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DVD Review: Turns & Turn Combos with Michele Assaf

October 20, 2013 by 4dancers

by Emily Kate Long

Michele Assaf is on faculty at Broadway Dance Center in New York City. She is also co-founder of Tezoro Productions Live, the producers of this instructional DVD. She has directed, produced and choreographed for opera, theater, and recording artists across the country.

This one-hour DVD contains a video index of turns and a segment of across the floor turning combinations. The index covers turns large and small, from chaines all the way to grand pirouettes and fouette turns, in classical and contemporary shapes. The enchainements range from the very simple—four chaines and a balance in retire—to quite complex—a variety of ball-change and pirouette combinations, with interesting rhythmic and dynamic variations in the turns and transitions. Each turn and combination is shown as a balance or shape-by shape breakdown, then a single turn, then at a faster tempo or with multiple turns. Groups of students show each level of difficulty, and it’s interesting and helpful to see the individual style and dynamic of each dancer, especially for the more advanced combinations. Assaf states that the key in learning to turn lies in each dancer feeling the sensation of centered turning in his or her own body.

Regrettably, Assaf uses a breakdown for linked pique turns that’s all too common, but ineffective. First, the rond de jambe from front to side to prepare for pique turns en dedans, and next, a tombe to the side for piques en dehors. The physics of movement make the extra action of rond de jambe counterproductive in linked turns, and to tombe over second results in a turned-in second leg. The more advanced dancers disprove the usefulness of the breakdowns. Especially for multiple rotations, they simply pique or tombe forward over fourth position.

As a grab-bag of material, this DVD has a lot to offer, but it provides comparatively little in terms of analysis or useful correction. Its value is in the quantity and clarity of the content presented.

Here’s a look at the video:

 

Filed Under: 4teachers, Reviews Tagged With: michele assaf, teaching dance, teaching turns, tezoro productions live

Book Review: Titian | Metamorphosis: Art Music Dance

September 18, 2013 by 4dancers

9781908970046_p0_v1_s260x420by Emily Kate Long

What do an industrial robot, a Renaissance master, and an astronaut have in common? Last year, all three made appearances in London’s National Gallery and the Royal Opera House as part of a project titled Metamorphosis: Titian 2012. The commemorative hardback book Titian | Metamorphosis: Art Music Dance immortalizes the Royal Ballet-National Gallery collaboration in 180-plus pages of thought-provoking interviews and stunning photographs. The book gives us insight into some enduring tensions in art and dance: that between past and present, power and vulnerability, narration and abstraction, and technology and tradition.

This volume is itself a work of art, edited by Dr Minna Moore Ede, Assistant Curator of Renaissance Paintings at the National Gallery. Photographs by Gautier Deblonde, Johan Persson, and Andrej Uspenski decorate every page. Ede’s conversations with three contemporary British artists (Mark Wallinger, Conrad Shawcross, and Chris Ofili) make up the text in Titian | Metamorphosis. Together, the text and images reveal the project’s progress from nascence to maturity in a vivid and uncluttered package.

Each artist was commissioned to create work for the National Gallery, and was separately teamed up with a composer and choreographers to design a ballet. Wallinger created the ballet Trespass with composer Mark-Anthony Turnage and choreographers Alastair Marriott and Christopher Wheeldon. Shawcross’s Machina featured music by Nico Muhly and choreography by Wayne McGregor and Kim Brandstrup. Ofili’s designs for Diana and Acteon set the stage for choreography by Liam Scarlett, Will Tuckett, and Jonathan Watkins. Composer Jonathan Dove and librettist Alastair Middleton rounded out Ofili’s team. [Read more…]

Filed Under: Books & Magazines, Reviews Tagged With: dance book, dance book review, royal ballet, titan metamorphasis

Book Review: Balanchine: Russian-American Ballet Master Emeritus

July 26, 2013 by 4dancers

by Emily Kate Long

balanchineIn Balanchine: Russian-American Ballet Master Emeritus, Reine Duell Bethany gives young adults (dancers and nondancers alike) a highly readable, thought-provoking, and inspiring biography of the twentieth-century choreographer.  Over ten chapters, Bethany walks the reader thoughtfully through Balanchine’s early life in Russia, his work for Diaghilev, and his eventual establishment in the US as the head of New York City Ballet and the School of American Ballet. The author traces Balanchine’s personal history and relationships, his development as a choreographer, and his work and personality as a businessman and international cultural ambassador. Throughout, adequate yet succinct historical, cultural, and social context is provided, making Ballet Master Emeritus as useful and appealing to young people interested in history or politics as ballet. For creative types, Reine Duell Bethany’s poignant, inspiring writing reinforces the importance of such qualities as faith, sacrifice, integrity, courage, and dedication in the pursuit of artistic goals.

Balanchine: Russian-American Ballet Master Emeritus would make a valuable addition to the young dancer’s library. It captures the subject in a way that is both revealing and sensitive, while placing George Balanchine and New York City Ballet in a landscape beyond the self-contained.

Balanchine: Russian-American Ballet Master Emeritus

Reine Duell Bethany, 193 pages

Filed Under: Books & Magazines, Reviews Tagged With: balanchine, dance book, diaghilev, reine duell bethany

Review: The Pointe Book: Shoes Training, Technique

July 17, 2013 by 4dancers

the pointe bookby Emily Kate Long

The third edition of The Pointe Book, published in 2012 (previous editions were released in 1998 and 2004), covers aspects of pointe shoes and pointe dancing past, present, and future. This edition has been extensively revised and includes one entirely new chapter of sample pointe classes.

Barringer and Schlesinger have compiled a quantity of hard data related to pointe work and pointe shoes. Included are lists of manufacturers of pointe shoes and accessories, shoe size charts, and diagrams of the foot and pointe shoe with accompanying anatomical and functional information. The authors also offer thoughtful discussion on such subjective matters as pointe readiness, training methods, and the relevance of pointe dancing today and in the future. Considerable space is also given to the issue of pointe-related injuries, their causes, and different treatments and therapies.

There is a wealth of valuable insight in these pages. The authors have consulted teachers, professional dancers, and medical professionals with extremely diverse backgrounds, and do a thorough job of presenting the many (sometimes conflicting) viewpoints of their interview subjects. Barringer and Schlesinger do justice to pointe dancing as both art and craft.

The value of The Pointe Book for today’s teachers and students is perhaps best summarized by a passage from the authors’ interview with Kirk Peterson, from the final chapter of the book, “Will Pointe Work Be Relevant in the Twenty-first Century?” Peterson states:

“A healthy respect for ballet’s time-honored traditions, an educated understanding of twentieth-century concerns for artistic relevance, and a respect for the public’s very real love affair with ballet as a theatrical art form, will point a contemporary ballet choreographer in the direction that will guide him or her in a way that embraces ballet’s traditions, yet stretches its potential and still uses pointe work as a valid tool for creativity and artistic expression.”

In The Pointe Book: Shoes Training, Technique, Janice Barringer and Sarah Schlesinger write with evident respect for the traditions and history of classical dance, and carefully provide the most current information on the state of our art and craft. This compendium also raises provocative questions regarding training methods, injury, and general attitudes of teachers, artists, and audience toward pointe dancing. The authors have given a useful resource to teachers, dancers, and parents for the development of the kind of artists Peterson describes above.

Buy Now

Disclosure: Janice Barringer is a contributing writer at 4dancers.org

Filed Under: Books & Magazines, Pointe Shoes, Reviews Tagged With: janice barringer, pointe shoes, sarah schlesinger, the pointe book

Book Review: Dancing In Time

June 19, 2013 by 4dancers

by Emily Kate Long

DancingInTime.W_1488_300Anyone who has ever had to trust will be able to relate to Violet Rightmire’s romance Dancing In Time. Her characters are engaging, her dialogue is colorful, and the plot flows smoothly. This novel is a quick read at 182 pages and has enough suspense to keep the pages turning chapter after chapter. Though frequently predictable, Dancing In Time is highly satisfying.

It all starts when Hadleigh Brent, an introverted dancer in her mid-twenties, is coaxed by her outgoing friend Jann into catching the attention of a tall, dark, and handsome stranger at the lunch counter. Both driven and hindered by their baggage and complex backgrounds, Hadleigh and Doctor Collins fight time and doubt in an effort to make things work. For much of the story, our main characters are faced with nothing to act on but faith (or doubt) and love, and seeing them potentially at their worst makes them endearing.

The insider/outsider conflict inherent in the dance world (and addressed in most works of fiction that deal with ballet) gets an interesting and effective twist in Rightmire’s novel. There’s a huge amount of risk involved in letting another person into one’s own private world, and Dancing In Time illustrates that with remarkable tenderness. Besides that, it’s a good old clean love story. I rate it PG and thumbs-up.

Dancing in Time, Violet Rightmire (Debra Webb Rogers)

The Wild Rose Press, 2008

Filed Under: Reviews Tagged With: dance book, dancing in time, debra webb rogers, violet rightmire

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