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To All College Dancers: Success is Just a Mentor Away

March 7, 2011 by 4dancers

Stacey Pepper Schwartz

When I was a freshman in college I had an English professor who told the class the key to becoming successful in your career is to find a mentor; someone who is successful at your chosen profession, someone who inspires you, who can help guide you and teach you.   My professor knew nothing about dance but he knew about life. You can’t do it alone.  You need someone to guide you, someone who has gone down the path you are about to take and can prepare you for the potholes in the road or cheer you as you reach one of your destinations.   

You can have many mentors.  In fact, you should.  My first mentor was a senior dance major when I was a freshman.  She inspired me not only with her dancing but with her outlook on life.   She would answer my questions that I was too embarrassed to ask my professors.  She helped me navigate all the newness around me.  I learned how to be successful  in the dance program because I picked someone to guide me that was extremely successful in the program.  I was fortunate that she was also kind, gracious and giving.      

I would recommend all incoming freshman dancers to shadow a dancer who has been in the program for a while.  Ask her or him questions about classes, teachers, etiquette,  etc.  Gain as much information as you can.  Learning is not reserved just for the classroom or studio. [Read more…]

Filed Under: 4dancers, 4teachers, Editorial Tagged With: college dancers, dance, mentors, stacey pepper schwartz

Finding Inspiration

March 2, 2011 by 4dancers

Catherine L. Tully, 1987

I’ve been thinking a lot about inspiration. Where it comes from. I know that it is different for everyone, but I don’t believe it is a magical, mystical process. I think it can be explained. Perhaps not well, but I think I can at least trace mine much of the time…

For me, inspiration comes from outside. I can’t be inspired if I turn inward. That is the filter that things run through, but the source of the inspiration itself must be something I see, hear, touch or experience. Sometimes it’s a piece of music. Other times it’s a phrase someone says, or even who they are. I’ve even been inspired by the feeling of wind across my face.

Oddly enough, nature doesn’t usually have that sort of impact on me. I love the scenery, but find it relaxing, not motivating. I know a lot of people who differ with me on that point–especially visual artists.

Also, there is a “simmering” time that the actual moment of inspiration needs to sit through before I do anything with it. The image or words or thought will stay in my mind and begin to formulate something–gradually. Sometimes it’s a phrase of movement. Somtimes an image. Rarely is it fully formed.

I then go through a process of revising things until they feel “right”. If I think about things too much at this point, I lose the thread. If I don’t, the idea and the process merge, creating something.

I think inspiration for me comes straight out of my subconscious–and that’s a good thing. By the time ideas or emotion hits our conscious mind, we begin to want it to fit neatly into our lives and thoughts. Sometimes things just don’t fit neatly. Creating something gives you a chance to express that which you cannot say.

After all, there aren’t always words for everything.

I’d love to know what others think about this subject. How do you get inspired? What is your process like?

It’s such a personal, almost private thing that it’s almost uncomfortable to talk about. I don’t know if I’ve done a “proper” job of tracing mine for you, but I hope you can get a feel for my pattern (as much as there is one) by what I’ve shared with you here…

Filed Under: 4dancers, 4teachers, Editorial

10 Questions With…Winifred Haun

March 2, 2011 by 4dancers

Today we have Winifred Haun with us for our feature…   

Winifred Haun

1. How did you become involved in dance? 

When I was 5 years old, I attended a little private school on Chicago’s north side. As an alternative to gym, they offered ballet classes on Fridays to the girls. I loved it, and sort of knew then that I would be a dancer for the rest of my life. When I was 10 years old, I started taking classes at the Ellis-DuBoulay School of Ballet. I think I received the best possible training in the city. Mr. and Mrs. ‘E’ trained not only our bodies but our minds. A lot of really successful Chicago dancers trained with them (Lou Conte is probably their most famous student). I also credit Harriet Ross for teaching me everything I know about modern technique. She also taught me how to perform and she and Randy Duncan encouraged me to choreograph.

2. What are you currently doing in the field? 

I have my own dance company, Winifred Haun & Dancers. I started it in 1991 because I wanted to put together a group of artists who could help me create my work. My latest work, “Bento,” premieres March 17 & 18 at Hamlin Park Theater. I also teach modern dance at Hubbard St. Dance Center, and at Legere Dance Center in River Forest. 

3. Can you share a special moment from your career? 

One my favorite moments was when, as a member of the Joseph Holmes Dance Theater I first performed “Love Not Me,” choreographed by Randy Duncan, at the New Regal Theater in 1989. I had actually performed it a few times on tour, so it was really rehearsed. Despite all the preparation (I had great coaching from Harriet Ross), I felt terrible right after my performance, but I had a really quick costume change, so I didn’t have time to cry. After the show was over, the response and quick congratulations from Randy, Harriet, and my fellow dancers was so wonderful and so positive, that I still didn’t have time to cry or really be upset! 

4. What advice would you offer other dancers? 

Don’t worry about what others are doing or who’s getting what parts or into what company. Concentrate on yourself and make yourself into the best possible dancer you can. Take class as often as possible, listen to your teachers. Audition and then perform work for anybody who wants you. You never what will lead to what. 

“Bento” by Winifred Haun

5. What have you had to struggle against in dance? 

As a dancer, I always felt that being tall (I’m 5’ 9”) was a challenge. Most of the lead roles go to women who are shorter (they’re easier to partner). As a choreographer, just being a woman in a field where the top jobs are all held by men is a challenge. Women just don’t get the recognition for their work that men do. (I think women in all careers probably struggle with this…) Which is kind of ironic, given that the field is about 80% women.    

6. Do you have a favorite dancer or choreographer? If so, what is it about them that makes them stand out? 

One of my all time favorite dancers is Claire Bataille. I loved her stage presence and her control of her technique. Watching her in class, in rehearsal, and on stage was inspiring. My favorite choreographers are: Merce Cunningham, Trisha Brown, Ohad Naharin, Eiko & Komo, William Forsythe, Randy Duncan, and Mark Morris. I love the risks that these artists take and how alive and individual they are. In my latest work, Bento, I honor some of these choreographers by purposely imitating their choreography. (Some have even “donated” 32 counts.) 

As for young, local choreographers, my favorites are Jackie Stewart and Jessica Miller Tomlinson. I’m sharing a concert with them in March 2012 at the Ruth Page Center. (We just received a MetLife New Stages for Dance grant for this project!) I saw a concert that Jackie and Jessica shared a concert last year and it was amazing. 

7. What is the best advice you have ever received regarding dance? 

Hold your stomach in and move from your center. And don’t take yourself too seriously. Those are good life skills also!    

Winifred Haun

8. Where do you think dance is going as an art form? 

I think choreographically dance is moving away from ballet. In her amazing book “Apollo’s Angels,” Jennifer Homans, says that ballet is a dying art form, and I reluctantly agree with her. No one is moving the form forward and without constant re-invention, it will eventually not be an art. Ballet will always be a great technique with lots to offer any dancer who studies it. But, as an art form, dance is moving away from ballet. (Lots of my friends, teachers and colleagues will heartily disagree with me. To them I say, let’s have coffee and talk about it 🙂 ) 

I also think we are living in a great time for dance. I think more than ever are aware of dance as an art form. We have the current dance TV shows and the internet to thank for that!9. What is it about dance that you love so much? 

I don’t know what it is but, I love watching dance, whether its a class, rehearsal, performance, or even my kids’ recitals. I love taking class, teaching class or coaching. I love all forms of dance: ballet, modern, jazz, tap, hip-hop, ballroom, etc. And I love making dances. Many times I have tried to live without making dances (my life would so much easier if I wasn’t a choreographer…). I’ve formally “quit” the dance field twice only to return for reasons I can’t quite articulate. I guess, for me, dance is kind of a calling. I feel like ideas for dances “seize” me and won’t let go. Its like I can’t not make dances. And I feel the most alive when I’m choreographing. 

10. What is next for you? 

Saturday, March 12 Winifred Haun & Dancers is performing at the Regional Alternative Dance Festival in Kalamazoo, MI. On Thursday and Friday, March 17 & 18, we’re premiering Bento in program of 6 works at the Hamlin Park Theater.

Filed Under: 10 Questions With..., 4dancers, 4teachers, Studios Tagged With: apollo's angels, bento, claire bataille, Eiko & Komo, Ellis-DuBoulay, Harriet Ross, hubbard street dance, Jennifer Homans, joseph holmes, legere dance, lou conte, mark morris, merce cunningham, Ohad Naharin, randy duncan, trisha brown, william forsythe, winifred haun

World Dance Workout – An Inside Look

February 28, 2011 by 4dancers

Today we have Sandy & Ryan with us to talk about the CD “World Dance Workout”. They’ll give you a peek into the “behind the scenes” work that went into it, as well as let you know what you can use the CD for if you are a dance or fitness instructor…

1.      How did the idea for the World Dance Workout CD come about?

Sandy: World dance workout cd was created for a fitness class based on dance moves from around the world.  The needs of the original and innovative class inspired the customized music.

Ryan: Once Sandy started sharing with me her needs for her class, I jumped at the opportunity. The concept of real drummers who love dance and have real experience playing for dancers getting into a studio and recording an album is something I have always wanted to do. The tracks on the album are original in essence, but they are based on a number of African Diasporic dance music styles that I love (as do countless people the world over). I arranged these rhythms and grooves to Sandy’s tempo and song length requirements, and we went into the studio. It is worthy of note that this album was tracked and mixed at Solid Sound in Ann Arbor, MI – a true recording studio with an incredible live room. This is remarkable because studios of this quality are fewer and fewer – due to the popularity of heavily produced (and often synthesized and or electronic) music. A lot of contemporary music can be recorded in a simple home studio… but the kind of music we were after – real, raw, and made with acoustic instruments – needed a real live room built to handle that kind of acoustical presence. The popular “Behind Barres” albums are all tracked there as well.

2.      Who are the musicians involved and what do they play?

Ryan: There are four musicians on this album; Ryan Edwards, Chinelo Elegua Amen-Ra, Abass Camara and Matthew Bell. All of us share a love of dance and have more or less been raised (either literally, or since we started playing) in the dance tradition. Matthew and Chinelo live in the greater Detroit area of Michigan, Abass lives in Fort Wayne, IN and I now live in Boston, though I am from Michigan originally. The list of instruments we played on the record is a pretty long one, but I will try to summarize: we played congas, bells, shekeres, balafon, drumset, djembes, dununs, surdos, snare drum, ago-go bells, cylinder shakers, pandiero, triangle, goat toe-nails (actually on a few tracks!), cajon, calabash, bass djembe, and I am sure a few more…. you can see a pretty cool video on our website, www.worlddanceworkout.net of us making the record in the studio. It is just a few excerpts from the session, which we did in one day. [Read more…]

Filed Under: 4dancers, 4teachers, Dance Gifts, Editorial, FOR SALE, Studios Tagged With: CD, dance class, world dance workout

The Lonely Visitors

February 22, 2011 by 4dancers

This is a courtesy post for 4dancers contributor Lucy Riner. If you are in the Chicago area, why not drop by and check out the show?

Filed Under: 4dancers, 4teachers Tagged With: chicago dance, the lonely visitors

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