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Student Spotlight: Ally Brodsky

December 3, 2012 by 4dancers

Today’s “Student Spotlight” features Ally Brodsky from The School at Steps…

Dancer from the school at steps
Ally Brodsky

1. Can you tell readers how you became involved with dance?

I first became involved in dance at age three when my parents enrolled me in beginner ballet at a local studio in Naples, Florida. A few years later, I began to formally study the RAD ballet technique and to take the required yearly exams. I also participated in Jazz classes and joined the studio’s competition team. At age eleven, I moved to New York City with my family, where I joined the Pre-Professional Program at The School at Steps. Since then, I have added Theater dance to the list of disciplines in which I participate, and I have continued to dance over eighteen hours per week.

2. What do you find you like best about dance class?

My favorite part of class is rehearsing for the winter and spring performances. Although I love working to improve my technique, I find that practicing — both variations and other choreographic works — helps me develop a fuller sense of artistry. These rehearsals pay off once I am on stage because I feel extremely prepared and find that I can truly enjoy my time performing.

3. What is the hardest part about dance for you?

I find showing emotion to be surprisingly difficult. While on my competition team, I was taught that each dance style required a different set of facial expressions: big, cheesy smiles for jazz; forlorn puppy-dog eyes and distressed, open mouths for lyrical jazz; and sassy smirks for hip-hop and jazz funk. However, as I have matured in my dancing, I have learned that these prescribed expressions are no longer appropriate or acceptable. Now, I must take the time to really plan my character and dancing intent before a show in order to break the barrier between my everyday self and performer.

ballet dancer on pointe4. What advice would you give to other dancers?

If a dancer doesn’t fully trust the movement she is creating, the audience will not be convinced. Therefore, it is incredibly important that you – the dancer – always be confident. If you make a mistake, make it with conviction. You don’t ever want to leave the stage after a show and regret that you didn’t try to make your performance special, simply because you were worrying about falling during a difficult sequence or landing a jump on the wrong count.

5. How has dance changed your life?

Dance has kept me grounded. No matter what is going on at school, with friends, or in other aspects of my life, I can always rely on it to make me feel better or to relieve my stress. It has also kept me focused and given me the physical and emotional strength required to accomplish my goals both in and out of the studio. Perhaps most importantly, dance’s constant presence in my life has improved my self-confidence, and the people I have met through dance have opened my eyes to new and unique perspectives that I otherwise may not have experienced. I am so glad that I realized dance was my passion at such a young age, and I cannot imagine living without it.

Watch Ally:

The School at Steps is a training ground for students, ages 2-18, who are interested in exploring various dance styles, as well as for those students already focused on a particular discipline. The school offers an Academic Year and Summer Program, with classes in ballet, modern, tap, jazz, theater dance, hip hop, and pilates. Students at the school are also given performance opportunities, and workshops on dance and career-related topics. Beginning with the Young Dancers Program and continuing through the most advanced pre-professional classes, The School at Steps provides children with an opportunity to explore the world of dance, to learn and experiment with technique, and to enrich their appreciation for the various forms of the art.

Filed Under: 4dancers, Student Spotlight Tagged With: ally brodsky, rad ballet, the school at steps

Finis: Photographing Alvin Ailey’s Gala

November 30, 2012 by 4dancers

by Christopher Duggan

jessye norman, revelations with alvin ailey

Alvin Ailey American Dance Theater hosts gorgeous and energetic galas at New York City Center every year. Photographing the Gala means capturing exciting moments on stage as well as the many smiling guests. Mo’Nique was the honorary chair this year, and I caught New York Times photographer (and my hero) Bill Cunningham talking with Ailey dancers.

Robert Battle and Mo'nique
Mo’Nique and Robert Battle
bill cunningham
NY Times Photographer Bill Cunningham With Dancers From Alvin Ailey

This season, the always-incredible dancers performed Ohad Naharin’s Minus 16, pulling audience members on stage — and the crowd went wild for the honorary dancers!

ohad nahrin
MINUS 16

ohad nahrin

It was one of Renee Robinson’s last performances with the Alvin Ailey company. She carried her signature umbrella in the world-famous Revelations. The score for the work was sung live by Jessye Norman, Anika Noni Rose, and Brian Stokes Mitchell.

renee robinson dances revelations
Renee Robinson in Revelations

alvin ailey's revelations

Christopher Duggan, Photo by Julia Newman

Contributor Christopher Duggan is the founder and principal photographer of Christopher Duggan Photography, a New York City-based wedding and dance photography studio. Duggan has been the Festival Photographer for Jacob’s Pillow Dance since 2006. In this capacity, and as a respected New York-based dance photographer, he has worked with renowned choreographers and performers of international acclaim as well as upstarts in the city’s diverse performance scene.

He has created studio shots of Gallim Dance, Skybetter +  Associates and Zvidance, among others, and in 2011 alone, he has photographed WestFest at Cunningham Studios, Dance From the Heart for Dancers Responding to Aids, The Gotham Dance Festival at The Joyce Theater, and assisted Nel Shelby Productions in filming Vail International Dance Festival.

Duggan often teams up with his talented wife and Pillow videographer Nel Shelby (http://nelshelby.com). A New York City-based husband and wife dance documentation team, they are equipped to document performances, create and edit marketing videos and choreography reels, and much more.

Christopher Duggan Photography also covers Manhattan’s finest wedding venues, the Metropolitan and Tri-State areas, and frequently travels to destination weddings.  The company’s mission is straightforward and heartfelt – create timeless, memorable images of brides, grooms, their families and friends, and capture special moments of shared love, laughter and joy.

His photographs appear in The New York Times, Destination I Do, Photo District News, Boston Globe, Financial Times, Dance Magazine, Munaluchi Bridal, and Bride & Bloom, among other esteemed publications and popular wedding blogs. One of his images of Bruce Springsteen was added to the Rock & Roll Hall of Fame’s celebrated photography collection in 2010. His company has been selected for inclusion in “The Listings” in New York Weddings magazine.

Filed Under: Editorial, Finis Tagged With: alvin ailey, alvin ailey's gala, dance photography, minus 16, mo'nique, Ohad Naharin, renee robinson, Robert battle

Dance Wellness: Phases Of Healing

November 29, 2012 by 4dancers

We are pleased to have Marika Baxter, PT, as our guest contributor this month.  Marika has extensive experience working with dancers, and her article on the “Phases of Healing” is great information to share regarding what happens in your body when you have an injury, and how to integrate that with returning to happy, healthy dancing.

After Marika’s article, you’ll find a few additional words from me, on something we’ve mentioned before in our Wellness column, but which bear mentioning again — keeping the rest of your body in shape while you’re recovering from an injury.

The Holidays are here, so enjoy — happy “Nutcracker”, if that’s a part of your dance life, and “talk” to you again soon!

Jan

Jan Dunn, MS

___________________________________________________________________

Phases of Healing

by Marika Baxter, PT, MSPT, OCS

ballet dancer striking poseIf you’ve ever had an injury that’s sidelined you from dancing, the most pressing question you may have is “How long will it take to recover and when will I be dancing again?”  Though every injury and dancer is different, the way our body heals does follow the same pattern.  Understanding the phases of healing and how they relate to getting back in the studio can help you in the journey back to health.   The important thing to remember is that healing is a process, not an event!

Phase I – The Inflammatory Phase

The first phase of healing is called the inflammatory phase.  You’re in the studio rehearsing for a performance and as you step into a turn your concentration lapses and your ankle rolls.  You feel pain on the outside of your ankle and when you try to continue dancing your ankle feels weak and is too painful to put weight on.  Luckily you put ice on it right away but by the end of the night your ankle is swollen and bruised.

Whether the injury is major, like this story of an ankle sprain, or just a small cut or bruise, the first thing the body will experience is inflammation.  You can think of the inflammatory phase as the clean up phase.  In the first 24-48 hours, the body will send cells to the area to help remove injured tissue.  The body will also begin laying down new cells to form a blood clot, almost like an internal scab.  This helps keep the injury protected as it begins to heal.

During the inflammatory phase, there are a number of things you may be feeling.  It’s common to have pain, swelling and possibly warmth and redness in the area.  Depending on the severity of the injury, you may have difficulty dancing, walking or moving the body part.  In this first phase of healing, you may need to modify what you’re doing in class or rehearsals to allow for healing to begin.  In some cases you may need to take a break from dancing so the body can start the healing process.

In these first few days after an injury, the best thing to do is PRICED: Protect, Rest, Ice, Compress, Elevate, Diagnose.  You can see the previous dance wellness article on 4dancers.org entitled “Keeping Dancers Dancing: “Help I Have An Injury – What Do I Do?” for more information on PRICED.

Phase II – The Repair Phase [Read more…]

Filed Under: 4dancers, Dance Wellness, Injuries Tagged With: dance wellness, dancer, dancer injury, iadms, Marika Baxter, new york city ballet, phases of healing, school of american ballet

DANY (Dance Art New York) Studios Get A Facelift

November 28, 2012 by 4dancers

dany lobby
DANY Lobby Before, photo by Cathryn Lynn

Interior designer Vicente Wolf recently took part in a pro-bono redesign of several areas of the DANY (Dance Art New York) Studios (305 West 38th St.) which is operated by The Joyce Theater Foundation. Wolf collaborated with Eric Paeper, a recent MFA graduate of the New York School of Interior Design on the project, which features 11 studios.

The redesign incorporates things such as an updated color scheme (lacks, grays, and whites, with vibrant pear green highlights), better lighting, and stencil work featuring the DANY Studios name (as well as the names of dance companies) on the walls. New furniture and decor was donated by companies such as Crate and Barrel, and the entire project was documented by SPACEStv channel.

Wolf, a lifelong patron of the arts and one of Architectural Digest’s AD100 designers, was approached by a friend that is affiliated with The Joyce Theater Foundation to help give the space a much-needed facelift. 4dancers corresponded with the designer via e-mail and asked a few questions about the design process…

There are so many projects that you could have chosen to lend your talents to–what was it specifically that drew you to working with the space at DANY?

My great respect for dance and the amount of energy that dancers put into art needed to be rewarded with a wonderful space where they can relax after a hard day of rehearsal.

What did you want the space to feel like when it was finished?

I wanted it to have a uplifting sense of comfort and design.

Can you highlight a few of the design elements that you think transformed the space the most?

The paint donated by PPG gave it a facelift; the convex mirrors which alter the space of its reflections; painting the wood, which helped to unify the space; the clean lines of the upholstery that blended well with the existing floors.

Take a look at the space now:

dany lobby
DANY Lobby After

The official “unveiling” of the new studios was October 25, 2012.

new york dance space
New furniture helps update the DANY space
A new color scheme modernizes the look and brightens the atmosphere

Filed Under: 4dancers, Editorial Tagged With: dance art new york, dance studio, dany, eric paeper, the joyce theater, vicente wolf

Performing In The London 2012 Olympics

November 27, 2012 by 4dancers

Today 4dancers welcomes Amie Brotherton who is going to share her experience performing in the London Olympics this year. It’s an honor that most dancers will never experience in their lifetime, so we thought it would be interesting to see what she had to say about the event…

london 2012 olympics
Amie Brotherton at the opening ceremony of the London 2012 Olympic Games

Olympic Performer. Diary of events.

November of 2011 I applied to audition to be involved in the Olympics Opening Ceremonies. As a dancer and dance teacher I relished the opportunity to be involved and hopefully perform so I filled in all the information about myself, my experiences and my specific skills. I received an email from the ceremonies asking me to come to an audition, so off I headed to East London.

After that, I received another email inviting me back to a second which was a role-specific audition.

16 January I received an email to say I’d been successful along with an invitation to take part in the Opening Ceremony of the London 2012 Olympics. I was completely thrilled!!

15 April  The first rehearsal we were met by none other than Danny Boyle himself. He sat us down and explained his whole vision, showing us a video of what he wanted the ceremony to look like and a scale model of the stadium.

We spent 4 weeks working very hard in the studio on the contents of our segment. Always shattered but on a high when I got home, each new part we learnt I’d practice at home be to sure I would keep ahead, remembering everything for the next week!

20 May We met in an outside space where there were a lot more cast members and we were all put together in bigger groups. We continued to learn new parts and integrate them with other groups and stood from week to week in any weather from blazing 25*C sunshine, to 11*C rain and wind.

olympic dancers
Amie and her fellow performers

21 June Stadium day! We had been given strict instructions about security and as we came out of Stratford station and walked towards the park, excitement was mounting. We went through security and were faced with the huge and beautiful stadium in front of us, the aquatic centre on our left and the water polo centre on our right. We walked across the bridge and it all looked very impressive. Everything was huge!

We began rehearsing 3-4 times a week, each rehearsal bringing new surprises, whether it was an addition to the set, special effects, or trying on our make up and costumes! The press made numerous attempts to find out what’s going on – including flying helicopters over us trying to take photos, and infiltrating our radio communicators.

20 – 26 July Now we were putting on dress rehearsals for crowds of around 40,000. This was our first true taste of having a large audience. Feedback from the crowd was immense and gave us an indication of what it could be like on opening night. All the audiences were amazing, and they did #savethesurprise for us–enabling us to keep the secret from the world as to just what they could expect on the 27th of July. [Read more…]

Filed Under: 4dancers, Dance in the UK, Editorial Tagged With: 2012 london olympics, dancing, danny boyle, olympics

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