• Contributors
    • Catherine L. Tully, Owner/Editor
    • Dance Writers
      • Rachel Hellwig, Assistant Editor — Dance
      • Jessika Anspach McEliece, Contributor — Dance
      • Janice Barringer, Contributor – Dance
      • José Pablo Castro Cuevas, Contributor — Dance
      • Katie C. Sopoci Drake, Contributor – Dance
      • Ashley Ellis, Contributor — Dance
      • Samantha Hope Galler, Contributor – Dance
      • Cara Marie Gary, Contributor – Dance
      • Luis Eduardo Gonzalez, Contributor — Dance
      • Karen Musey, Contributor – Dance
      • Janet Rothwell (Neidhardt), Contributor — Dance
      • Matt de la Peña, Contributor – Dance
      • Lucy Vurusic Riner, Contributor – Dance
      • Alessa Rogers, Contributor — Dance
      • Emma Love Suddarth, Contributor — Dance
      • Andrea Thompson, Contributor – Dance
      • Sally Turkel, Contributor — Dance
      • Lauren Warnecke, Contributor – Dance
      • Sharon Wehner, Contributor – Dance
      • Ashley Werhun, Contributor — Dance
      • Dr. Frank Sinkoe, Contributor – Podiatry
      • Jessica Wilson, Assistant Editor – Dance
    • Dance Wellness Panel
      • Jan Dunn, MS, Editor
      • Gigi Berardi, PhD
      • James Garrick, MD
      • Robin Kish, MS, MFA
      • Moira McCormack, MS
      • Janice G. Plastino, PhD
      • Emma Redding, PhD
      • Erin Sanchez, MS
      • Selina Shah, MD, FACP
      • Nancy Wozny
      • Matthew Wyon, PhD
    • Music & Dance Writers
      • Scott Speck, Contributor – Music
    • Interns
      • Intern Wanted For 4dancers
    • Contact
  • About
    • About 4dancers
    • Advertise With 4dancers
    • Product Reviews on 4dancers
    • Disclosure
  • Contact

4dancers.org

A website for dancers, dance teachers and others interested in dance

Follow Us on Social!

Visit Us On YoutubeVisit Us On TwitterVisit Us On PinterestVisit Us On FacebookVisit Us On Instagram
  • 4dancers
    • Adult Ballet
    • Career
    • Auditions
    • Competition
    • Summer Intensives
    • Pointe Shoes & Footwear
      • Breaking In Shoes
      • Freed
      • Pointe Shoe Products
      • Vegan Ballet Slippers
      • Other Footwear
  • 4teachers
    • Teaching Tips
    • Dance History
    • Dance In The US
    • Studios
  • Choreography
  • Dance Wellness
    • Conditioning And Training
    • Foot Care
    • Injuries
    • Nutrition
      • Recipes/Snacks
  • Dance Resources
    • Dance Conferences
    • Dance Products
      • Books & Magazines
      • DVDs
      • Dance Clothing & Shoes
      • Dance Gifts
      • Flamenco & Spanish Dance
      • Product Reviews
    • Social Media
  • Editorial
    • Interviews
      • 10 Questions With…
      • Dance Blog Spotlight
      • Post Curtain Chat
      • Student Spotlight
    • Dance in the UK
    • Finding Balance
    • Musings
    • One Dancer’s Journey
    • Pas de Trois
    • SYTYCD
    • The Business Of Dance
    • Finis
  • Music & Dance
    • CD/Music Reviews

Dance Book: Russian Winter

May 16, 2011 by 4dancers

Today I’d like to share an interview with Daphne Kalotay, a writer who has authored a book that has ballet as a backdrop for the story…

1.      Could you tell readers a bit about who you are and what you do?

I’m a dance-lover rather than a dancer; and I’m a writer with two books of fiction published, the first one a short story collection, the second one a novel.

2.      What is your latest book called and what is it about?

It’s called RUSSIAN WINTER and centers on a Bolshoi ballerina during the last years of Stalin’s rule.  The book goes back and forth between modern-day Boston, where the dancer has been living in the decades since her defection, and post-World War II Moscow, where we witness her life as a young dancer rising in the ranks of the Bolshoi and her friendships with other artists striving to fulfill their dreams while living in a totalitarian state.

3.      Why did you decide ballet would play a part in your book?

From the moment I pictured this elderly Russian woman in Boston, I thought of her as a ballerina, maybe because the idea of exploring that world and learning about life in a ballet company was exciting to me.  Then, in my research, I began to understand just how important the ballet was to the Soviet regime, which relied on the beauty and glamour of the theatre as a counter to the bleakness of daily life.  I’m fascinated by how well that government understood the need for the arts in society and tried to foster—well, manipulate—ballet, opera, music, literature, if in an ultimately stifling manner.  What I most wanted to show in my novel, though, was how art is this humanizing force that really can save us.

Only later did it strike me how appropriate ballet in particular was to the book, since I was writing about life in authoritarian state, and ballet can be seen as authoritarian, with its precise rules and strict discipline.  Think of the corps de ballet, the self-abnegation and conformity ballet often requires.  So it was a good parallel to what I was trying to say about Soviet life.

4.      How did you make sure your information about dance was accurate? [Read more…]

Filed Under: 10 Questions With..., 4dancers, 4teachers, Books & Magazines, Dance Gifts Tagged With: Ballet, dance book, daphne kalotay, Russian winter

On Watching Modern Dance…

May 11, 2011 by 4dancers

Lucy Vurusic Riner

by Lucy Vurusic Riner

My husband took me to see the Chicago Moving Company on our first date back in 1996.  A smart, and thoughtful, move on his part because eleven years and two kids later, we are going strong.

But when we look back on that first date now, Jim often reminds me how that first experience watching modern dance was very alienating for him.  Of course, I didn’t know any of this at the time so I continued to drag him from one modern dance concert to another.  It wasn’t until many years later that we candidly talked about how audience members can easily be disconnected from modern dance; especially if they walk in trying too hard to understand from the get go.

Historically, the novice dance audience member has obsessively tried to understand everything that is happening on stage.  Ballet generally tells a narrative story with some pantomime and lots of theatrical elements that help guide the story.  The program generally has some sort of director’s notes to give a brief synopsis of what the inspiration behind the ballet is and so the audience member is able to sit back and enjoy watching some beautiful dancing.  The general public also has a perception of ballet dance and what it is.  Even if it might not always correct, most people can conjure some sort of image of what they believe they might see if at the ballet.

Jazz dance provides audience members with excitement and particularly in America, it is one of the oldest forms of dance entertainment.  There is precision, technical feats and a lot of flash to keep the audience engaged.  So how do we entice the non-dancer to experience modern dance and “learn” how to watch it?

Theoretically, it hasn’t been around nearly as long as its counterparts.  Every time I begin a new quarter of dance at school I have at least one student ask me what modern dance is.  I have never had anyone ask me that about ballet or jazz.  So after many years of performing, choreographing and most importantly, watching modern dance, here’s what I think (and sometimes don’t think) when I’m watching it: [Read more…]

Filed Under: 4dancers, 4teachers, Editorial Tagged With: Ballet, chicago moving company, jazz, lucy riner, modern dance, watching modern dance

Technical Dancer Vs. Expressive Dancer

May 3, 2011 by 4dancers

So here’s one for you…

If you had to describe to someone what the visual difference was between a dancer who is technically excellent, but doesn’t express themselves, and someone who does–how would you do it?

What is it about someone dancing that connects with the audience/viewer? How can you make this type of distinction? It isn’t purely the facial expression, as you can’t always see that. Musicality perhaps? I tend to enjoy watching a dancer who can really phrase the music well…

I have certain theories on this…but I’d love to hear from readers. What do you think? How do you describe that elusive quality that makes one dancer amazing to watch, and another just “so-so”?

And do you think it can be taught–or is it innate? Do tell…

Filed Under: 4dancers, 4teachers, Editorial

10 Questions With…Ben Dunlop

April 26, 2011 by 4dancers

Today on “10 Questions With…” we have dancer Ben Dunlop…

Ben Dunlop

1. How did you become involved with dance?

I became involved with dance when my younger sister Ellie, starting taking classes at our local dance school with Kasey Carr in NSW, Australia. Kasey is one of the most amazing people you will ever meet, so very inspirational and without her guidance I would not be where I am today! I was observing her classes and was asked to participate in some classes and from that moment on I really have never turned back. It was something I instantly loved. Me and my sister use to dance around in our garage, making up dances and correcting each other for hours on end after dancing and weekends.

2. What are you currently doing in the field?

Within this point in time I am currently training in Australia with Kahlia Mehmet, Natarsha and Gloria Noble until I return to New York to participate in a Summer program and year round program at the Joffrey Ballet School as a trainee on full scholarship, which will hopefully lead into the touring company. Being in NYC itself will open many doors for me as it’s the heart of the dancing world. I cannot wait to return as previously I was with Washington Ballet School DC and the Ailey School in NYC.

3. Would you share a special moment from your career with readers?

The Youth America Grand Prix was an amazing experience for me and our audition tour, traveling throughout America. Being in New York city competing against amazing dancers, instantly I knew that is where I belong. All of the amazing guest teachers and dancers inspired me so much. In Australia there is only limited dancing opportunities, once you study abroad you will never return so many things will inspire you, especially in the city of New York. This was a special moment for me being able to share my talents with an audience coming from all different countries.

4. What is the best advice you have ever received from a teacher or mentor regarding dance?

“Everything happens for a reason.” I really believe in this quote so very much. Because when one door closes another will open.

This quote has gotten me through some very hard times. No matter how hard the challenge is, you can overcome it with determination, everything lays in the arms of fate.

Ben Dunlop

5. What has been your greatest challenge?

The greatest challenge for me would have to be living away from my family. My mother and sister are the two people who keep me strong and striving for the best. Being away from them makes me push myself to the extremes so they can be prouder than what they already are. I love seeing my Mum after a performance when she has this boost of excitement and you know she is so proud, happy and overwhelmed. But the best part about it is when she does get to see me dance after so long, seeing me grow and reach new levels every time, it’s like a whole new level.

Also recently I participated in the Adidas All in Challenge, sixty hours of dancing straight located in Melbourne, Australia. We completed the sixty hours and came runners up to the AFL team. Was a great experience and was also by far the one of my greatest challenges.

6. Do you have any advice for dancers who want to go on to a professional career?

Keep pursuing what you love. Of course there are going to be people out there who are going to tell you things you don’t want to hear. But do it in spite of them. Prove them wrong, that is the best feeling when you can look back and say “I did it”. This has happened to me numerous times before and all I  can say is “wow”, it’s such an achievement and drives you even more, it really does. Never lose hope!

7. Do you have a special routine that you go through prior to a performance?

I am a big fan of routine before performances. Three hours prior I have a bowl of rice to give me energy and maintain stamina, whilst warming up, I snack on carrot sticks, celery, fruit etc to give me sugar and for a boost when I do hit the stage. I like to get make up all done before anything so I can focus on my body and being ready. I would probably spend a good hour warming up and concentrating on certain things. A good way to get warm is doing a full barre. I always, always include that in my warm up.

8. Do you have a favorite dancer? If so, who are they and why? If not, why not?

Besides the obvious, Alina Cojacaru, Polina Seminova and Silvie. My little sister Ellie, I thank her for wanting to dance because otherwise I wouldn’t have found the real Ben. She is my little dancer and I cannot wait for her to be performing on stages across the world. She is my favorite dancer 🙂

Ben Dunlop

9. What do you enjoy most about your life in dance?

The main thing I love about the dance life is being able to share your talents through the world of performing. Where ever you dance, you are inspiring someone. You tend to forget about performing when you’re in a school because you’re forever training but when you do, you realize what all the hard work is actually for and how worth it it actually is. Performing brings me a sense of flying. There is no other way to describe it. Definitely the closest thing to it. Not to mention the amazing sites you get to see and people you get to meet!

10. What is next for you?

My next move it to audition for companies throughout America whilst studying and training hard at the Joffrey Ballet School as a trainee. My dream company is Complexions in NYC. I love their stuff, I love their diversity and edge. I feel I’m very fitted to their company and just have to get them to see my gift. Fingers crossed.

See Ben dance:

YOUTUBE LINK – Ben Dunlop – Dance Reel

Filed Under: 10 Questions With..., 4dancers, 4teachers, Editorial Tagged With: Alina Cojacaru, australia, ben dunlop, joffrey ballet, Polina Seminova and Silvie

Mao’s Last Dancer: Choreography

April 23, 2011 by 4dancers

The behind the scenes work on any dance movie is pretty staggering. Besides the people who star (and dance) in the movie, there are many professionals that make the film possible–including the choreographer.

4dancers is pleased to share this exclusive clip from the DVD and Blu-ray extras of Mao’s Last Dancer.

This clip is from the ‘making of’ featurette, and discusses some aspects of the choreography that was used in the film.  As someone in the field, I can say that it’s always nice to see what goes into making the movie.

Enjoy! Here it is…

On a separate note, I’ve been thrilled to see more interest in dance over the past few years. Between the dance movies that have come out and the television coverage, dance is as hot as ever. Although not everyone thinks the attention is a good thing, I tend to believe that (for the most part) getting dance out there in front of people is beneficial.

I would, however, like to see a bit more of an educational aspect to it here and there. I think it’s important to try and represent dance honestly. There are a lot of myths out there, and these can be perpetuated by film. I’ve heard some dancers that were upset about the way ballet dancers were depicted in Black Swan…

What do you think? Is dance becoming more mainstream? Is the attention a good thing–or a bad one? There are so many schools of thought on this–and I’d love to hear yours.

Hopera Proposal: CD Promotion

Uploads:

ReverbNation:

ReverbNation account creation, setup and modification Reverbnation account integration with Twitter and Facebook (passwords and usernames as provided/authorized by Hopera) Hopera Bio/Press Kit upload Hopera press reviews upload (five) Hopera video upload (two videos as authorized and provided by Hopera Hopera Music and images uploads ( four tracks as authorized/provided by Hopera) Connections with 30 other ReverbNation artists for cross-promotion and PR

Setup and initial uploads at Soundcloud.com with audio clips provided/authorized by Hopera Soundcloud.com account integration with Facebook Hopera audio upload (three tracks) as authorized/provided by Hopera

(What about submission to IndieMusic.com? Do you know if that would be a possibility? Have you ever?)

Social Media

CD promotion to national and Chicago-area hip hop/related blogs

Facebook and Twitter promotion, dependent on CD release date. Sample schedule:

4 weeks out:

One tweet for 5 days + 2 FB posts per week

3 weeks out:

Two tweets for 5 days + 3 FB posts per week and one FB blast

2 weeks out:

Three tweets for 5 days + 4 FB posts per week and one FB blast

1 week to release:

Three tweets for 7 days + 5 FB posts per week and one FB blast

Total of 51 tweets, 14 FB posts and 3 FB blasts

What we will need from you before we can begin:

Twitter and FB usernames/passwords

Any pertinent dates regarding release, pre-release parties/events, etc.

Copy of CD/track listings/artwork/press materials/reviews/etc.

URLs/links for FB, Twitter and any other relevant sites Video/photos for upload Deposit for equal 1/3 of payment

Filed Under: 4dancers, 4teachers, Editorial Tagged With: ballet dancer, black swan, choreography, dvd, mao's last dancer

  • « Previous Page
  • 1
  • …
  • 25
  • 26
  • 27
  • 28
  • 29
  • …
  • 78
  • Next Page »

Dance Artwork

Get Your Dance Career Info Here!

Dance ebook cover

Podcast

Disclosure – Affiliate & Ad Info

This site sometimes features advertising, affiliate marketing, or affiliate links, such as Amazon Associate links and others. When you click on these links, we get a small sum that helps to support the website operations. Thank you! There’s more detailed information on ads and our disclosure policy under the About tab in our navigation at the top of the site. We clearly mark any and all posts that contain these features.

Copyright Notice

Please note that all of the content on 4dancers.org is copyrighted. Do not copy, utilize, or distribute without express permission. We take cases of infringement seriously. All rights reserved ©2022.

Copyright © 2025 · Metro Pro on Genesis Framework · WordPress · Log in