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Inside My Dance Bag: Alabama Ballet’s Tricia Bianco

August 27, 2015 by Rachel Hellwig

Tricia Bianco. Photograph by Emily Orcutt Photography.
Tricia Bianco. Photograph by Emily Orcutt Photography.

How many years have you been doing ballet?

I began training when I was two and half, so I’ve been dancing almost nineteen years.

What are some roles you’ve danced with Alabama Ballet?

My favorite role with Alabama Ballet was the Cowgirl in Agnes de Mille’s Rodeo. I also loved performing Lead Marzipan in George Balanchine’s The Nutcracker and as a Blue Girl in Sir Frederick Ashton’s Les Patineurs.

What’s your favorite thing about ballet?

My favorite part about dancing is working hard and seeing the results. It’s so gratifying and there’s always something to work on and perfect even further. And there will always be another goal ahead of me to tackle. I also love the feeling when I’m onstage. We spend so much time in the studio for maybe three minutes on the stage, but when I’m up there I feel so alive.

What’s in your dance bag?

Bloch Heritage pointe shoes, jumper, cover-ups, leg warmers, Tiger Balm – a dancer’s best friend for achy muscles, sewing materials and new pointe shoes – to sew on breaks, Abigail Mentzer and Bulletpointe skirts, bobby pins, hair elastics, hairbrush, supportive athletic tape, and Kenesio Tape – I had a Deltiod sprain last season, so it supports my arches on long days, and, for snacks, I usually keep an apple and some seasoned almonds in my bag for sustainable energy, and, of course, H2O to keep hydrated!

Tricia-Bianco-Dance-Bag-1


 

Tricia Bianco. Photograph by Melissa Dooley Photography.
Tricia Bianco. Photograph by Melissa Dooley Photography.

Tricia Bianco began dancing when she was two and a half years old at Alabama Dance Academy under the direction of Pamela Merkel, Michael Vernon, Jamie Hinton, and Tammi Carr. She has received and accepted scholarships to summer programs with Boston Ballet, Dance Theatre of Harlem, and Alabama Ballet. In 2011, Tricia competed in Youth American Grand Prix and was Top Twelve in the Southeast region. Tricia was offered an apprenticeship when she was seventeen with the Alabama Ballet in 2012, and is excited to be returning for her fourth season and first year as a Company Member.

Since joining Alabama Ballet, her favorite roles have included Showgirl in Roger Van Fleteren’s Dr. Jekyll and Mr. Hyde, Juliet’s Friend in Van Fleteren’s Romeo and Juliet, the title role in Agnes de Mille’s Rodeo as Cowgirl, Lead Marzipan in George Balanchine’s The Nutcracker, and Blue Girl in Sir Frederick Ashton’s Les Patineurs. She also teaches at Alabama Ballet, and is a teacher for the Ballet’s outreach program, City Dance. Tricia also teaches at Westwood Ballet. Tricia feels very blessed to be a member with the Alabama Ballet, and is looking forward to her first season as a company member.

Filed Under: 4dancers, Dance Clothing & Shoes Tagged With: agnes de mille, Alabama Ballet, balanchine, ballet bag, Bloch Heritage, dance bag, George Balanchine’s The Nutcracker, Inside My Dance Bag, Les Patineurs, Rodeo, Sir Frederick Ashton, Tricia Bianco

Student Spotlight: Nathan Owen

July 24, 2014 by Rachel Hellwig

Nathan Owen, originally from Essex, UK, is now a resident of Huntsville, USA. At the age of 19 he moved to the United States to obtain a Bachelor in Nursing in Keokuk, Iowa. However, Nathan changed his degree to Theatre in Denison, Texas where he gained an Associates in Theatre. He now attends Sam Houston State where he will earn his BFA in Musical Theatre.

Can you tell readers how you became involved with dance? 

Nathan Owen
Nathan Owen

I had not taken a professional dance class before the age of 21, but I had always had a love for dance from an early age. I have inclined towards musical theater since childhood but never been within the dance chorus, always just singing and acting. After moving to the United States at the age of 19 to pursue a career in nursing, I sat in on an open audition for the theater department, was persuaded to audition and was subsequently cast in a small role, but was told if I switched majors to theater I could receive scholarships! So naturally I went back to my first passion of acting at Grayson college in Denison, Texas.

When the next season came I was cast as lead, Luther Billis in South Pacific, and was awarded an Irene Ryan nomination for region VI. I traveled to Louisiana to compete and this is where I saw two productions from Sam Houston State University. Its production of Enron blew me away and I immediately knew this was the school for me. I auditioned in April 2013 and was accepted on my first attempt, even though I stopped during my dance audition due to my lack of training. Being accepted onto the musical theater program here has really expanded my horizons more than I could have ever imagined. Within my first year I have taken multiple dance techniques including ballet, jazz, tap, aerial and theater workshop where we learn stylized dance from within the theater work or whole routines from the stages of Broadway, West End or movies.

What do you find you like best about dance class?

When it comes to dance classes the thing I like most about them is the discovery you make about yourself and what you are capable of. If you go to math three times a week, you don’t have these moments of pure excitement like when you hit a 13 part riff perfectly in sync with your whole tap class, or the first time you do a 360 release from the aviator in aerial! I will never stop being amazed at what I can do if I just put my time and energy into it.

What is the hardest part about dance for you?

The hardest thing about dance for me, is walking in with 30 other musical theater majors and being taught a combination, then having to pick it up in 15-20 minutes and regurgitate it in front of all my extremely talented peers and professors!

What advice would you give to other dancers?

As a new dancer I would say two things; one, it’s never too late to start learning. I have met people who have been dancing for 15 years and come to university and tried a new dance style, and it has an impact and improves all aspects of their dance by gaining an even greater understanding of their body.

My second point would be, don’t let dance be a blood sport. Auditions and competition should never divide this community, we have enough people in our lives saying NO! Or that you can’t do it professionally. So I would say to you out there, let the love of the arts strengthen our ties. Let it create empathy for one another because we all know how hard a ‘no’ is, but also the elation of a ‘yes’. So why not be cast in a chorus of their happiness, instead of the lead of your sadness.

How has dance changed your life?

Dance has changed my life for the better in so many ways. I now have a much greater appreciation of the craft of musical theater and the depth that dance can have within it. From the portrayal of story with movement, to the understanding of dance’s influence within the art, such as Agnes de Mille’s Oklahoma or Bob Fosse’s Cabaret. Dance has broadened my horizons further than I could ever have imagined and I can’t wait to see where it takes me.

Filed Under: Student Spotlight Tagged With: agnes de mille, bob fosse, nathan owen, Sam Houston State, student spotlight

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