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The Chicago Dancing Festival’s Jay Franke

May 18, 2014 by 4dancers

Tuesday, May 20th both Jay Franke and David Herro will receive the 2014 Public Humanities Award from the Illinois Humanities Council. Both have been deeply involved with the Chicago Dancing Festival, which takes place again this year from August 20th to the 23rd.

The Public Humanities Award has been given each year by the IHC since 1984, and it recognizes individuals and organizations that have made significant contributions to the civic and cultural life of the state through the humanities.

4dancers was able to send some questions over for Jay Franke about the CDF and its development, and we’re happy to be able to share his reflections on it with you here today…

David Herro and Jay Franke, photo by Cheryl Mann
David Herro and Jay Franke, photo by Cheryl Mann

You are very involved in the arts in Chicago. Can you talk a bit about your own background in dance?

I began dancing at the age of 11. I wanted to be Gene Kelly and my parents told me I could attend dance classes with my sister in the small town of Broken Arrow, Oklahoma where I grew up. I was the only boy in my town who wanted to dance instead of play football, but I fell instantly in love with movement–it was kinetic! My sister stopped dancing soon thereafter. She told my mom “that I was getting better than her”…oh well, the end of her dancing career was the beginning of mine. I finally escaped OK for the Performing Arts High School in Dallas and then went on to study at Juilliard School when I was 18, graduating with my BFA in Dance. I then went on to dance with Twyla Tharp Dance Company, Hubbard Street Dance Chicago, and Lar Lubovitch Dance Company.

How did the idea for the Chicago Dancing Festival first come about?

CDF began almost as an experiment to establish a world class FREE dance event to help nurture and cultivate dance audiences. Lar Lubovitch, a world-renowned choreographer and Chicagoan and I founded the festival on the principal that art belongs to the people, and we felt by organizing an evening of well curated dance companies in a public setting we could help grow the art form by making it accessible. Our first year we had over 8,000 people who attended and we were off and running.

What was the festival like the first year and how has it grown and evolved over time?

Since our inception:

  • The festival has grown by adding more programs in different venues of Chicago becoming more of a city-wide event.
  • We have hosted lectures, film series and open rehearsals to give our audiences a chance to discover other types of work related to dance.
  • Some of our most proud moments have been our ability to commission works for local dance companies such as Gus Giordano, River North Dance Chicago, Hubbard Street Dance Chicago and the Joffrey Ballet. This way when the curtain comes down on the festival in April–Chicago dance companies have the opportunity to have a CDF commissioned work in their rep for their season.
Jay Franke
Jay Franke

How have you been able to keep this festival free for the public and what role do you think that plays in expanding the dance audience here in the city?

The festival is kept free through the generosity of many private individual donations, foundations and corporate sponsors who are aligned with our views on presenting world-class dance to Chicagoans.

What has been the biggest challenge in terms of this festival?

Our biggest challenges are almost blessings in disguise. The demand for tickets to the festival seems to grow each season and it is always our hope that everyone feels included in what we are presenting…but getting a ticket can be the most difficult part for our audiences. (And of course, there is always room for growth when it comes to funding the festival.)

What has been the best part about the festival for you personally?

My favorite part of the festival is watching Chicagoans of all ages and backgrounds fall in love with and be inspired by dance. This is what makes me most happy.

What is coming up this summer for the festival?

This summer we are commissioning a new work for Hubbard Street Dance Chicago by choreographer Kyle Abraham, and I am thrilled that we are able to make this happen. The new piece will premiere at the Harris Theater on Wednesday, August 20th. Don’t miss it! Also, we are excited to present some new companies on our stages; Rennie Harris’s work, Stars of American Ballet–and to have the Juilliard Dance Ensemble back.

___________________________________________

The Public Humanities Award Luncheon will take place on Tuesday, May 20, 2014, 11:30am at the Palmer House Hilton in Chicago, where more than 400 guests from Chicago’s cultural, financial, and civic communities are expected to attend. Single tickets to the Public Humanities Award Luncheon are available from $175 and tables range from $2,500 to $25,000. Tickets may be purchased online at http://www.prairie.org/pha. For more information on the event or ticket options please call (312) 422-5584 or e-mail mjc@prairie.org. All proceeds from The Public Humanities Award will support the Illinois Humanities Council speaker, education, and outreach programs.

Filed Under: Editorial Tagged With: chicago dancing festival, david herro, illinois humanities council, jay franke, public humanities award

Summation Dance Company – Performace at BAM Fisher

May 5, 2014 by 4dancers

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by Christopher Duggan Summation Dance is a growing company that has always wanted to work with the best quality dance photos and video. This year, I did a dance promo photo shoot with Summation in a studio in Queens as a lead-up to their performances at Brooklyn Academy of Music (BAM). Nel and I really appreciate that they’ve made the investment in dance photos and video, and it’s paid off. They have excellent video documentation and they are smart enough to see that having great representation of their work is how you get the next grant or the next gig. It’s how you sell your tickets, how you build your house. They are so dedicated, constantly thinking and developing; they’re just really good artists. Here’s Summation Dance at BAM Fisher.

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Contributor Christopher Duggan is a wedding and dance photographer in New York City, the Berkshires and beyond. Duggan has been the Festival Photographer for Jacob’s Pillow Dance since 2006. In this capacity, and as a respected New York-based dance photographer, he has worked with renowned choreographers and performers of international acclaim as well as upstarts in the city’s diverse performance scene.
Christopher Duggan, Photo by Julia Newman
Christopher Duggan, Photo by Julia Newman

He photographs dancers in the studio and in performance, for promotional materials, portraits and press, and he often collaborates with his wife, Nel Shelby, and her Manhattan-based dance film and video editing company Nel Shelby Productions (nelshelby.com). Together, they have documented dance at performances from New York City to Vail International Dance Festival.

Christopher Duggan Photography also covers the finest wedding venues in the Metropolitan and Tri-State areas, in Massachusetts and the Berkshires, and frequently travels to destination weddings.

His photographs appear in The New York Times, The Huffington Post, The Knot, Destination I Do, Photo District News, Boston Globe, Financial Times, Dance Magazine, and Munaluchi Bridal, among other esteemed publications and popular dance and wedding blogs. One of his images of Bruce Springsteen was added to the Rock & Roll Hall of Fame and his dance photography has been exhibited at The National Museum of Dance and Jacob’s Pillow Dance Festival.

His Natural Light Studio (http://www.christopherduggan.com/portfolio/natural-light-studio-jacobs-pillow-photography/) at Jacob’s Pillow is his most ambitious photography project to date – check out his blog to see more portraits of dance artists in his pop-up photo studio on the Pillow grounds.

Filed Under: Dance Photography, Finis Tagged With: bam fisher, christopher duggan, dance photography, summation dance

For Dancers: Recipes For Fuel And Recovery

April 17, 2014 by 4dancers

Food. A topic that dancers focus on pretty heavily! Today dancer/instructor Emily Kate Long shares some of her personal favorites with readers, along with some thoughts on eating. We’d love to hear from you too, so please feel free to add your own “go-to” foods in the comments section!   – Catherine

by Emily Kate Long

IMG_0519Dancers can be an interesting breed when it comes to what we put in our bodies. As elite athletes, our brains and bodies require a lot of fuel to get through long days of rehearsal and performance. Our busy schedules, however, often limit the amount of time and thought we can but into meal planning. And we all have our vices—I know a few dancers who would subsist on chocolate and kettle chips if they could! But, as the saying goes, garbage in, garbage out. Content, quantity, and timing are all things to consider when fueling up for the day or replenishing calories after a performance. Here are some inexpensive, easy, nutrition-packed dishes to power mind and body. In the words of the inimitable Julia Child, bon apetit!

If you’re not a morning person, it can be all too easy to grab your coffee and pointe shoes and run out the door. When I was in high school taking 8 a.m. ballet classes, a friend introduced me to Swiss oatmeal. Talk about an easy and nutritious breakfast. There are a lot of fancy recipes out there, but you basically take two parts yogurt to one part whole rolled oats, stir in a little dried or chopped fresh fruit, and let it sit overnight in the refrigerator. The yogurt “cooks” the oats and softens the dried fruit. Before serving you can add nuts, frozen berries, or honey (or a few dark chocolate chips!) for crunch and sweetness. What you get is an awesome shot of textures, flavors, complex carbs, and complete protein to start the day. It’s my first choice for a go-to power breakfast, and a batch will keep up to three or four days in the fridge.

Screen shot 2014-04-16 at 10.19.56 AM

For daytime fuel, it’s important to have energy-dense foods that aren’t bulky in your dance bag or your stomach. A lot of dancers rely on protein bars, which are great in moderation if you find ones like Barre, Kind, or Larabar, that are minimally processed. Hard-boiled eggs are another really good choice—a portable complete protein in convenient single serving. Cut-up fruit and vegetables with nut butter are also valuable fuel. As a bonus, the water content of fresh fruit and vegetables helps you stay hydrated.

I enjoy cooking as a way to unwind and get creative with culinary science experiments, but I don’t usually have time except on my day off. That’s when I cook a few meals’ worth of something and save the leftovers. Often, my base is homemade stock, a flavorful and wholesome staple I can use on its own or in recipes.

Screen shot 2014-04-16 at 10.09.53 AMStock is easy to make in big batches and can be super nutrient-dense, no matter what your level of skill in the kitchen. You need good-quality meat with bones, some water, and whatever vegetables you like. A whole or half chicken works well, or beef soup bones. High-quality meat can be pricey, but cuts of stew meat or soup bones are considerably more affordable, even if you’re looking for grass-fed or free-range.

As for equipment, all you need is a large pot. Throw in the bones, vegetables, and seasonings. I like to use celery, carrots, onion, and the tough stems of leafy greens, plus a ton of cracked black pepper and oregano and a little salt. Add enough water to fill the pot, bring everything to a boil, then lower the heat and let it simmer for at least an hour. The longer you wait, the better it tastes. Once it cools, take out the bones and you have a tasty base for soup, pasta, or whole grains that’s packed with vitamins, minerals, and important proteins. Refrigerate some for up to a week and freeze the rest for up to a few months.

Screen shot 2014-04-16 at 10.05.14 AMLast (and maybe least, depending on your taste) I want to mention sardines as a power food for dancers. They’re inexpensive (under a dollar a serving, depending on where you live) and rich in omega-3s and protein. There’s also little concern about heavy metal toxicity from eating sardines, which can’t be said for other fatty fish like tuna and swordfish. The downside is that these little guys smell and taste pretty fishy. They’re definitely not a good choice to eat between rehearsals if you want your partner to come within ten feet of you!

These are my no-brainer superfoods. They work for me because they’re energy and nutrient-dense while still being inexpensive and convenient. I hope you give them a try. If you do, please share in the comments section, or add your own favorites.

dancer doing arabesque
Emily Kate Long, Photo by Avory Pierce

Assistant Editor Emily Kate Long began her dance education in South Bend, Indiana, with Kimmary Williams and Jacob Rice, and graduated in 2007 from Pittsburgh Ballet Theatre School’s Schenley Program. She has spent summers studying at Ballet Chicago, Pittsburgh Youth Ballet, Pittsburgh Ballet Theatre School, Miami City Ballet, and Saratoga Summer Dance Intensive/Vail Valley Dance Intensive, where she served as Program Assistant. Ms Long attended Milwaukee Ballet School’s Summer Intensive on scholarship before being invited to join Milwaukee Ballet II in 2007.

Ms Long has been a member of Ballet Quad Cities since 2009. She has danced featured roles in Deanna Carter’s Ash to Glass and Dracula, participated in the company’s 2010 tour to New York City, and most recently performed principal roles in Courtney Lyon’s Sleeping Beauty, The Nutcracker, and Cinderella. She is also on the faculty of Ballet Quad Cities School of Dance, where she teaches ballet, pointe, and repertoire classes.

Filed Under: Finding Balance, Recipes/Snacks Tagged With: emily kate long, food for dancers, meal planning, snacks for dancers

Finis: Ang-Yi Sheu – Studio 5 At City Center

March 31, 2014 by 4dancers

by Christopher Duggan

Studio 5 at New York City Center is a dance event built around in-studio performances that really gives the audience an intimate look at the dances performed. Hosted and curated by Damian Woetzel, former dancer with New York City Ballet and current Director of the Vail International Dance Festival, the performances give his unique perspective on dance. His connections to the world’s most amazing talent makes the series a hidden gem in New York.

I photographed a performance in February by Fang-Yi Sheu, formerly of the Martha Graham Dance Company, and just as she was in Vail last summer, she was fantastic.

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Contributor Christopher Duggan is a wedding and dance photographer in New York City, the Berkshires and beyond. Duggan has been the Festival Photographer for Jacob’s Pillow Dance since 2006. In this capacity, and as a respected New York-based dance photographer, he has worked with renowned choreographers and performers of international acclaim as well as upstarts in the city’s diverse performance scene.
Christopher Duggan, Photo by Julia Newman
Christopher Duggan, Photo by Julia Newman

He photographs dancers in the studio and in performance, for promotional materials, portraits and press, and he often collaborates with his wife, Nel Shelby, and her Manhattan-based dance film and video editing company Nel Shelby Productions (nelshelby.com). Together, they have documented dance at performances from New York City to Vail International Dance Festival.

Christopher Duggan Photography also covers the finest wedding venues in the Metropolitan and Tri-State areas, in Massachusetts and the Berkshires, and frequently travels to destination weddings.

His photographs appear in The New York Times, The Huffington Post, The Knot, Destination I Do, Photo District News, Boston Globe, Financial Times, Dance Magazine, and Munaluchi Bridal, among other esteemed publications and popular dance and wedding blogs. One of his images of Bruce Springsteen was added to the Rock & Roll Hall of Fame and his dance photography has been exhibited at The National Museum of Dance and Jacob’s Pillow Dance Festival.

His Natural Light Studio (http://www.christopherduggan.com/portfolio/natural-light-studio-jacobs-pillow-photography/) at Jacob’s Pillow is his most ambitious photography project to date – check out his blog to see more portraits of dance artists in his pop-up photo studio on the Pillow grounds.

Filed Under: Dance Photography, Finis Tagged With: christopher duggan, dance photography, fang-yi sheu, finis, martha graham

Dance And The Grading Process

March 24, 2014 by 4dancers

Intern Tess Losada
4dancers Intern Tess Losada

by Tess Losada

I got my first ever C in high school chemistry. My world of unfailingly perfect grades that I had always achieved with little to no effort came crashing down around me.

Though surviving that C helped me realize that a grade couldn’t actually stop my heart, I felt that same panic in my first college dance technique class. As my professor explained the grading scale, complete with skills tests throughout the semester, I wondered if I would be able to fulfill her expectations and get the A.

One of my favorite aspects of the dance field is how incredibly intelligent dancers are. Most dancers are also rather “type A”; willing to do anything to solve the problem and anxious to find the “right” answer. For individuals who are so driven to do things correctly, being graded on the very subjective facets of dance can be incredibly stressful. It can also be difficult to accept the emotional differences between dancing for fun and the new academic requirements placed on your dancing.

This semester, as I prepare to graduate with my degree in Dance Performance, I feel that I can look back on my undergraduate academic career and understand the grading process with a new mindset. I would like to offer future dance majors some ideas of the things I believe that myself and my classmates wish we had known four years ago. [Read more…]

Filed Under: Editorial Tagged With: college dance, dance in schools, grading dance, orchesis

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