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A Studio Director’s Change Of Heart: Why Ballet Exams Work

June 7, 2012 by 4dancers

by Risa Gary Kaplowitz

I would have never thought that I would one day espouse the idea of examinations for the ballet students at my school. Certainly the studio in which I grew up, Maryland Youth Ballet, has produced dozens of professional dancers, and they never presented their students for exams. And weren’t the students at my own studio thriving and going on to pursue their own careers without ever having taken an exam?

I am far from the only studio director to have disregarded exams. Even as ballet exams are relatively common in Europe, especially at the world’s major ballet schools with their own training systems in Russia (Vaganova), France (Paris Opera Ballet), Italy (Cecchetti), England (Royal Academy of Dance, also known as RAD), and Denmark (Royal Danish Ballet), most American ballet schools, which generally offer a potpourri of the above curriculums, do not offer graded evaluations to their students.

An example of a typical American ballet teacher’s reaction to exams can be found in my thoughts several years ago, when I witnessed Paris Opera Ballet School students prepare for their exams (a perk of being a former famous ballerina’s business partner at the time). The students were going from one combination to another, which they had memorized.

At the time, my thoughts were thus: Didn’t we American ballet instructors need to keep our impatient students happy and their aversion to boredom at bay? And didn’t American ballet students need more diversity in their ballet classes than simple preparation for an exam in order to be prepared for an American ballet company where they could be dancing a Petipa variation one minute and a Nacho Duato piece the next?

This video shows young Vaganova Ballet Academy students’ incredible clarity. Surely this type of regimented single-curriculum training system couldn’t be possible in an American studio with varying body types and skill levels.

Or could it?

Enter American Ballet Theatre’s National Training Curriculum, which offered it’s inaugural training sessions to ABT alumni dancers in 2007. For the simple reason that ABT was my favorite company, I was curious enough to start to nibble on the ballet curriculum bullet. However, I never gave serious thought to presenting my students for exams, which were an optional part of the ABT training system. [Read more…]

Filed Under: 4dancers, 4teachers, Editorial Tagged With: abt, abt training system, american ballet schools, american ballet theatre, ballerina, ballet exams, Cecchetti, dance exams, nacho duato, paris opera ballet, petipa, royal academy of dance, royal danish ballet, teaching ballet, vaganova

Three Days At ABT’s Jacqueline Kennedy Onassis School

May 16, 2012 by 4dancers

Please join me in welcoming our newest contributor Dalia Rawson, who will be writing about ABT’s National Training Curriculum for 4dancers…

by Dalia Rawson

I was finally there, at 890 Broadway in New York City. This building, which houses the Laurence A. Wien Center for Dance and Theatre, is the legendary home of the American Ballet Theatre and ABT’s Jacqueline Kennedy Onassis School. The building boasts floor after floor of dance studios, and it has been the site of rehearsals, classes, and auditions for countless dance companies, dance schools, and Broadway shows.

The building’s rich history is apparent the minute you step out one of its two operator-controlled elevators, into a maze of hallways and staircases leading to countless dressing rooms and dance studios. Innumerable legendary dance teachers have taught in these studios, and I was about to meet one of the most notable. American Ballet Theatre’s Franco De Vita, the co-creator of ABT’s National Training Curriculum and Principal of ABT’s JKO School had invited me to observe three days of classes. Ballet San Jose School is moving towards implementation of ABT’s National Training Curriculum, and I couldn’t have been more thrilled by this opportunity.  Raymond Lukens, who co-created the Curriculum with Mr. De Vita, was out of town, so I would be learning about the Curriculum through watching classes taught by Mr. De Vita, as well as classes taught by other faculty members of the JKO School.

I had arrived early, not sure how long it would take to walk from the Chelsea apartment where I was staying to the studios, and found myself with a moment to catch my breath and reflect before classes were to begin. As I waited with the ABT receptionist, sitting under the framed Resolutions passed by the US Senate and House of Representatives recognizing ABT’s service as America’s National Ballet Company, I felt a growing excitement regarding what was to come. Having spent the previous night on a red-eye flight from San Jose to New York after Ballet SJ School’s Summer Intensive Auditions, I was slightly disoriented, adding to the almost surreal surge of anticipation I was feeling about seeing some of our nation’s most talented dance students up close in class. As it turns out, I wasn’t disappointed.

American Ballet Theatre Lobby, with the Senate Resolutions, Photo by Dalia Rawson & courtesy of ABT

[Read more…]

Filed Under: 4dancers, 4teachers, Editorial Tagged With: ABT’s National Training Curriculum, american ballet theatre, Ballet, brunilda ruiz, Carmella Gallace, dalia rawson, Franco De Vita, Jacqueline Kennedy Onassis School, keith roberts, Moiseyev Company, paul sutherland, Raymond Lukens, suzanne daon

The Joffrey: Spring Desire Affinity Night

April 12, 2012 by 4dancers

JOFFREY DANCERS: CHRISTINE ROCAS AND MAURO VILLANUEVA | PHOTO BY: SANDRO

4dancers is delighted to announce a partnership with the Joffrey Ballet and Vicki Crain of Rogue Ballerina!

Spring Desire Affinity Night will take place at Joffrey Tower on Wednesday, May 2nd. This is a totally FREE evening where you will get to see the Joffrey perform excerpts from the Spring Desire program, followed by a Q&A session with Artistic Director Ashley Wheater. Stay for cocktails and hors d’ouervres, mingle with fellow dance lovers and get an inside look at the space that the Joffrey calls home.

This is the perfect opportunity to bring a friend and let them experience the Joffrey for the first time–and all attendees will receive 50% off on tickets* for the final weekend of Spring Desire at the Auditorium Theatre of Roosevelt University.

*Offer not valid on previously purchased tickets.  (Please note: attendees are NOT required to purchase tickets.)

Interested? There are still spots available, but be sure to act quickly–seating is going fast for this spectacular event–and you must RSVP to attend (see below).

Here’s the info:

Wednesday, May 2

Joffrey Tower — 10 East Randolph Street, Chicago
5:45 pm Registration
6:00 pm Program and Q&A
7:00 pm Cocktails and Hors d’ouevres

To RSVP, please email affinity@joffrey.org or call 312-784-4640. Provide your name and the number of people you will be bringing to the event no later than April 25th.

Both Vicki and I will be there–so if you can make it be sure to say hello!

Please share this post with anyone you think would be interested — it really is a great opportunity to introduce someone to ballet–

Hope to see you there,

Catherine

Filed Under: 4dancers, 4teachers, Adult Ballet, Organizations Tagged With: affinity night, ashley wheater, auditorium theatre, chicago, joffrey, Rogue ballerina, spring desire, the joffrey ballet, vicki crain

Ballet Teaching Aid: Words Of The Week

April 7, 2012 by 4dancers

One of the advertisers on 4dancers is selling a new product that I thought I would share with readers today…”Words of the Week”.

This calendar-style visual aid can help ballet teachers reinforce terminology and help visual learners absorb more easily. Hang in the studio and use to refer to when teaching a new step, or use to theme out the week. There are many different ways to incorporate this neat resource into the classroom. The pages are high gloss card stock, so they should hold up for a long time.

Perfect for the dance studio owner, and good for teaching children of all ages.

Disclosure

 

Perfect for dance studios, teacher gifts, or any dancer.

This visual aid hangs like a spiral bound calendar and displays over
50 ballet terms or phrases. 18 displays with 2 to 4 phrases per display.

Hang the perpetual display prominently in your studio and
turn the page every week or two. Use the “Words of the Week” as a
reminder to discuss, define and illustrate ballet vocabulary.

Students absorb their terminology much faster when they have a
chance to “see” the term. Having the “Words of the Week” system
helps insure you cover essential terms throughout the year.

8.5 x 11 folded. Full display is 11 X 17.
Printed on high quality gloss stock to last for years.

               Words of the Week    $22.95

 

Filed Under: 4teachers, FOR SALE Tagged With: ballet teachers, dance studio owner

Teaching Adult Ballet Class

March 25, 2012 by 4dancers

Today we have an adult ballet teacher with us to share some thoughts about her experience with this demographic….

Adult Ballet Instructor Leigh Purtill

1.      What are you currently doing in terms of teaching adult ballet class and how did you wind up doing that?

Right now, I teach at two studios in Los Angeles and Pasadena, California and I do a lot of private coaching. At one studio, I have a program of beginner, intermediate and advanced ballet technique and pointe classes for adults which is very successful – and fun! I also choreograph the spring show and Nutcracker for that studio, both of which allow ample opportunities for my adults to perform, no matter their skill level.

When I got out of college, I taught young children and teens but now that I’m older, I find that I relate better to adults and older teens.  My approach to technique is based on kinesiology and I give corrections that are primarily bio-mechanical. Students who can understand how to access certain muscles and how bones and tendons relate to each other will be more likely to apply my corrections successfully.

2.      What do you like most about teaching adult ballet?

I love being witness to breakthroughs, whether it’s a beginner who finally understands how to lift up her abdominals and rotate from the top of her hips or an advanced student who hits a triple pirouette en pointe. I often wish I had a camera to capture the moment on their faces – the looks of surprise and elation are priceless.

With my beginner students, I become absurdly proud of their advances!  I make sure to point out to them and to the rest of the class when these things happen so they can appreciate their progress and be recognized by their peers. I encourage them to celebrate the smaller moments because they all add up!

3.      What are some of the special considerations when it comes to teaching adult ballet? [Read more…]

Filed Under: 4dancers, 4teachers, Adult Ballet, Teaching Tips Tagged With: en pointe, leigh purtill, teaching adult ballet

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