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Adult Ballet Student: Anne Hilary Sanderson

March 18, 2012 by Ashley David

Today we have a lady who began taking ballet at 63! Here’s her story…

Anne in white, high resolution 1 — Anne Hilary Sanderson

1. How did you first get involved with ballet and what attracted you to it as an adult?

I have loved watching ballet all my life, being fired by enthusiasm by ‘The Red Shoes’ when I was 5 & seeing my first ballet on stage when I was 9. My mother could not afford ballet lessons for me when I was a child, although I would have loved to go. As an adult I saw whatever ballet productions came to my town or were on TV. The possibility of learning it as an adult did not occur to me (& may well not have existed until comparatively recent times), and while I was working at a demanding job, there would have been no time anyway.

Around 2007, having retired, I picked up a brochure of Norfolk Dance & found they held beginners’ ballet classes for adults. These were full at the time, but I enrolled for the following term & began ballet in Autumn 2007 & have never looked back. At first we could find only one elementary class a week, which we felt was not enough, and I wrote 3 letters to ‘Dancing Times’ (which were all published – & 1 was Letter of the Month) about the need to provide more facilities for adult learners, and commenting when these started to appear in Norwich, with more classes I could go to. Now Norwich has more dance classes than I have time to go to, & excellent teachers. Along the way I’ve tried out other types of dance to fill out my dance education: tap, contemporary, national of different countries, lyrical & jazz.

What attracted me to it? Beauty, grace, elegance, technique, magic & mystery, being another world, to a certain extent living out a dream. Also its keep-fit & weight-loss potential (I had to lose a lot of weight after a sedentary career & lost 4 stone, partly through ballet), & health investment for old age (suppleness, posture, stamina, increased energy). I’ve found the whole weight loss & ballet experience very rejuvenating & invigorating, & I’m certainly fitter than I was 10 & 20 years ago, probably longer. I began ballet at 63 & am now 68.

2. How many classes are you currently taking per week? [Read more…]

Adult Ballet Student: Acacia Warwick

March 16, 2012 by 4dancers

Welcome Acacia–our latest adult ballet student feature this month…and stay tuned as we feature more content on that theme throughout the month of March!

1. How did you first get involved with ballet and what attracted you to it as an adult?

When I was six years old I started taking ballet classes in a tiny studio over a pizza parlor on the corner of Sunset and Vine in Los Angeles. I loved dancing, but after a few years, it became clear that I would never have the body of a ballerina and ballet faded from my life. Fast forward thirty years later, I finished my treatments for breast cancer and started thinking about what I could do to get my strength back and ballet lept to mind. I always loved the grace and power of dancers and decided to try to bring some of that back into my life.

2. How many classes are you currently taking per week?

I usually take two classes a week. I’m limited since very few classes are offered here in Peoria, and since I’m back in cancer treatment I can’t always get to class.

3. What do you see as your biggest challenge as an adult ballet student?

The mirror. No, wait, the slim little ballerinas running around the studio. No, it’s the mental disconnect between what I think I can do and what my body can actually pull off. Or figuring out what a plus-sized ballet student can wear other than yoga pants and a t-shirt…

Actually, the biggest challenge was walking into the studio for my first class.

4. What brings you the greatest joy as an adult ballet student?

Getting to the point in class where nothing else matters, not the mirror or anything else. I leave every class feeling light, graceful and happy with what my body could do. I find myself getting up on my toes at home, waiting in line, even at work for days after a class.

5. Do you have any advice for other adult ballet students?

If you want to dance, dance. Adult classes are really adaptable for wherever you are when you start, and once you show up for the first one, it’s easy.

BIO: Acacia has been a beginning ballet student for one year and writes about her experiences at her blog The Melancholy Swan (melancholyswan.com.) She is also an art historian, seeker of tenure, lover of books, writer, melancholic, and is living with metastatic breast cancer.

Dance In The UK: Adult Ballet

March 15, 2012 by 4dancers

by Jessica Wilson

Jessica Wilson

Having seen a huge influx of dance and the performing arts in the media over the past few years – think Andrew Lloyd Webber’s search for his next big hits, Dancing with the Stars, and Black Swan – the number of adults indulging in ballet classes has increased profoundly. A survey conducted by YouGov in 2011 in the prelude to the Dance Proms at the Royal Albert Hall found that just over 1 in 5 British adults have become interested in dancing as a result of shows such as Strictly Come Dancing and So You Think You Can Dance, not considering those throughout the rest of the world. It seems the ballet bug is here to stay, having turned a fad into a trend!

The appeal of ballet runs far and wide, and today seems to have taken on a more of a popular culture persona as more people are becoming aware of ballet and its benefits. Pirouetting against the stereotype, ballet does not have to be girly and strictly disciplined; there are a huge variety of ballet and dance class choices in the exercise world today, meaning that there is an option for everyone. No sooner had gym culture taken over our lives, dance cults began to make an appearance, such as Zumba, reinforcing the notion that engaging in physical activity does not have to involve a treadmill.

Not only does ballet engage and stimulate the mind, it also provides participants with an environment which is of alternative appeal. Tapping into your artistic side really does have its benefits, for adults as well as children!

The Royal Academy of Dance teachers of London have affectionately referred to this recent ballet trend as “Black Swan Syndrome” – despite such dark inferences throughout the film – considering the number of adults they have seen sign up for ballet classes in the wake of the blockbuster movie. Some may argue that the increasing commercialisation of dance may cause it to lose its intrinsic artistic value, yet if the combination of the media with promotion of dance is able to entice more adults to dance in such a profound way, something must be right! Indeed there has been a significant increase of dance-related films that have emerged over the past few years, in addition to screenings of dance performances in numerous cinemas, putting dance well and truly on the map. [Read more…]

Finding Balance: Recommended Reading For Dancers

March 14, 2012 by 4dancers

by Emily Kate Long

Being the daughter of a librarian has its advantages. My mother was head of collection development—in layman’s terms, the book buyer—at Saint Mary’s College in Notre Dame, Indiana, for over twenty years before she retired last May. She is also a closet bunhead. I have her to thank for the bulk of my personal dance library: Jock Soto’s memoir, Stephen Manes’ Where Snowflakes Dance and Swear, Kavanaugh’s Nureyev biography, the anthology Reading Dance, Homans’ Apollo’s Angels, No Fixed Points by Reynolds and McCormick, and several volumes by Gretchen Ward Warren. She showers me with books faster than I can plow through them, and most of these treasures are at least the thickness and weight of a brick. As a result, I have become a literary grazer. This installment of Finding Balance is my “Recommended Reading List: Works for Enrichment and Escape.” Enjoy, and please comment with your personal favorites!

Where Snowflakes Dance and Swear: Inside the Land of Ballet by Stephen Manes was waiting in a package at my doorstep one January evening when I got home from rehearsal. Delight! Manes spent a season as a fly on the wall at Pacific Northwest Ballet. Reading inside details of the dance world from an outsider’s perspective is both amusing and informative. Manes is a thorough storyteller, examining each aspect of the ballet—organizational machine, community institution, and artistic creature. I wish there could be a new book every season.

I was less than halfway done with Manes’ stellar work when Mom brought me Jock Soto’s Every Step You Take. Of course I couldn’t help but peek inside. Anecdotes, reflections, and recipes fill this easy-to-read, yet profound, memoir. Now forty pages in, I’m having a hard time setting this one aside. It’s like sitting and having a conversation with a living legend. [Read more…]

Adult Ballet Student: Rebecca Jukes

March 13, 2012 by 4dancers

Today’s featured adult ballet student is from South London…

1. How did you first get involved with ballet and what attracted you to it as an adult?

Just over 4 years ago, I was going through a period of re-building my life, regaining control over who I was, and trying to fill an emptiness inside of me.

My therapist at the time suggested that I should think about finding an activity that would help me connect with myself and others, he listed off some options, and one of these was ballet. I initially scoffed at the idea knowing how uncoordinated and inelegant I was, coupled with being the owner of 2 left feet, besides, I had never shown an interest in ballet as a child, although in fairness the opportunity had never arisen to try a class back in my youth.

However his suggestion nagged away at me for a number of days, I had always admired and respected dancers, particularly ballet dancers; for their commitment, grace, beauty and ability, they were something to behold. Should I dare to actually venture into this world at my time of life? So I Googled for a local adult ballet class, and sure enough, up popped a studio close to me in Dulwich South London, which offered complete beginner classes, and I duly signed up.

Now I would admit that at the beginning of that very first class, I thought “what on earth am I doing here”, a 36 year old woman out of her depth and out of her comfort zone. But by the end of the class it was like someone had turned on a light switch, it was the most amazing hour of realization and discovery–ballet was the one thing that had been missing from my life. A spark had been ignited within my soul, and it has burned there ever since.

This spark has now grown into a fully raging inferno of burning desire and near obsession to become a better ballet dancer. The last four years have seen my interest steadily grow from one class a week, to two per week, and now up to the point of I would happily dance 8 days a week if such an extra day existed. [Read more…]

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