breaking pointe

Young Adult Dance Book: Pointe Of No Return

November 9, 2012 by 4dancers

by Amanda Brice

“Glissade, pique arabesque, and now pull into retire en face!”

And thus begins the second chapter of my second book, Pointe of No Return, which features a kidnapping (and search for the missing girl) during Nutcracker rehearsals at a performing arts boarding school. My heroine, freshman ballet student Dani Spevak, is assigned to understudy her rival Hadley Taylor as the Sugar Plum Fairy, when Hadley goes missing. And in typical Dani fashion, he sets out to find her.

I’ve never solved mysteries, but Dani and I have several things in common. First of all, we love to dance. Okay, that’s a given. You probably share that with us as well, if you’re reading Catherine Tully’s wonderful 4dancers blog.

We both consider Nut season to be “the most wonderful time of the year” (even though my 3-year-old told me yesterday she can’t go see Nutcracker because she’s allergic to nuts). And we’ve both ended up getting to perform in a ballet even when we thought we’d been relegated to understudy status.

In my case, I was understudying a performance of Gaite Parisienne and one of the older girls in the company got hospitalized with bulimia. It was a weird feeling for me. A real paradox. On the one hand, I was super excited to get to perform, but that meant that Rachel was very, very sick. And you can’t exactly celebrate that, you know?

Same thing with Dani. Hadley’s missing, and it’s actually not in her best interest to find her – this way she gets to dance – but how can you really celebrate that (even if Hadley is the meanest girl in school)? You can’t.

So I took that awkward feeling and built a story around it. Only I changed the basic facts as to why my heroine got to dance. Because while a story about eating disorders might be relevant from a social commentary standpoint (and I do weave them in as a subplot), it probably wouldn’t make for a very good plot. (Or at least not the type of plot I write.) [Read more…]

Dance Blog Spotlight: Swan Lake Samba Girl

August 17, 2012 by 4dancers

Today I’m excited to introduce Tonya Plank, author of one of the early dance blogs on the web (Swan Lake Samba Girl). I can remember reading it years ago, and it’s every bit as good today as it was then. Say hello to one of the early adopters, and see where her journey has taken her…

1. Can you tell readers a bit about your background in dance?

As a child, I took ballet, tap dance, jazz, and acrobatics, concentrating the longest on ballet. But I gave that up once I went to college. I was just too busy. As an adult, I took up ballroom dancing – mainly to alleviate stress from my day job, as a lawyer. I ended up loving it so much, I started competing at the amateur level. That rekindled my childhood passion for ballet, and I started going to a lot of ballet performances in New York, where I lived for many years, before moving to L.A.

2. When did you begin your blog-and why did you start it?

I started my dance blog in mid-2006. I was competing in ballroom dance competitions and I’d just gone to Blackpool – the mother of all ballroom dancing comps. I started my blog to document my journey as a dancer – really, to capture the trials and tribulations of learning to dance and compete in dance as an adult. Later, I got very busy and ballroom dancing became expensive and I stopped competing so much. But then I started going to the ballet, and to other kinds of concert dance performances in NYC and my blog kind of grew into a blog about watching dance. Soon, I had a loyal following of other dance-goers, other ballet lovers.

3. What does your blog cover?

My blog now covers mainly ballet and modern dance performances.

I’ve moved to Los Angeles, so I write mainly about what’s going on in dance in Southern California. I also try to write about the TV dance shows as often as I can. I especially like to cover the new ones – like “Breaking Pointe” on CW, and now “A Chance to Dance,” which will premiere on Ovation TV in August. I also try to keep up with the ballroom dancing competitions as much as I can.

4. What has been the best part about participating in the dance community online? [Read more…]

Ballet Dancers: Special, But Expendable….

July 3, 2012 by Kimberly Peterson

by Kimberly Peterson

In the new series “Breaking Pointe”, a documentary style show highlighting the world of professional ballet inside Ballet West from the CW network, there are several brilliant things which happen here: 1) – a no holds barred look at life as a professional dancer, the ups and downs of this on their professional and personal lives, their own development as artists and people; 2) – it brings into sharp relief the nature of the competitive atmosphere of professional ballet and the ramifications of this atmosphere on the work ballet produces.

In the first episode, we are introduced to several of the dancers in differing points in their careers, who are getting ready for their annual contract renewals, or conversely, their pink slips. The Artistic Director, Adam Sklute, in speaking about how he must make difficult decisions for the good of the company, states: “The best recipe for creating a hardworking and well-functioning dancer and artist is if all the dancers know that they are special, but also that they are expendable.” This statement resonated with me and instinctually. I found myself bumping up against it as I watch these people struggle for an unattainable perfection, while knowing and accepting that they will never truly find it, never really have security or rest. There is only the constant pursuit of perfection.

While this may be the way in which ballet chooses to conduct itself, the manner in which they operate their business, I seriously doubt the efficacy of this kind of an environment not only on the people who work there, but also the work that is eventually produced. [Read more…]

Book Review: Breaking Pointe By Miriam Wenger-Landis

June 8, 2012 by 4dancers

by Emily Kate Long

Miriam Wenger-Landis’s latest novel Breaking Pointe is the companion to her first, Girl In Motion. The protagonist is Anna Linado, now fresh out of the School of Ballet New York and entering her first season as an Apprentice with Los Angeles Ballet Theatre. Breaking Pointe takes us through four seasons of Anna’s career with LABT. From her embarrassment at her mother’s effusiveness over Anna’s new job, to her first-day find of an old diary in her theater case, to her debut in solo after solo, to her disappointing and confusing fall from favor with the artistic staff, Anna’s narration reveals she’s wise beyond her eighteen years. She is optimistically curious about the “real” dance world and its inhabitants, and observant—but forgiving—of the shortcomings she finds there.

Slowly we see Anna’s optimism change to denial and disbelief. How can the things she reads in the diary possibly be true? How can dancers become so jaded and cynical? Injuries, lost roles, sexual harassment, company politics, guilt over the need to prioritize other areas of life, and workplace role ambiguity all take their toll on members of Los Angeles Ballet Theatre. Will the same things happen to Anna?

I loved the way Wenger-Landis uses the voice of Karina, the diary’s author, to serve as a series of interviews with the dancers and staff of LABT. For Anna, the entries provide insight into her colleagues’ sometimes mystifying behavior. They also ring true for the reader as an airing of dancers’ grievances in general. I know many dancers who have been in at least one of these characters’ fictional shoes.

Many of Anna’s career challenges initially stem from her relationship with Ethan, an older, worldlier, boy-next-door type. He is an utter outsider to the dance world, and Anna decides to take the risk of inviting him into her ballet bubble. Though she comes close to questioning her decision to let him in several times throughout the story, Ethan is Anna’s rock. Ultimately, he’s the best thing that could have happened to her, and she knows it.

Spoiler alert: in Breaking Pointe, as in many a ballet fairy-tale, love triumphs over evil, but this happy ever after is the real kind you have to work hard at. The conclusion of this novel brings to light a sad but important question for dancers: how many of us actually have the healthy relationship we want with dance? How good are we at picking up on cues in our own experiences to help us make that assessment? If anything, Breaking Pointe is a lesson in the importance of self-knowledge. I recommend it in earnest.

Purchase Breaking Pointe here

BIO: Contributor Emily Kate Long began her dance education in South Bend, Indiana, with Kimmary Williams and Jacob Rice and graduated in 2007 from Pittsburgh Ballet Theatre School’s Schenley Program. Ms Long attended Milwaukee Ballet School’s Summer Intensive on scholarship before being invited to join Milwaukee Ballet II in 2007. She also has spent summers studying at Saratoga Summer Dance Intensive, Miami City Ballet, Pittsburgh Ballet Theatre School, Pittsburgh Youth Ballet, and Ballet Chicago.

Ms Long has been a member of Ballet Quad Cities since 2009. She has danced featured roles in Deanna Carter’s Ash to Glass and Dracula, participated in the company’s 2010 tour to New York City, and most recently performed the title role in Courtney Lyon’s Cinderella and the role of Clara in The Nutcracker. Prior to joining Ballet Quad Cities Ms Long performed with Milwaukee Ballet and MBII in Michael Pink’s The Nutcracker and Candide Overture, Petipa’s The Sleeping Beauty and La Bayadére, Balanchine’s Who Cares?, Bournonville’s Flower Festival in Genzano and Napoli, and original contemporary and neoclassical works by Tom Teague, Denis Malinkine, Rolando Yanes, and Petr Zaharadnicek.

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