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Ballet Hispanico – Dance Education Outreach

April 15, 2014 by 4dancers

by Nel Shelby

We’re always excited to work with the magical Ballet Hispanico. Their work is so fluid, beautiful and moving. For this project, we filmed interviews with Eduardo Vilaro and AnaMaria Correa and filmed the company’s dance performance for young students. Then we edited together what we feel captures their dance education outreach and what makes it unique.

Ashli Bickford, one of our fantastic videographer and editors, was assigned to edit our video footage:

“It was so easy to put this dance video together, because the material I was working with was amazing! Not only is Ballet Hispanico such a high-quality dance company, but the students at their performance were so engaged and having a great time.

Eduardo and AnaMaria did an incredible job coming onstage between the dances and telling the students more about them in a fun and engaging way. Filming the performance, we could really feel and see the students learning more about Spanish culture and heritage and enjoying the excitement of dance!”

Contributor Nel Shelby, Founder and Principal of Nel Shelby Productions, is deeply dedicated to the preservation and promotion of dance through documentation of live performances, fully edited marketing reels, live-stream capture, and documentaries and films that encapsulate the essence of nonprofit organizations.

Nel Shelby, Photo by Matthew Murphy
Nel Shelby, Photo by Matthew Murphy

Her New York City-based video production company has grown to encompass a diverse list of dance clients including American Ballet Theater II, Bill T. Jones/Arnie Zane Company, Gallim Dance, Gotham Arts, Kate Weare and Company, Keigwin + Company, Monica Bill Barnes Company, The New York Public Library for the Performing Arts, Shen Wei Dance Arts, Wendy Whelan and many more. She has filmed performances at venues throughout the greater New York area including The Joyce Theater, New York Live Arts, Lincoln Center, Symphony Space, St. Mark’s Church and Judson Church, to name a few.

For nearly a decade, Nel has served as Festival Videographer for the internationally celebrated Jacob’s Pillow Dance Festival in the Berkshires. Each season at the Pillow, Nel’s responsibilities include documenting aspects of festival culture in addition to its 20 mainstage dance performances, filming and overseeing documentation of more than 100 free performances and events, managing two dance videography interns and an apprentice, and educating students about the technical and philosophical aspects of filming dance.

She also serves as Resident Videographer at the Vail International Dance Festival where she spent her first summer creating five short dance documentary films about the festival in addition to documenting its events and performances. Her longer-form, half-hour documentary on Vail’s festival, The Altitude of Dance, debuted on Rocky Mountain PBS in May 2013.

She has created four short films for Wendy Whelan’s Restless Creature, and she collaborated with Adam Barruch Dance to create a short film titled “Folie a Deux,” which was selected and screened at the Dance on Camera Festival in New York City and the San Francisco Dance Film Festival. She is making a dance documentary featuring Nejla Y. Yatkin, called Where Women Don’t Dance.

Nel has a long personal history with movement  – she has a B.A. in dance and is a certified Pilates instructor. She continues to train with world-renowned Master Teachers Romana Krysnowska and Sari Pace, original students of Joseph Pilates. In addition to her dance degree, Nel holds a B.S. in broadcast video. She often collaborates with her wonderful husband, dance photographer (and fellow 4dancers contributor) Christopher Duggan on creative projects with dancers in New York City and beyond. They live with their beautiful daughter Gracie and son Jack in Manhattan.

 

Filed Under: Dance Video Tagged With: ballet hispanico, dance video, dance vidography, nel shelby

Finis: Falling In Love With Dance

December 31, 2012 by 4dancers

by Christopher Duggan

ballet hispanico

One of my very first jobs in New York City was working at the box office at The Joyce Theater. Ballet Hispanico performed that season. The company danced Good Night Paradise by Ramon Oller, and I was totally taken away. It swept me off my feet.

It brings tears to my eyes thinking about it now, because that’s when I really fell in love with dance. There was something so sexy and romantic and ordinary at the same time. The dance showed that human connection you make when you bump into each other in the kitchen—when you’re going for a napkin and the other person is throwing away the coffee grinds. There’s something that dance does that no other art can. I stood in the back of the audience every night to watch.

And now I have the privilege of capturing some of the magic in dance through photography. Here are some photos from Ballet Hispanico’s recent New York premiere of Danzón, choreographed by Artistic Director Eduardo Vilaro at The Apollo Theater, performed with live music by the Paquito D’Rivera Ensemble. (Danzón was originally created on Luna Negra, a company I photographed at the Pillow last summer.)

ballet hispanico

 ballet hispanico

ballet hispanico

Filed Under: 4dancers, Editorial, Finis Tagged With: ballet hispanico, christopher duggan, dance, danzon, eduardo vilaro, luna negra, the apollo theater, the joyce theater

Experiencing Ballet Hispanico

April 1, 2012 by 4dancers

by Catherine L. Tully

Ballet Hispanico Performing Asuka, Photo by Paula Lobo

I recently had the chance to see Ballet Hispanico for the first time at The Dance Center of Columbia College Chicago, and it was an interesting experience. The program for the evening included four pieces: Naci, Locked Up Laura, Espiritu Vivo and Asuka.

Unless something strikes me in a particularly strong way, I find I usually don’t say too much the first time I watch a company on stage–especially if they are performing works I have not seen before. Instead I prefer to let the evening wash over me a bit so I can get a feel for the style, the dances being presented and the overall dynamic that the company puts forth. What I was left with after walking out of the theatre here can be summed up in one word–honesty.

There is an earnestness and ease that the dancers had–and it felt very genuine. This was especially so during the more upbeat portions of the choreography; as if expressing joy came a bit more naturally than anything else. Indeed, the choreography took a back seat to the personalities of the dancers here. This is especially true of Jessica Alejandra Wyatt, who dazzled the audience with more than her sequined dress in Eduardo Vilaro’s Asuka – a tribute to salsa legend Celia Cruz.

Other images that stand out from the offerings here include Min-Tzu Li’s gorgeous extension during Locked Up Laura and company member Jamal Rashann Callender–who simply commands attention every time he steps onto the stage. The dancers in Ballet Hispanico are strong technicians with beautiful, athletic bodies–which adds another layer of visual appeal.

I’ll look forward to seeing them again the next time they come to Chicago.

Learn more about the company and the dances in their repertory.

Filed Under: Reviews Tagged With: asuka, ballet hispanico, chicago, eduardo vilaro, jamal rashann callender, locked up laura, min-tzu li

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