Ballet – Page 22

52 Weeks Of Adult Ballet – A Guest Post

July 22, 2011 by 4dancers

More than 20 years ago, I allowed the first love of my life to slowly slip away. We were then reacquainted 10 years ago for a brief, happy, but not overly fulfilling affair, after which I was convinced that my passion for ballet – my first love – had fizzled out and that I would find joy through other forms of dance.

Unexpectedly, and in a totally unplanned manner, a series of circumstances found me back in an adult ballet class about 4 months ago. I was persuaded to join a class “just for fun”; I thought I’d do one, two classes at most, then probably give up.

I couldn’t have been more wrong. [Read more…]

Dance Book: Codename: Dancer

June 8, 2011 by 4dancers

Thanks so much for having me here today! I’m very excited to speak with dancers about my new YA book, Codename: Dancer.

I’ve been dancing pretty much my entire life. My mom enrolled me in a ballet/tap combo class at age 3 because she noticed I would jump around and spin whenever the Coke commercial came on. From that point on, I was hooked!

As a preteen and teen, I was in my dance studio’s company, and was dancing around 30 hours per week. Then in college, in addition to double majoring in Political Science and French, I studied flamenco, ballet, and ballroom. My junior year I auditioned for the ballroom dance team, and spent the next two years competing against other schools up and down the East Coast. It was a lot of fun!

I decided to write Codename: Dancer because it was the type of book I would have loved growing up. There were tons of fiction books about dancers for little girls, but not much for teens. There still isn’t, really, except for books about the ballets and choreographers. In other words, non-fiction.

So I decided to do something about that. I’ve always loved mystery novels, so why not write a mystery series about a group of dance students at a performing arts boarding school? And thus, Codename: Dancer was born.

Of course, I’ve never solved a mystery, nor did I go to a boarding school, so I still had a lot to learn. But I’d started reading Nancy Drew books in elementary school, and always used to win at Clue, so how hard could it be?

It actually ended up being a lot more difficult than I expected, but readers tell me they don’t figure out whodunit until right at the end, so hopefully I met my mark!

I hope you’ll enjoy my book. Here’s a little bit about it:

“Aspiring ballerina Dani Spevak is thrilled when hit TV show Teen Celebrity Dance Off comes to the campus of her performing arts boarding school. She trades the barre for the ballroom and gets set to cha-cha-cha to stardom with Hollywood wonderboy Nick Galliano.

At first their partnership is awkward, because Dani is in awe of her longtime teen idol crush. But soon their chemistry is heating up the dance floor and the attraction moves into real life.

Her excitement is short-lived, because someone wants her off the show. Bombs, poisoning, arson… Will Dani’s 15 minutes of fame be over before she reaches age 15? Dani and her friends are suddenly at the center of some serious sabotage. And if she doesn’t find out who is behind it, her next pirouette could be her last.

It’s like Nancy Drew in toe shoes in this light-hearted tween mystery, a finalist for Romance Writers of America’s Golden Heart® Award for Best Young Adult Romance.”

You can learn more at www.amandabrice.net.

Would you like to win a copy of the e-book? If so, just leave me a comment and tell me what your favorite dance book or dance movie is. I can’t wait to hear from you!

Choreography Help From DancesToGo.com

May 26, 2011 by 4dancers

Today we have with us Frances Hellens McDonald, co-founder of DancestoGo.com, talking about the site and introducing one of their newest choreographers…

12CFrances — Frances Hellens McDonald, co-founder of DancestoGo.com

Can you tell readers what DancesToGo.com is, and who it is for?

DancesToGo.com is a unique website featuring a collaboration of award winning choreographers, talented performers and teachers. It offers specialized and exclusive choreography for all age groups in a variety of dance styles. Whether you are a studio owner, dance teacher, performer, or school teacher, DancesToGo offers excellent choreography and musical dance activities. Our notes are easy to read and our suggested music is linked directly to iTunes from DancesToGo.com. Obtaining, reading the choreography and purchasing related suggested music from iTunes becomes very easy and convenient. We also offer some videos of the routines and will be producing a larger selection. DancesToGo is proud to be a monthly choreography contributor over at DanceStudioOwner.com.

What types of dance are covered by DancesToGo.com?

DancesToGo.com features a wide variety of dance styles including Ballet, Tap, Jazz, Lyrical, Modern, Hip-hop, and Pre-School. We even have The School House Rocks section for choreography and upbeat dance and learning activities for grade school. The dance world and dance studios are our primary focus.

What are some of your most popular items? [Read more…]

Dance Book: Russian Winter

May 16, 2011 by 4dancers

Today I’d like to share an interview with Daphne Kalotay, a writer who has authored a book that has ballet as a backdrop for the story…

1. Could you tell readers a bit about who you are and what you do?

I’m a dance-lover rather than a dancer; and I’m a writer with two books of fiction published, the first one a short story collection, the second one a novel.

2. What is your latest book called and what is it about?

It’s called RUSSIAN WINTER and centers on a Bolshoi ballerina during the last years of Stalin’s rule. The book goes back and forth between modern-day Boston, where the dancer has been living in the decades since her defection, and post-World War II Moscow, where we witness her life as a young dancer rising in the ranks of the Bolshoi and her friendships with other artists striving to fulfill their dreams while living in a totalitarian state.

3. Why did you decide ballet would play a part in your book?

From the moment I pictured this elderly Russian woman in Boston, I thought of her as a ballerina, maybe because the idea of exploring that world and learning about life in a ballet company was exciting to me. Then, in my research, I began to understand just how important the ballet was to the Soviet regime, which relied on the beauty and glamour of the theatre as a counter to the bleakness of daily life. I’m fascinated by how well that government understood the need for the arts in society and tried to foster—well, manipulate—ballet, opera, music, literature, if in an ultimately stifling manner. What I most wanted to show in my novel, though, was how art is this humanizing force that really can save us.

Only later did it strike me how appropriate ballet in particular was to the book, since I was writing about life in authoritarian state, and ballet can be seen as authoritarian, with its precise rules and strict discipline. Think of the corps de ballet, the self-abnegation and conformity ballet often requires. So it was a good parallel to what I was trying to say about Soviet life.

4. How did you make sure your information about dance was accurate? [Read more…]

On Watching Modern Dance…

May 11, 2011 by 4dancers

by Lucy Vurusic Riner

My husband took me to see the Chicago Moving Company on our first date back in 1996. A smart, and thoughtful, move on his part because eleven years and two kids later, we are going strong.

But when we look back on that first date now, Jim often reminds me how that first experience watching modern dance was very alienating for him. Of course, I didn’t know any of this at the time so I continued to drag him from one modern dance concert to another. It wasn’t until many years later that we candidly talked about how audience members can easily be disconnected from modern dance; especially if they walk in trying too hard to understand from the get go.

Historically, the novice dance audience member has obsessively tried to understand everything that is happening on stage. Ballet generally tells a narrative story with some pantomime and lots of theatrical elements that help guide the story. The program generally has some sort of director’s notes to give a brief synopsis of what the inspiration behind the ballet is and so the audience member is able to sit back and enjoy watching some beautiful dancing. The general public also has a perception of ballet dance and what it is. Even if it might not always correct, most people can conjure some sort of image of what they believe they might see if at the ballet.

Jazz dance provides audience members with excitement and particularly in America, it is one of the oldest forms of dance entertainment. There is precision, technical feats and a lot of flash to keep the audience engaged. So how do we entice the non-dancer to experience modern dance and “learn” how to watch it?

Theoretically, it hasn’t been around nearly as long as its counterparts. Every time I begin a new quarter of dance at school I have at least one student ask me what modern dance is. I have never had anyone ask me that about ballet or jazz. So after many years of performing, choreographing and most importantly, watching modern dance, here’s what I think (and sometimes don’t think) when I’m watching it: [Read more…]

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