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10 Questions With…Mark Deler

June 11, 2010 by 4dancers

Today’s “10 Questions With…” features a young dancer at the beginning of his career. Please welcome Mark Deler…

1. How did you become involved with dance?

I became involved in dance when i was 16 years old. I was in my room listening and dancing to some Michael Jackson and I did one of his big leg kicks. I noticed that for not much training I could kick pretty high and pick up movement rather quick. In high school (Riverside Brookfield HS) I was approached by the dance team, Orchesis, because they were in need of men.

They asked and I said of course, how was I going to deny five pretty girls lol.

That’s when I started and I’ve never looked back. 

Mark Deler (Photo by Dan Merlo)

2. What has your dance experience been like so far?

I am currently a Junior dance major at the University of Illinois Urbana – Champaign. I’ve been trained by Sergey Kozadayev from the Salt Creek Ballet for the past few summers. And other than dancing in high school my junior and senior year, under Mindy Haines, that has been the extent of my training.

I’ve been lucky enough to be accepted to the U of I and the professors and instructors there have made my experience in dance a relatively flawless one.

3. What do you love most about dance?

Oh wow haha! I love the performative aspect of it. When I am dancing I like to think that 4th wall isn’t there. I like to believe that in my dancing I am not dancing for them, rather it’s a collaboration between us. Like a conversation that I know the answers to, but they have the questions.

4. What is the biggest challenge you face (or have faced) in dance?

I’ve had a few minor injuries, but nothing to that took me out for too long.

As far as technique, I have been working on my dynamics and range. I have the sort of energy that is very high octane and it has been known to get me into trouble, whether it’s with messing up the step, being late, or getting injured. A professor of mine once told me that even though my energy was beautiful and captivating, that being high octane the whole time can only get monotonous and boring. This really hit home for me and so to this day and maybe for forever I will continue to work on my quality changes.

5. Do you have any favorite dancers?

My all time favorite dancer is Carlos Acosta. He embodies such grace and such power at the same time that I find no other to compare. Being 6 feet tall I know what it’s like as tall person to dance and keep up with smaller quicker people. He inspires me to keep to trying because if he can do it being that tall why can’t I?

 6. Can you share a highlight from your dancing thus far?

The highlight of my dancing so far has all come from being at U of I. I’ve been blessed to have been chosen do so many different styles of work and don’t regret any show or piece I have been in. I’ve gone to the extremes of performing collaborations with actors to being The Russian in The Nutcracker.

7. What do you think are the most important qualities you need to have to be a dancer?

In no order, I think patience (but not too patient), open-mindedness, confidence, energy, passion, and determination are the most important qualities to have. If you have all these qualities with some good technique I believe that’s all you need. Oh and connections, the dance world is surprisingly small, so be courteous to everyone you meet.

8. Do you think that dance can prepare you for other things in life? If so, how?

Yes, because dance can lend itself to so many different facets of life. It teaches you how to be social with others, how to be in tune with your body, how to maintain a healthy lifestyle, and how to express yourself in any emotion you choose.

9. As a man, is there anything in particular you can share with other male dancers that would be helpful?

For new coming male dancers like me, especially if you start late, It is very important to not just mimic or copy your female dancers. Although it is very important to have the right step it is equally, if not more important, to embody a sense of masculinity both physically and mentally. Versatility is also key.

Some instructors or choreographers don’t always no what we can do and it is our job to show them what we can do.

10. What is coming up next for you?

I still have two more years here at the U of I so I will be here. I also perform with the Champaign-Urbana Ballet and I plan on being in their upcoming Nutcracker, preferably as the Russian again!

Bio: Mark Deler, age 20, is currently a dance major at the U of I. He began his training in high school when he was 16 and a year later auditioned for the U of I to where he was accepted. He has performed many different roles ranging from The Russian in The Nutcracker to singing ‘Beauty School Dropout’ in Grease. Post graduation he aspires to make a career in performance.

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Filed Under: 10 Questions With..., 4dancers, Studios Tagged With: carlos acosta, Kozadayev, mark deler, michael jackson, salt creek ballet, u of i dance

10 Questions With…Anne-Sophie Rodriguez

June 8, 2010 by 4dancers

Today’s “10 Questions With…” features Anne-Sophie Rodriguez… 

1. How did you get involved with dance and what brought you to the United States? 

When I was three years old, I started telling my Mom I wanted to dance. I had never seen dance, yet I knew that was what I wanted to do… She was able to hold me off for a few months but when she could no longer take my persistent asking, we went around to all the ballet schools in town. They all said I was too young, the minimum age being four. When we got to the last one, my Mom and I had a little powwow and decided to tell a little white lie and say I was four. When I actually turned four, we confessed to the school’s director who said she had figured it out but that I was doing very well and that it was fine. My family moved to the United States for my Dad to work in the Silicon Valley in the San Francisco Bay Area.  

2. How was your ballet training different in the US as compared to France? 

I was still very young when I left France so I suppose I can’t really compare the two that much. Of course, in France, I had French training while in the US, where I trained at the San Francisco and Boston Ballet Schools, I mostly had Russian teachers.

Anne-Sophie (Photo: Rachel Neville, www.rachelneville.com)

3. What project(s) are you currently involved in? 

I currently free-lance so I am open to whatever comes my way! Last year, I danced with the Metropolitan Opera Ballet for the first time: it was amazing to be on that stage! Most recently, I have been performing with Janusphere Dance Company, a contemporary company, and compani javedani, a more modern company. My training was very classical so I am grateful that Sahar Javedani, Artistic Director of compani javedani, gave me the opportunity to go out of my comfort zone. She choreographed a beautiful solo on me and we plan to collaborate again soon.

Other than dancing myself, I also teach. I give private lessons as well as coach for the Ellison Ballet Professional Training Program. The school was founded by Edward Ellison, my coach and mentor who shares my main teacher from San Francisco Ballet School, Larisa Sklyanskaya. EBPTP just concluded its fourth year and most of the graduates have gone on to professional contracts in a time when jobs are hard to come by. Coaching is something I absolutely love, especially when seeing a tremendous improvement as I have with most of the students I have worked with. 

4. Can you share the best piece of advice you have ever heard in terms of dance? 

My teacher Larisa had many great sayings including “Don’t try, just do” as well as “you think you are, but you’re not.” She taught us to use the mirror as a tool to make sure our feelings matched up to what was actually happening. Most of the time, it wasn’t but little by little, we retrained completely and started to see the improvements we thought we were feeling at the beginning. I think a great piece of advice in life and in dance is that you are responsible for your own thoughts and actions. No one is to blame for anything but yourself and, with hard work, you can do anything you set your intentions on. 

5. What was your best moment so far as a dancer? 

I can’t think of a single best moment as a dancer. I have loved every part of rehearsing and performing. Even when everyone got bored with the numerous Nutcrackers (up to 50+ a year in Boston Ballet), I always reveled in each show. I enjoy bringing characters to life as well as dancing the same steps that have been passed down through generations and making them my own. I also love having work created on me. 

6. What has been your biggest challenge as a dancer? 

Anne-Sophie (Photo Rachel Neville, www.rachelneville.com)

I think my biggest challenge has been that most directors see me in class and think I am very classical and that that is all I can do. It is true that, since most of my training was very Russian, that is what comes most naturally to me, however, with time to get it into my body, contemporary work is very enjoyable and I feel it looks good on me as well. 

7. What would you say to a young ballet student who wants to do this as a career? 

In order to be a dancer, you have to be fully committed. Dance is something you have to love as it is hard work and not always easy. However, fully committed does not mean not taking part in life outside the studio. Your experiences and relationships will inform your choices on stage, so be sure to get out there. The second part of my advice would be to get to know your body and what works and doesn’t work for it. Cross-training and injury prevention are necessary. Personally, I love yoga as it has the mind body connection that is so important in dance. Yoga has helped me become more aware of my body and how it moves in space. I also have an amazing body worker who does trigger point therapy and myofascial release, both of which I highly recommend for all dancers. Lacrosse balls are a great massage tool (to work on calves, gluteal muscles, etc) and I can no longer warm up properly without one! 

8. Do you have a favorite step or combination? If so, what is it and why do you like it so much? 

I am more suited to adagio-type work, not because I have especially high extensions but because I try to feel every moment and every note of the music. I take special care of my port-de-bras and pride myself on it. I also enjoy turning but I am not a trickster per se. Jumps are not my favorite in class, however they are more fun in rehearsal and on stage depending on what we are doing. 

9. What type of pointe shoes do you wear, and do you have any special “tricks” you use to make them your own? 

I have worn Russian Pointe, E 38 V3 W3, since they first brought them to the States. They mold to my feet well and are very comfortable. I unsew the back the fabric in the back and sew the vamp so it fits my foot well as there are no drawstrings in that style. I tend to glue the box after wearing them once so they will last longer. I find that gluing them before wearing them will make them too hard to break in. 

10. What is next on the horizon for you? 

As of right now, more of the same, dancing and teaching. I have been working on my BA with the L.E.A.P. program (Liberal Education for Arts Professionals) for the past couple years. The program started out in San Francisco and I was part of the inaugural NY group. We receive credits for our dance  experience as well as life experience (as demonstrated by essays). I am enjoying the process, however I do hope to finish soon. Homework is the hardest part! 

Bio: Anne-Sophie was born in France and started her studies there before moving to the San Francisco Bay Area. She spent most of her training at the San Francisco Ballet School with such renowned teachers as Larisa Sklyanskaya and Irina Jacobson. She later graduated from Boston Ballet School, having relocated there to study with Madame Tatiana Legat. Anne-Sophie has performed with such companies as Boston Ballet, Tulsa Ballet, The Norwegian National Ballet, The Metropolitan Opera Ballet, and Ballet Internationale. She currently free-lances, dancing with Janusphere Dance Company and compani javedani, and is very happy to be on the faculty of the Ellison Ballet Professional Training Program where she has the opportunity not only to work with mentor Edward Ellison but also with his dedicated students.

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Filed Under: 10 Questions With..., 4dancers, 4teachers, Studios Tagged With: anne-sophie rodriguez, boston ballet school, compani javedani, janusphoere dance company, metropolitan opera ballet, san francisco ballet school

Teaching Tip: Little Dancers

June 7, 2010 by 4dancers

Teaching TipI had been teaching already for about ten years when I realized something very important…let me go back and tell you how it all came about…

I was 29 years old and was getting ready to start my latest ballet class for 3 and 4 year olds. We were all sitting on the ground in a circle, learning names. A little uncomfortable, I uncrossed my legs and crossed them the other way.

Every single little girl there did the exact same thing.

That’s when it hit me–the power of modeling behavior with kids that age is tremendous. They mimic what you do. I had been trying hard to come up with explanations in bite-sized words that I thought the children would understand.

Turns out all I had to do–was do it.

Now this isn’t to say that you should not teach verbally. You should. But never underestimate the power of what you are doing. This includes simple things such as standing up straight and walking lightly.

Remember…those little eyes are taking it all in…

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Filed Under: 4teachers, Studios, Teaching Tips Tagged With: 3 and 4 year olds, ballet class, children, kids, modeling, teaching

Tying Your Pointe Shoes

June 4, 2010 by 4dancers

If you are new to pointe shoes, learning how to tie them so that they stay looking pretty is a part of the package. If you are a ballet teacher, you’ll want to be able to show your students the proper way to tie ribbons. This video on YouTube is a good one for going over the basics.

I used to use hairspray to keep my ribbons tucked in for performances. Every dancer comes up with their own tricks for keeping things neat and tidy. Feel free to share if you have something to add…I love hearing how each dancer does things. It’s always a suprise to see what other people come up with!

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Filed Under: 4dancers, 4teachers, Dance Clothing & Shoes, Pointe Shoes, Studios Tagged With: how to tie, pointe shoes, ribbons

A Tip For Marketing For Your Dance Studio

June 2, 2010 by 4dancers

If you have considered advertising in your local newspaper but aren’t sure if it is worth the money, here’s a tip you can try to help you measure the success of the advertisment…

Make the ad into a coupon. That way, when people bring in the ad to get a discount, you know that they found you in the paper. You can make the “deal” whatever you want…20% off of a dance class session or a “one free class pass”.

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Filed Under: Editorial, Studios Tagged With: studio dance class

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