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Tying Your Pointe Shoes

June 4, 2010 by 4dancers

If you are new to pointe shoes, learning how to tie them so that they stay looking pretty is a part of the package. If you are a ballet teacher, you’ll want to be able to show your students the proper way to tie ribbons. This video on YouTube is a good one for going over the basics.

I used to use hairspray to keep my ribbons tucked in for performances. Every dancer comes up with their own tricks for keeping things neat and tidy. Feel free to share if you have something to add…I love hearing how each dancer does things. It’s always a suprise to see what other people come up with!

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Filed Under: 4dancers, 4teachers, Dance Clothing & Shoes, Pointe Shoes, Studios Tagged With: how to tie, pointe shoes, ribbons

10 Questions With…John Schmitz

June 3, 2010 by 4dancers

Today’s “10 Questions With…” features John Schmitz, the man behind Dance Chicago…

1. Can you tell me your name, your location and a little about your dance background?

John Schmitz, Chicago Illinois. As the founder of Dance Chicago and its producer, Emergence Dance Theatre, I have been producing dance events for 26 years, promoting alliances and collaborations between artists and dance organizations both nationally and internationally. I have always believed in the power of the Chicago dance community to become a creative world force in choreography.

John Schmitz

I have directed Ballet Chicago, Joseph Holmes Chicago Dance Theatre, The Joel Hall Dancers, The Chicago Repertory Dance Ensemble, Rockford Dance Company, as well as Emergence Dance Theatre. As a member of the Chicago Community Trust’s Dance Advisory Committee, I founded the Dance Chicago Choreography Project. I believe that dance can drive emotional transformation – making you feel better about life when you leave the theatre than you did before you entered the theatre.

2. What is Dance Chicago?

Dance Chicago presents the work of Chicago area choreographers and companies. It isn’t an organization, but a program on Emergence Dance Theatre. There is a dance festival every year that provides a showcase for these works.

3. How did it come about?

In 1995 we needed to address the lack of interest in Chicago dance. It was scattered across the city, with little audience and little networking and no awareness of the importance of choreographic development.  With funding from Philip Morris, Kraft and the MacArthur Foundation we birthed Dance Chicago ’95.

4. What types of dancers/companies have performed at your venue?

There have been many companies/dancers that have performed at Dance Chicago. Some of these include: Cerqua Rivera Dance Theatre, Moscow Ballet, AMEBA Acrobatic & Aerial Dance, Lucky Plush Productions and Chicago Tap Theatre. There are many more….you can see the complete list on the website.

5. How is Dance Chicago carried out?

This fall, the following will be presented in multiple venues:

+ 10 to 12 thematically driven programs: Streets, New Moves, etc.

+  20 to 25 performances, each of up to 13 different choreographers

+  250+ choreographers/companies, 3,000 artists

In 15 seasons, that comes to 40,000 dance artists, 4,000 different Chicago dance organizations and the works of over 3,500 different choreographers.

There is also an International Exchange Program where Chicago choreographers set works on foreign companies–and foreign companies perform works in Dance Chicago as well.

The stars of Dance Chicago perform abroad, thanks to the partnerships that have been developed with the Dutch National Ballet, South Korea’s Kim Geung Soo Ballet Company, Tirana Show Dance Companyin Albania and Istanbul Dance Theatre.

They also have performing opportunities throughout the nation, with organizations such as the Houston Metropolitan Dance Company, the Eisenhower Dance Ensemble, the Omaha Theater Ballet, the Ajkun Ballet Theatre and LehrerDance.

The choreography Project is open to all Chicago choreographers. 

There are awards for the following:

+ Dance Chicago Choreographer of the Year Award: $1,000

+ Dance Chicago Outstanding Choreographer Award (New Voice)

+ Dance Chicago Outstanding Choreographer Award (Body of Work)

Also, Chicago choreographers teach and set works on area college and high school dance programs and high school and college programs perform works in Dance Slam competitions and other programs.

5. I noticed that you have rehursal space available. Can you tell readers more about that?

Yes. There are five inexpensive dance studios that are located in a good neighborhood with parking. They have sprung floors, marley, mirrors and sound systems. The address is 1439 West Wellington, and you can find the schedule on Facebook, or on the website. 

6. This type of venture is a large undertaking. Can you talk a little about the support it requires to take on this type of thing and how people who are interested might be able to help?

It is a year around task. We have been well-funded by foundations for 15 seasons, but the economic collapse has severely undermined that support. This year is vital for individual contributions and ticket sales to pull us through. People can donate online at www.dancechicago.com, or contact me directly and we can meet to discuss your involvement. john@dancechicago.com.

Volunteer offerings include: box office, ushers, drivers, editors and stagehands. There are also marketing and production internships available.

7. Can you tell readers a bit about the awards that you have received throughout your career?

Some past awards include: Chicago Tribune Chicagoan of the Year, The Columbia College Arts Entrepreneurship of the Year Award, and Ruth Page Award for Outstanding Contribution to the Dance Community. Some of John’s other projects the International Exchange Program, Dance Link, the Choreographic Advancement Program, the Best of Dance Chicago (Illinois) and Stars of Dance Chicago (International).

8. Can you talk a bit about your passion for this project?

I live and breathe it. I have been transformed by the work and I believe have developed dance curating into an art form of its own. When I started, the word “choreography” did not exist in Chicago dance. Now, thanks to Dance Chicago, Chicago choreographers are being employed worldwide – example Lauri Stallings started here.

9. How can Chicago-area dance professionals become involved with Dance Chicago?

Fill out the online application. All dance forms are welcomed and encouraged.

10. What is coming up on the horizon for Dance Chicago and for you?

I’m constantly refining and evolving the process, holding on to what we do best–but still looking to address the needs of the future.

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Filed Under: 10 Questions With..., 4dancers, 4teachers, Organizations Tagged With: chicago tap theatre, choreographer awards, dance chicago, emergence dance theatre, joel hall, john schmitz, joseph holmes, lucky plush productions, moscow ballet, rockford dance company

Managing Social Media With Hoot Suite

May 31, 2010 by 4dancers

Time for a social media post…

If you are on Facebook, Twitter and LinkedIn (or any combination of the three) you already know that managing all of your social media accounts can be a real pain. Logging in and logging out, tweeting when you are busy and keeping up with people who are contacting you…these things can get overwhelming very quickly.

Good news though–Hoot Suite is a great dashboard program that you can download for free and manage all of your social media accounts from one page.

Update everything at once, in just seconds. And if you have a mobile phone, you can get the ap for that as well. (Not sure about others, but the iPhone ap costs $2.99 and is worth every penny.)

Make your life easier. Get Hoot Suite today!

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Filed Under: 4dancers, 4teachers, Online Dance Resources, Social Media, Studios Tagged With: facebook, hoot suite, linkedin, twitter

Dance In The US: The Academy Of Dance Arts

May 30, 2010 by 4dancers

This week Dance in the US features a studio from my home state of Illinois…

Name: The Academy of Dance Arts

Location: 1524 Centre Circle Drive, Downers Grove, IL, 60515

About: The Director of this school is Sherry Moray, who was in Chicago City Ballet’s company when I studied there. In addition to Ms. Moray, the faculty also features Homer Hans Bryant as a master guest teacher. Both of these dancers/teachers have been featured in Dance Teacher magazine–and with good reason–they are very talented.

The school is located in Downers Grove, and it has six studios that accommodate a wide variety of classes. Ballet, tap and jazz are all offered, but there are also modern, hip hop and lyrical classes. Adults and teens will find a place here as well. Of particular interest are the “Leaps & Turns” classes that concentrate on honing the skills needed to perfect these movements. The school also offers a summer intensive.

 

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Filed Under: 4dancers, 4teachers, Dance In The US, Studios Tagged With: academy of dance arts, Dance In The US, downers grove, homer hans bryant, illinois, leaps and turns, sherry moray

10 Questions With…Ashley Thorndike

May 28, 2010 by 4dancers

Ashley Thorndike, is the founder and director of the Now & Next Dance Mentoring Project. She is recently completed her dissertation, a study of studio-based learning in college dance and will earn the first PhD in Dance Studies from Ohio State University in June 2010. An artist, scholar, and activist, Ashley has developed N&N in response to three major concerns facing contemporary dance today: 1) college dance students desire opportunities to connect dance with community, 2) middle school youth are underexposed to the artistic and physical practices of dance, and 3) professional dance artists lack the resources to deeply investigate process. In N+N, Ashley combines her expertise in mentoring and youth development and her life as a dance artist. She holds a BFA from the University of Utah Department of Modern Dance and an MEd in student affairs practice in higher education from the University of Virginia. She has taught as a visiting assistant professor of dance at Oberlin College and was a co-artistic director of Prospect Dance Group. For four years she worked with the Young Women Leaders Program, a large college women/middle school girl group mentoring program at the University of Virginia. Ashley has recently performed at Movement Research in New York and Green Street Studios  in Boston, in Annie Kloppenberg’s Indelible Marks and at the Theatre Building in Chicago with Beserra Dance Theatre’s Jenkins Farm Project. Most recently, her workin collaboration with composer Peter V. Swendsen—coldness & lightness—was performed at Oberlin Collge and the Goose Route Dance Festival.

 

Ashley Thorndike

1. Can you tell me who you are and share some information about your dance background?

I’m a performer, choreographer, and dance educator. I began dancing at age 16 and immediately knew it was my life path. I earned a BFA from the University of Utah then I moved to New York to continue my dance training. After a year, I moved down to Charlottesville, VA—a little artistic haven. There I completed a master’s degree in counselor education and founded a small dance company, Prospect Dance Group. After graduating I spent two years switching back and forth between teaching, performing, and making work as a resident artist at the McGuffey Art Center and running the day to day operations of the Young Women Leaders Program, a mentoring program for college women and middle school girls at the University of Virginia. I decided to combine dance and service-learning but knew I needed to delve intensively into study, so I pursued the PhD in Dance Studies at Ohio State University.

 2. What is the Now & Next Mentoring Project and how did you become involved with it?

I founded N+N in Fall 2009, but I had the idea way back in the summer of 1997 when I was a summer study student at the Martha Graham School of Contemporary Dance. I loved the intensity of my dance practice, but also felt that common sense of wanting to give back. After 12 years of letting the idea percolate and learning about non-profit management and service-learning, now seemed like the time.

3. Can you explain how college dancers fit into this program?

The college dancers get to have two roles. They will begin the day  as dance students with a somatic class followed by a 3-hour technique and creative process class. After a lunch break, the college women will take on a leadership role, serving as mentors and teachers for the adolescent girls.  During the afternoon, the college women will develop their dance teaching skills, provide one-on-one mentoring, and learn important group facilitation techniques.  On some evenings, the college dancers will attend mentoring sessions with the professional dance artists on making a life  as a dancer. The program also allows time for personal reflection, hiking, and enjoying the local community.

4. How does this project involve dance artists?

Dancer artists need space and time! After teaching the morning technique and creative process class, the artists will have rehearsal space and time to work on current projects.  The focus is process, rather than product, allowing artists time to play with new ideas and concepts.

5. What will the project do for adolescent girls?

Adolescence is an important period, especially for girls who can lose confidence and self-worth during this time.  In the afternoon workshops, adolescent girls will build confidence by focusing on what their bodies can do, rather than simply how they look, by engaging in both creative dance making and movement based life skills. The will also have time to get to know a college women dancer and learn more about dance appreciation.

6. Can you explain a bit about service learning?

Service-learning has become an important new direction in university education.  The philosophy is that students need to connect their classroom learning experiences to real-life experience through reflective practices.  Unlike community service, or volunteerism (an important activity in its own right), service-learning is a more structured approach to working with a community and developing as a leader and learner from that work.  For instance, in N+N the college women will have multiple opportunities to develop as dancers and dance educator, and to reflect on their growth as artists and leaders.

7. How can people get involved with this project?

College age dancers (or recent college graduates) can apply to attend the program at our website–same goes for middle school girls. The application period for college dancers and middle school girls is open through the spring. Dance artist selection occurs in the early fall. Schools interested in hosting a project should contact me in the late summer.

8. What are you in need of to develop this project–how can people help?

As with most new organizations, what we need most is capital. At present we are fiscally sponsored by Fractured Atlas, a 501(c)3 based in New York City, so we can accept donations through them. Here’s the official language:

Now & Next Dance Mentoring Project is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of Now & Next may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

You can donate online at Fractured Atlas.

We use these donations to provide scholarships for college women and middle school girls, pay the artists, and buy supplies. We are grateful for donations large and small.

We are particularly excited about innovative fundraising. For instance, Katie Anderson, a senior dance major at Oberlin College just hosted a benefit concert for Now & Next.

Beyond financial donations, folks can help spread the word about the Now & Next Dance Mentoring Project by joining our Facebook group or fan page and letting dancers and dance departments know about the program. Join our mailing list at www.nownextdance.com!

9. What else can you tell readers about Now & Next Mentoring Project?

Dance is important and we need to cultivate strong leaders in unstable times.  By combining dance training and leadership development, Now & Next is an innovative program that addresses the many needs within the dance community by bringing together the strengths of these three communities.

10. What are the next steps for this project? Anything new on the horizon?

We are looking forward to our first workshop this summer in Boone, NC and have begun talks with more schools for potential 2011 programs. We are also working on an online community to facilitate connections during the year. Our longer term plans include developing a program that also serves adolescent boys; producing an annual showcase featuring N+N artists; and developing a curriculum that dance departments can use to develop their own yearlong movement-based mentoring projects.

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Filed Under: 10 Questions With..., 4dancers, 4teachers Tagged With: ashely thorndike, fractured atlas, now & next dance mentoring project, service learning

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