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18 Things I’ve Learned About Being A Professional Dancer

November 4, 2014 by 4dancers

Alessa Rogers, photo by Rick McCullough
Alessa Rogers, photo by Rick McCullough

Dance, like any other career, has a learning curve. With time and experience, you find ways to navigate your daily life in this art form–and piece by piece you learn what works best for you in terms of a career path. It isn’t always easy–especially in the beginning–but over time, most dancers find their own way.

Our new series features posts from professional dancers from companies across the nation. They’ll be writing about a variety of different topics, sharing a behind-the-scenes look at what this career looks like up close…each from their own individual perspective.

Today we’ll be hearing from our new contributing writer Alessa Rogers. A dancer at Atlanta Ballet, she has graciously pulled together some of the most valuable things she has learned over the course of her career to share with you here–including a piece of advice from Twyla Tharp! Look for more posts from Alessa and other professional dancers in the coming months.

We hope you are enjoying this new series!        –Catherine


dancer doing a grand jete
Alessa Rogers rehearsing Possokhov’s Classical Symphony, photo by Charlie McCullers

 by Alessa Rogers

There is no formula for being a professional ballet dancer. There are some obvious requirements like having a good work ethic, a good teacher, a fair amount of luck–and a lot of Advil. But there are some other tips that I’ve picked up over the course of the past couple decades that I have found useful in my career.

1) Don’t quit. This may seem like a no-brainer but sometimes I feel like the reason that I managed to become a professional dancer over some of the girls I trained with is simply that I stuck with it and they didn’t.

2) Be nice. By criticizing others you take energy away from improving yourself. Gossip will not make you a better dancer and it will definitely make you a less desirable person to be around. Remember that the dance world is incredibly small. You will run into the same people again. Make it so that when you do run into those people they are happy to see you. You never know when it will pay off to have been kind.

Even when you are doing a solo, don’t forget about the countless people who helped you get to where you are today–your parents, teachers, the artistic staff, even the production crew. These people don’t get a curtain call or spotlight. Be grateful to those people in your life and when you get a chance, pass it on.

3) Love your body, worship it, treat it well. As a dancer, your body is the only instrument you have. Listen to it when it hurts and needs special care. Kiss your feet before a show. Say thank you to your body after a long week. Ballet gives us nothing to hold, so care for your body like a museum would care for a masterpiece.

4) Learn from others. Watch dance voraciously. Watching the people in your class is the easiest way to do that but these days you can watch almost anything online. If possible go see professional dance live. Ask professional dancers questions. Learn from them. But learn from your friends too. A correction for them is also a correction for you. Which brings us to:

5) Corrections are good things. Don’t feel ashamed or take it too personally if you get a correction. Feel grateful that you have a chance to improve. Strive to hear a correction only once.

As soon as I am given a correction I repeat it in my head a few times to help it stick. Later I might write it down. Be patient with yourself if it does take some time to apply. Bodies respond differently everyday and habits are hard to change but make no excuses when something doesn’t work. Mistakes happen, even when you are a professional dancer. Learn from them and then let them go.

Alessa Rogers, photo by Rick McCullough
Alessa Rogers, photo by Rick McCullough

6) There will always be someone better than you. The sooner you realize this the sooner you will be able to be proud of where you are right now and how far you’ve come. Having people who are better than you should give you inspiration–not depression. Be gentle with yourself. A dancer has to work hard enough, don’t put yourself down while you are doing it. Trust me, other people will do that for you. Be patient with yourself and ignore the naysayers, especially if the naysayer is you. You are almost certainly better than you think you are.

7) You have to find the right company for you. It might take a few before you find a good fit. Having a dream company is good for motivation, but realize there are so many factors that go into hiring dancers. If that dream company passes you up because they need a brunette this season that shouldn’t crush your dreams of being a dancer in general.

Find a company that will appreciate you and also push you to be the best dancer you can be. When you do get a job don’t be afraid to have respectful conversations with your director about issues that concern you. Also, cattle call auditions are rarely the best way to be seen.

8) Work smart. A ballet career is so short. You have to work hard to make use of the time you have. This does not always mean physically (but do that too). You can save a lot of time and energy if you use your brain as well.

Instead of throwing yourself into doing something poorly over and over again pause and think about how you could approach it differently. You’ll find you have more control over your body and improve more rapidly. Decide before each combination what you are going to focus on in that combination. It might be your port de bras or playing with the musicality or spotting a different place. Thinking about an intention before each combination or visualizing the choreography in your head before you actually take a single step will help enormously.

Also, do your homework at night. Go over your part, research your roles and take care of your body so you are prepared for the next day. [Read more…]

Filed Under: Editorial Tagged With: advice for dancers, alessa rogers, atlanta ballet, ballet company, dance company, professional ballet dancer, professional dancer

One Dancer’s Journey: Performing Outside the US

June 28, 2012 by Ashley David

Todd Fox & Oksana Storazuk in Giselle (Serbian National Theatre Ballet)

It’s time for the next question in our series, “One Dancer’s Journey”. Todd Fox has danced all over the world, and here he shares some of his experiences (and photos) from his travels…

by Todd Fox

6. You have danced for companies all over the world. Can you talk a bit about what that is like?

Truly unbelievable!  When I was a young professional dancer just starting out I never imagined performing with a ballet company outside of the USA, not because I didn’t want to, it just didn’t seem realistic. The Internet didn’t exist back then and things were much different in regards to communication and retrieving simple information like addresses and contact info on companies you wanted to audition for abroad. You couldn’t just do a search for the company and email your resume/images/video, if you wanted to seek employment with a ballet company abroad you had to either wait for that company to host an audition here in the states, or, personally know dancers in those foreign companies who could tell you when they were auditioning in their cities, where to send resume/CV info via regular post and then somehow communicate via regular telephone.

Todd Fox, Romeo & Juliet Promo (Perth, Scotland)

That was just crazy complicated and back then my world was New York City, all I was ever concerned with when living in New York City was the perpetual task of finding a job, any job that would allow me to dance every day. Back then within my circle of friends and peers when you said you were going to dance abroad it generally meant crossing the Hudson River.

Todd Fox, Mercutio (Manx Ballet, Isle of Man, UK)

Ironically, during the first half of my career I ended up doing quite a bit of international touring with the companies and productions I danced for, I loved every minute of it and developed a great passion for traveling abroad. I began paying much more attention to what performance opportunities were available overseas and jumped at the chance to do any of them, even if the monetary value of the contract was so low that I would only break even. Then in 2001, the ballet company I worked for at the time, Cleveland San Jose Ballet, went bankrupt during its 25th year anniversary and I once again found myself suddenly unemployed. Up to that point in my professional career (12 years) I had worked for a total of 5 different ballet companies here in the states which either declared bankruptcy, ceased operations and relocated, or gone through major financial hardship forcing dancers into immediate unemployment and I was just so sick of it all. I decided to continue dancing but no longer within the structure and confines of a “home” ballet company and have since focused much of my efforts on performing seasonally and as a guest artist with companies overseas.

It has been a dream come true to use dance as a way to fuel my travels around the world in seek of new and emerging creative influences. Since I made that decision in 2001 I have been privileged to perform with ballet companies in 8  different countries spanning 4 continents. Not all have been high profile red carpet events but for me each different performance experience represents an absolute miracle in my career. Working in these foreign countries allowed me the opportunity to study and compare first hand many different cultural and ideological approaches to dance. I learned so much from each experience and as a result my own knowledge and creative perspectives on dance have broadened in ways I never could have imagined.

Todd Fox & Amy Lawson (Studio Rehearsal, Dublin, Ireland)

As amazing as these opportunities were, working thousands of miles away from home for extended periods of time as an independent dance artist presents unique challenges and it’s definitely not for everyone. Trust me when I say, there is a HUGE difference between touring and performing abroad with a company of dance artists you know and trying to integrate into a company of dance artists that you don’t know for just one season or a single production. There are cultural and artistic differences to take into consideration, language barriers, and workplace politics like power struggles, labor disputes, casting disputes, partners that are difficult to work with, or choreographers who may not like you just because of what country you come from. Granted, all this can be said of dancing for just about any ballet company on the planet but when you’re a foreigner overseas the difference is that you are not at home and at the end of the day when you go back to the hotel or whatever housing you are living out of a suitcase in you eventually start to crave “home”. For me it took about 7 years of performing and traveling abroad before I started spending more and more time at home and less time flying all over the world to perform. Everything runs its course and for the rest of my life I will always cherish the amazing opportunities and life altering artistic experiences I was exposed to while performing independently abroad.

 

[Read more…]

Filed Under: Editorial, One Dancer's Journey Tagged With: amy lawson, Ballet, ballet company, ballet theatre afrikan, corrina dumistrescu, giselle, manx ballet, oksana storazuk, serbian national theatre ballet, todd fox

Audition Advice For Dancers

August 6, 2009 by 4dancers

danielle

The dreaded audition. Whether you are trying out for a ballet company or hoping to get a spot in a broadway show, the process  can be overwhelming. It gets a little bit better with time, but the butterflies never really go away for most people. Here are some great tips that will help… [Read more…]

Filed Under: 4dancers Tagged With: auditions, ballet company, broadway show, dancers

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