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Pas de Trois: How Important Is Barre Practice?

September 13, 2010 by 4dancers

It’s time for our next question on Pas de Trois (at dancing3.com)–answered first here by me…

If you are new to this collaboration, please visit the site and learn more about what we are doing. It’s a collaboration between David, Henrik and me–and we invite you to join us!

Today’s question is “How important is barre practice?”

To me, working at the barre is one of the most important things a ballet dancer does–especially if you study under a good teacher. Instructors who are knowledgeable know how to use the exercises at the barre to help you strengthen your muscles properly and ready your body for movement in the center. I have been lucky enough to study under teachers who really knew how to craft a class.

For me as a dancer, barre practice is also fun. In the center there is more going on, so it is harder to concentrate on technique. At the barre you can almost get into a “Zen-like” state as you focus in on working your muscles and doing things properly. It’s actually quite relaxing for me!

As a teacher, I spend a lot of time planning my barre. It sets the tone for the entire class. If I am going to have students work on something in the center, I incorporate bits and pieces of it in barre practice so that they can work on their placement and technique before doing it without support.

I guess you can see from my answer that I am a huge fan of barre practice! We’d love to hear what your thoughts are on this–join us and share your opinion…

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Filed Under: 4dancers, 4teachers, Editorial, Pas de Trois Tagged With: barre practice, Pas de Trois

On Growing Professionally

September 10, 2010 by 4dancers

by Lucy Vurusic Riner

I Teach, Therefore I Do. 

As a dance program director in a high school setting I have always been conscious of staying one step ahead of the game.  After all, I have some very talented dance students who are working at a level far above where I was at their age.  We live in a society where kindergarten is the new first grade and students are focused on what elite colleges and universities might be within their grasp.  So as dance teachers, how do we keep up?  How do we continue to be a resource to our young dancers who are looking to us for guidance?

Lucy Vurusic Riner

I have always hated the old saying, “Those who can’t do, teach.”  I have always thought the opposite.  “Those who do, teach others how to do as well.”  After all, as teachers don’t we learn that modeling is one of the most effective ways to teach our students what are expectations are of them? 

As a dance teacher I am constantly reminding my students that there are a variety of careers in dance.  Are they all lucrative?  Absolutely not.  But can you make ends meet doing what you love while finding ways to supplement your income with other things you love?  Absolutely yes. 

I had a former student once say to me that she dreamed of dancing for a captive audience each night.  I quietly thought to myself that I actually do that every day, for a salary and health insurance.  But I did understand her needs because regardless of how many students I touch with dance, my own personal fulfillment has always come from my own professional development.

I have the honor of knowing many dance educators, in my age bracket (which will go unmentioned) that continue to take class, rehearse for shows, and see dance on a regular basis.  When I look to hire teachers that work in my program, I expect that their drive come from a place where students look to them as an inspiration and motivation to see all that the dance world has to offer.  I want my students to know that they have options.  And I want all of the teachers that work for me to understand and model that as well. 

The world of dance will always have some constants.  I’ll always talk to my students about Doris Humphrey, Martha Graham and Merce Cunningham.  I’ll always expect them to know how to dress for class and behave in an audience.  I’ll always give my speech on the importance of not just performing for yourself, but always allowing your audience into your experience.  But in the meantime, I’ll keep taking classes to keep my lessons (and my body) fresh.  I’ll keep researching colleges and universities that are forever adding and evolving their dance programs for my potential students and I’ll keep seeing and learning about dance as it constantly changes and offers us new insight.

Over the past fifteen years, I have had the opportunity to work with many different dance teachers and see many different programs.  The ones that work do so because they have teachers that are in the “know.”  They have a beat on what is happening in their communities, whether that be at the local dance studios, theaters or universities.  The ones that remain complacent simply stay the same. 

Are we using lesson plans that are ten years old?  Do we get out much to see emerging dance companies in our communities or new national companies that are coming in on tour?  Do you know about new dance studios and college programs that are in your area?

These are the questions we should ask ourselves each year, as we head into a new school year.  Are we one step ahead?  Is our commitment to our own professional development as dancers and educators being met? 

We need to do and then teach.

Contributor Lucy Vurusic Riner is a native Chicagoan who has been supporting and contributing to the dance community for over twenty years. She received her BS Degree in dance and dance education from Illinois State University.  Lucy has been a member of Molly Shanahan/Mad Shak Dance Company, RTG Dance Company and Matthew Hollis’ “The Power of Cheer.”  She has also had the opportunity to be part of the community cast of White Oak Dance Project and David Dorfman Dance. Lucy has taught modern, hip hop, and jazz at numerous studios and high schools in the Chicagoland area.  She has been the Director of Dance at Oak Park and River Forest High School since 1999. In 2005, Lucy completed her Masters Degree in Education from National Louis University and also received the Midwest Dance Teacher of the Year award and was the youngest of four finalists in the running for the National Dance Teacher of the Year award.  Lucy and artistic partner, Michael Estanich, formed RE|Dance in 2010.  This dancer theater company investigates humanity in movement through long distance collaboration.  Lucy has also begun work on a long-term project entitled, “The Moving Vessel” which explores the impact of motherhood on the professional dancer.  When Lucy is not working with independent choreographers and producing her own shows, she is at home with her two great kids, Margie and Luka, and her very supportive husband, Jim.

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Filed Under: 4dancers, 4teachers, Editorial, Studios Tagged With: dance program, dance students, dance teacher, high school dance, lucy vurusic riner, teach

LinkedIn Etiquette Tips

September 9, 2010 by 4dancers

If you are using LinkedIn to represent yourself (or your studio) online, you’ll want to be sure that you understand and observe the rules of etiquette. After all, having an online presence is not exactly beneficial if you irritate or annoy other people, right?

If you are new to LinkedIn, or are not sure of how to operate in a social media savvy way, check out this resource for some great tips on professional networking on the web. It’s well worth a small investment of time to make sure that you are operating within the framework in a way that moves you forward–not one that holds you back.

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Filed Under: 4dancers, 4teachers, Online Dance Resources, Social Media Tagged With: dance, etiquette, linkedin, studio

10 Questions With…Jacqueline Moscicke

September 8, 2010 by 4dancers

Today we have 10 Questions with Jacqueline Moscicke from the Joffrey…

1. How did you become involved with dance?

When I was little I would jump off furniture trying to imitate Baryshnikov and ended up in the emergency room a few times. That’s when my parents decided to take me to a ballet class. 

Jacqueline Moscicke, Photo by Richard Brodzeller

2. What are you currently doing in the field?

I joined The Joffrey Ballet in July.

3. Would you share a special moment or two from your career?

One of my favorite moments was being featured in Margo Sappington’s, Common people.  The ballet turned into a film documentary called Gonzo Ballet with William Shatner. Another great ballet experience was being Clara in the Nutcracker, it will always hold a magical spot in my heart.

4. What is the best advice you have ever received regarding dance?

The best advice I received was from my Grandpa, he said “write it all down before you forget all these special moments”.

5. Do you have any advice for those who would like to dance professionally?

I would have to say there’s a company for everyone, you just have to search for where you feel comfortable and fit best.

6. What has been your biggest challenge in dance?

Injuries are the worst!  I had loads of doubts and insecurities when I had ankle surgery. I missed all the other dancers, felt left out, and wondered if I’d ever catch up again. 

Jacqueline Moscicke, Photo by Richard Brodzeller

7. What is it that you love so much about ballet?

It’s hard to explain my love for ballet, I just feel most at peace when I’m on stage.

8. Do you have a special routine that you go through before a performance, or is each one different?

I definitely am superstitious.  I can’t go up on stage too much before the show starts or I’ll get nervous, and I keep good luck charms with me in my dressing room.

9. Where you do think dance is headed?

Hopefully rock ballets continue to become more popular they’re great fun to do!

10. What is next for you?

I’ll be taking in all the wonderful new things I’m discovering in Chicago, with The Joffrey Ballet.

BIO: Originally from Sussex Wisconsin Jacqueline Moscicke received her formal training at Milwaukee Ballet School on full scholarship. In 2003, she received honorable mention in the National Foundation for Advancement in the Arts competition. In 2006 and 2008, Ms. Moscicke was featured as Clara in Milwaukee Ballet’s the Nutcracker. Other roles she has enjoyed performing are George Balachine’s Agon, variations from Marius Petipia’s Raymonda, appearing as the Songbird Fairy and Princess Florine in The Sleeping Beauty,  and Margo Sappinton’s Common People which is featured in William Schatner’s Gonzo Ballet Documentary. She spent seven years with Milwaukee ballet Company and is thrilled to be joining The Joffrey Ballet.

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Filed Under: 10 Questions With..., 4dancers, 4teachers, Editorial, Studios Tagged With: chicago, dance, jacqueline moscicke, joffrey, rock ballet

Dance In The US: Shreveport Dance Academy

September 7, 2010 by 4dancers

This week our series on “Dance in the US” takes us to Louisianna…

Name: Shreveport Dance Academy

Location: 2537 East 70th Street, Shreveport, LA71105

About: This dance academy is also home to the Shreveport Metropolitan Ballet. The facility is 9,000 square feet, and there are five studios. Sprung floors and limited class sizes help insure that students will have a safe experience with plenty of personal attention.

The studio teaches classes for those ages 2 1/2 to adult, and there are also offerings besides ballet, including Pilates, tap, jazz and hip hop. For more information about the school, tuition and policies, visit their site on the web.

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Filed Under: 4dancers, 4teachers, Dance In The US, Studios Tagged With: Dance In The US, dance schools, louisianna, shreveport dance academy

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