Arts, Shen Wei Dance Arts, Wendy Whelan and many more. She has filmed performances at venues throughout the greater New York area including The Joyce Theater, New York Live Arts, Lincoln Center, Symphony Space, St. Mark’s Church and Judson Church, to name a few.
Nel Shelby, Photo by Matthew Murphy
Nel Shelby, Photo by Matthew Murphy

For the past eight years, Nel has served as Festival Videographer for the internationally celebrated Jacob’s Pillow Dance Festival in the Berkshires. Each season at the Pillow, Nel’s responsibilities include documenting aspects of festival culture in addition to its 20 mainstage dance performances, filming and overseeing documentation of more than 100 free performances and events, managing two dance videography interns and an apprentice, and educating students about the technical and philosophical aspects of filming dance.

She now also serves as Resident Videographer at the Vail International Dance Festival where she spent her first summer creating five short dance documentary films about the festival in addition to documenting its events and performances. Her longer-form, half-hour documentary on Vail’s festival, The Altitude of Dance, debuted on Rocky Mountain PBS in May 2013.

This year, she is creating four short films for Wendy Whelan’s Restless Creature. In 2012, she collaborated with Adam Barruch Dance to create a short film titled “Folie a Deux,” which was selected and screened at the Dance on Camera Festival in New York City. Nel’s videos for the New Jersey Hall of Fame were shown to an audience of 2000 people, and she is currently editing a dance documentary featuring Nejla Y. Yatkin that she filmed for three-and-a-half weeks in Central America in 2010.Nel has a long personal history with movement  – she has a B.A. in dance and is a certified Pilates instructor. She continues to train with world-renowned Master Teachers Romana Krysnowska and Sari Pace, original students of Joseph Pilates. In addition to her dance degree, Nel holds a B.S. in broadcast video. She often collaborates with her wonderful husband, dance photographer (and fellow 4dancers contributor) Christopher Duggan on creative projects with dancers in New York City and beyond. They live with their beautiful daughter Gracie in Manhattan.

Filed Under: Dance Video Tagged With: dance video, dance videography, dancing literate project, nel shelby, summation dance

Dance Promo Video: Dance Education Lab Open House

December 15, 2013 by 4dancers

by Nel Shelby

I absolutely love working with Dance Education Lab (DEL)! This video shows off their amazing Open House with David Dorfman, Randi Sloan, Jody Arnhold and other top names in the dance world focused on the power of dance education. One of our dance video editors Ashli Bickford created this video for DEL.

Jody Arnhold is such an advocate for dance education. When I’m in Jody’s presence I feel like the power and importance of dance education is seeping from her bones. She has such a clear passion, and she collaborates with the best dance artists possible to help her express it.

I’d hear Ashli laughing out loud as she was listening through her headphones to what the dance educators were talking about while she edited. There’s a lot of joy in this video and you can feel it.

Dance Education Laboratory Open House Workshop from Nel Shelby on Vimeo.

Contributor Nel Shelby, Founder and Principal of Nel Shelby Productions, is deeply dedicated to the preservation and promotion of dance through documentation of live performances, fully edited marketing reels, live-stream capture, and documentaries and films that encapsulate the essence of nonprofit organizations.

Nel Shelby, Photo by Matthew Murphy
Nel Shelby, Photo by Matthew Murphy

Her New York City-based video production company has grown to encompass a diverse list of dance clients including American Ballet Theater II, Bill T. Jones/Arnie Zane Company, Gallim Dance, Gotham Arts, Kate Weare and Company, Keigwin + Company, Monica Bill Barnes Company, The New York Public Library for the Performing Arts, Shen Wei Dance Arts, Wendy Whelan and many more. She has filmed performances at venues throughout the greater New York area including The Joyce Theater, New York Live Arts, Lincoln Center, Symphony Space, St. Mark’s Church and Judson Church, to name a few.

For the past eight years, Nel has served as Festival Videographer for the internationally celebrated Jacob’s Pillow Dance Festival in the Berkshires. Each season at the Pillow, Nel’s responsibilities include documenting aspects of festival culture in addition to its 20 mainstage dance performances, filming and overseeing documentation of more than 100 free performances and events, managing two dance videography interns and an apprentice, and educating students about the technical and philosophical aspects of filming dance.

She now also serves as Resident Videographer at the Vail International Dance Festival where she spent her first summer creating five short dance documentary films about the festival in addition to documenting its events and performances. Her longer-form, half-hour documentary on Vail’s festival, The Altitude of Dance, debuted on Rocky Mountain PBS in May 2013.

This year, she is creating four short films for Wendy Whelan’s Restless Creature. In 2012, she collaborated with Adam Barruch Dance to create a short film titled “Folie a Deux,” which was selected and screened at the Dance on Camera Festival in New York City. Nel’s videos for the New Jersey Hall of Fame were shown to an audience of 2000 people, and she is currently editing a dance documentary featuring Nejla Y. Yatkin that she filmed for three-and-a-half weeks in Central America in 2010.Nel has a long personal history with movement  – she has a B.A. in dance and is a certified Pilates instructor. She continues to train with world-renowned Master Teachers Romana Krysnowska and Sari Pace, original students of Joseph Pilates. In addition to her dance degree, Nel holds a B.S. in broadcast video. She often collaborates with her wonderful husband, dance photographer (and fellow 4dancers contributor) Christopher Duggan on creative projects with dancers in New York City and beyond. They live with their beautiful daughter Gracie in Manhattan.

Filed Under: Dance Video Tagged With: dance education lab, dance video, david dorfman, jody arnhold, nel shelby, randi sloan

Making “Mr. Gaga” – A Film About Choreographer Ohad Naharin

December 11, 2013 by 4dancers

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Tomer Heymann, Director

Today we are pleased to share with readers an interview with Tomer Heymann – the man behind countless hours of footage of the well-known dance figure Ohad Naharin. Heymann is working to create a film about the choreographer (Titled, “Mr. Gaga”), and it has been a project to which he has truly devoted himself.

1. How did you first meet Ohad Naharin?

I met Ohad Naharin more than twenty years ago on one of my vacations from military service. My aunt was a director of the Batsheva Dance Company at the time and I got a ticket to see Naharin’s piece “Kir” (“Wall”). This was the first piece he staged in Israel after his return from the U.S. I had never seen any dance before in my life, so I didn’t know what to expect.

But from the moment I saw the dancers move, the movement, their bodies, I just couldn’t take my eyes off it. By the end of the show, my eyes were sore from staring. It was phenomenal. Since then I haven’t missed one of Ohad’s productions: I have seen 25 of Ohad’s pieces, and more than once. A few years later, I also fell in love with a dancer from Batsheva.

One time, when I was working as a waiter in a coffee shop, I found the courage to introduce myself to Naharin.

2. What made you decide to do this film?

Even before I’d become a filmmaker, I felt I had to be close to this man. I had to understand how he creates something that magnificent, that inspiring. As we became friends I never abandoned the idea of making a film about Ohad Naharin. But only after I had made a few films, did I feel able to approach him and ask. This turned into an obsession, I stalked him. And only 7 years ago did he finally agree to let me bring a camera to the studio.

3. Did you find that filming dance was a challenge? Why or why not?

Before agreeing to participate in “Mr. Gaga” Ohad had many times told me that he forbids the filming of dance, as it goes against the momentary and fleeting nature of dance. This is why it was very challenging for me to shoot and edit this film. Where do you cut when you are editing a wholesome creation, a dance piece? I hope that I have managed to capture these moments, to make a collection of these moments that evolves into something larger than just the sum of its parts and also tells a story.

4. Where has the filming taken you in terms of following Ohad and Batsheva?

I have followed the company to seven different countries and spent countless hours in the studio in Tel Aviv. I’ve witnessed some dancers “grow up” with the company and Naharin, starting in the ensemble as kids 18-19 years old and then coming to the company to become extraordinary dancers–and then move on to other places. For example Sharon Eyal, once a prodigy of the company, and present a lot in our footage, now is one of the leading choreographers in Israel and Europe. Danielle Agami, another talented dancer now has her own successful company in L.A.

Being with Batsheva and Ohad Naharin really became a part of my life. It is safe to say that I spent 1 to 2 days of every week in the past seven years with them, not counting the hours I spend in the editing room.

“Mr. Gaga” is a film that took me one step further as a filmmaker, as a director – in terms of the responsibility it demanded from me, the amount of people involved, the volume of materials to be processed, and in terms of the time and resources I am investing. Ohad is such an influential figure in his field, and this puts a lot responsibility on me to deliver a film that will match his stature.

5. In your view, what stands out about this man and this company?

What is so interesting about Ohad Naharin is that he is one of the rare choreographers who appeals to a very wide range of audiences; not just regular dance fans who are familiar with classical ballet. His language and art are universal; it goes deep into something primal in our emotional selves–to our bodily awareness of ourselves. And he also does this without becoming “pop” or compromising his art. On the contrary, Naharin always finds new ways to recreate, to redefine his language.

6. What has been the biggest challenge in this process so far?

There was a lot of resistance. It may seem like a very rosy picture from the outside: We are friends, we are intimate and I am making a film about Ohad Naharin over seven years. But the opposite is true. Ohad is a difficult and complicated man and he gave me a hard time. There was a lot of resistance. Sometimes he would just say “cut” – as if he were the director – he would just “cut” the communication, stop cooperating with me, exclude me from his space. But in these moments I knew we were only spiraling deeper in our relationship, reaching yet another new level of intimacy.

Tomer and Ohad Naharin

7. Can you talk about a special moment you experienced while filming?

One example–I knew that Ohad had a TREASURE chest in his home: An enormous collection of still images, recordings, rehearsals, performances, family footage; his work in New York with Martha Graham, work with Maurice Béjart, his first wife – the legendary Alvin Ailey dancer, Mari Kajiwara, many many things. I was obsessed with these materials for years; I knew that I had to get them into the film somehow.

And suddenly this year I felt that we had reached the point where I could ask for it. I just told Ohad: “Give me this!” And he just gave it to me, all of it, just like that. He just handed over his past into my hands.

8. What do you think people might be surprised to learn about Ohad Naharin?

Ohad harbors a very sensitive nature under his tough appearance. People might also be very surprised to discover Ohad’s sense of humor and the relationships he builds with the dancers.

9. What does the next phase of this project look like, and when are you hoping to finish it?

Right now we are processing the footage shot over the past year and adding it to the rough cut. It includes Ohad Naharin working on his latest creation “The Hole” with the Batsheva Dance Company. Interesting footage because there was a special octagon stage created for this piece in one of the studios of the Suzan Dallal center in Tel Aviv, with dancers also standing right behind the audience and even under the very ceiling. It’s really a 360 degrees experience for the audience; something very special. We also filmed Ohad working on his repertoire in Finland and we travelled with him to New York.

At the same time there is a team of 5 very experienced researchers that are looking for any piece of archival material there can be found about Ohad Naharin or the company. We are finding unbelievable footage and all of that needs to be incorporated into the film as well.

Should we succeed with our Kickstarter campaign we will be able to acquire this footage and to proceed with the post-production. We are planning to release the film in spring 2014, in conjunction with the celebrations of the 50th anniversary of the Batsheva Dance Company in Israel and in the U.S.A.

Filed Under: Dance Video, Making Dances Tagged With: choreographer, dance film, dance video, mr. gaga, Ohad Naharin, Tomer Heymann

Filming “Where Women Don’t Dance”

November 15, 2013 by 4dancers

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by Nel Shelby

Four years ago, I was invited by choreographer Nejla Y. Yatkin to follow her dance company NY2 Dance on tour in Central America. Our daughter Gracie was only 15 months old, and I was ready to say no – that I couldn’t take this on right now, but something told me there was something too special about this opportunity to pass up.So I packed my bags and left Gracie home with Christopher. I filmed hours and hours of performances, workshops, site-specific works and personal interviews during the tour, and the more I filmed, the more I realized that this story we were telling was bigger than we ever imagined. It wasn’t documenting performance or experience on tour – it was documenting Nejla’s personal story of strength and perseverance in her culture and career. We’ve held on to the footage for far too long, and it’s time to make this film.  Where Women Don’t Dance is a truly inspiring story. It translates beyond the personal, beyond the dances performed on stage. In many ways, this documentary is a contribution to a more serious conversation about the ways women face restrictions in full expression near and far.In a time when politicians, business leaders, news outlets and more and more women are openly discussing how to deal with glass ceilings, achieve equal pay for equal work and find balance professionally, spiritually and personally at work and at home, we need to finish this film and add to the discourse. So we’re working on it!!

In our film, Nejla opens up about her personal passion for dance and the conflicts it has posed within her family and community. Born to Turkish parents in Berlin, Nejla and her family were expected to honor their roots and culture through their everyday actions. Encouraged by her parents, she studied Turkish folk dance at a very young age. Folk dance was a way for her to connect to her heritage. They didn’t realize it was also an entryway into the wider dance world – a realm where she learned to truly express herself. At the age of 14, Nejla started studying with two dance teachers from New York City. They changed her life as they introduced her to new ways of moving. (How many of us have had dance teachers that have changed our lives? I’m pretty sure we all relate to this part!!) But contemporary styles of dance would not be received well by her parents, and performance was out of the question. It is considered a sin in her culture for women to dance in public. So Nejla continued to study but was forced to hide this part of her training and her life from everyone she knew.

I invite you to watch our trailer and learn more about how we’re raising the money to make this film a reality.  Please help us spread the word about this beautiful film. We can’t wait to share it with you!

Where Women Don’t Dance: My Next Documentary Project from Nel Shelby on Vimeo.

Nel Shelby, Photo by Matthew Murphy
Nel Shelby, Photo by Matthew Murphy

Contributor Nel Shelby, Founder and Principal of Nel Shelby Productions, is deeply dedicated to the preservation and promotion of dance through documentation of live performances, fully edited marketing reels, live-stream capture, and documentaries and promotional films.

Her New York City-based video production company has grown to encompass a diverse list of dance clients, and she works with an ever-wider variety of dance artists each year in her role as the Festival Videographer at Jacob’s Pillow and as Resident Videographer at the Vail International Dance Festival. Her half-hour documentary on Vail’s festival, The Altitude of Dance, debuted on Rocky Mountain PBS in May 2013. She collaborated with Adam Barruch Dance to create a short film titled “Folie a Deux,” which was selected and screened at the Dance on Camera Festival in New York City.

Nel has a B.A. in dance, a B.S. in broadcast video and is a certified Pilates instructor. She often collaborates with her wonderful husband, dance photographer (and fellow 4dancers contributor) Christopher Duggan on creative projects with dancers in New York City and beyond. They live with their beautiful daughter Gracie in Manhattan.

Filed Under: Uncategorized Tagged With: dance film, dance video, nejla y. yatkin, nel shelby, women dance

Musings: Stimulate – Intrigue – Captivate

January 27, 2012 by Kimberly Peterson

by Kimberly Peterson

There is a quality in movement that I love to see and makes me engage with material in a completely different way than other dance. It’s hard to describe, but I know it when I see it. In fact, I find most people have a certain stylistic choice or a certain way of moving that feels good to them, or that is interesting to watch or work within.

This clip instantly captured me. I realized that it sort of encapsulated the continuous motion that intrigues me as a choreographer, stimulates me as a dancer and captivates me as an audience member. It is the union of opposites that intrigues me – lightness and weight, controlled and yet abandoned, strength and yet ease…the complexity and texture this creates in performance is breathtaking to me and yet is not accidental. [Read more…]

Filed Under: Editorial, Musings Tagged With: audience, choreographer, class, dance video, dancer, kinesthetic

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