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Inside My Dance Bag: Anwen David of Ballet Memphis

February 23, 2016 by Rachel Hellwig

Anwen David. Photograph by JORAM MONDIE.
Anwen David. Photograph by JORAM MONDIE.

How many years have you been doing ballet?

I have been doing ballet for 17 years. I took my first class when I was 5 years old.

What are some roles you’ve danced with Ballet Memphis?

This is my third season with Ballet Memphis. My favorite character role has been Clara in The Nutcracker. I have also enjoyed roles in Swan Lake, Peter Pan, Steven McMahon’s Confluence, Matthew Neenan’s The Darting Eyes, Gabrielle Lamb’s I am a woman: Moult, Mark Godden’s Midsummer Night’s Dream, and others.

What’s your favorite thing about ballet?

I love the process of becoming a character and sharing a piece of my soul with the audience through that character.

What’s in your dance bag?

Freed Wing Block pointe shoes, I am currently transitioning from a 3½ XX to a 4 XX to try to get a better fit. I like Maker A best. I keep several pairs of pointe shoes in my bag so I can rotate them and wear different pairs for different rehearsals. I also have a pair of flat shoes (Sansha size 5), toe pads, toe spacers, two kinds of toe tape, a sewing kit with needles, thread, scissors, toe nail clippers, Thera-band, trash bag shorts, two wrap skirts, a tin of hairpins, two balls for massaging, and a water bottle. I often bring my phone and sometimes headphones as well. Finally, I try to keep some nuts or fruit with me for energy during long rehearsals.

Dance Bag Anwen David 1

 

Filed Under: 4dancers, Dance Clothing & Shoes Tagged With: Anwen David, ballet bag, Ballet Memphis, dance bag, Freed Wing Block, Freed Wing Block Pointe Shoes, Gabrielle Lamb, Inside My Dance Bag, Mark Godden, matthew neenan, Steven McMahon

CD Review: “Find Your Fifth”

February 20, 2016 by Rachel Hellwig

FYF CD Cover 4

by Rachel Hellwig

This album contains music featured in Matthew Powell’s ballet class DVD “Find Your Fifth”.

It includes 16 original pieces by Patrick Gallagher and his 11 arrangements of other works–mostly classical music by composers such as Beethoven, Glinka, Haydn, and Bach.

Many of Gallagher’s own compositions have a classical music sensibility; others show the influence of jazz and other styles.

Gallagher’s music and arrangements are engaging and well-suited for ballet. In fact, many of them sounded familiar– I’m almost certain that the studio I take class at uses selections from this CD!

Some of my favorite tracks include Tendu-Plie from 5th (Gallagher), Dégagé-Pique from 5th (Polka by Glinka), the Adagio in center (Gallagher), and Pirouette 3 (Gallagher).

This album is just under 50 minutes and is suitable for intermediate + class.

Listen to samples and purchase here.

Filed Under: 4teachers Tagged With: ballet class cd, ballet class music, cd review, Find Your Fifth, matthew powell, Patrick Gallagher

Spoiler Alert: The Original Endings Of Ballet’s Great Love Stories

February 14, 2016 by Rachel Hellwig

by Rachel Hellwig

So, you think you know how all of your favorite romantic ballets end? Think again! The original finales might surprise you…

Giselle

Spoiler alert: Albrecht gets back together with Bathilde—with the (post-mortem) blessing of Giselle! Though most modern versions conclude with Albrecht alone in the forest, Pacific Northwest Ballet’s 2011 staging by Peter Boal includes the original ending. As The New York Times described it, “Albrecht [is] tenderly consoled and reclaimed at dawn by Bathilde, whom Giselle, now a spirit returning to her grave, has urged him to marry with her last gestures.”

Created with "waiting backstage" by Deb. Licensed under CC Attribution 2.0 Generic. [Changes to image: cropped; filters, background, and text added] Lyrics quoted on image from "We Are Never Ever Getting Back Together", artist Taylor Swift.
Created with “waiting backstage” by Deb. Licensed under CC Attribution 2.0 Generic. [Changes to image: cropped; filters, background, and text added] Lyrics quoted on image from “We Are Never Ever Getting Back Together“, artist Taylor Swift.

Swan Lake

Spoiler alert: Siegfried and Odette still die. However, they don’t drown themselves in the lake. And their original personalities were more flawed than those of the gallant Prince and Swan Queen of today. The Ballet Bag explains:

“[It] was very different from the Swan Lake we now know: Odette, daughter of a good fairy, is being pursued by her “wicked witch stepmother”. Her grandfather keeps her and companions safe at a lake by night, allowing them to fly about as swans by day. Odette wears a magical crown which protects her from the witch. Siegfried falls for her but betrays her at a ball. Odette refuses to forgive him, so he snatches her crown in desperation. The lovers are now at the mercy of the witch and the waters of the lake engulf them.”

Created with "CincinnatiBallet-SwanLake2009-Dancers-KristiCapps-AnthonyKrutzkamp-Photog-PeterMueller" by KCBalletMedia. Licensed under CC Attribution 2.0 Generic. [Changes to image: cropped; filters, background, and text added]
Created with “CincinnatiBallet-SwanLake2009-Dancers-KristiCapps-AnthonyKrutzkamp-Photog-PeterMueller” by KCBalletMedia. Licensed under CC Attribution 2.0 Generic. [Changes to image: cropped; filters, background, and text added]

Romeo and Juliet

And they lived happily ever after…

Spoiler alert: This was indeed the ending that composer Sergei Prokofiev intended! “Living people can dance, the dead cannot”, he argued. But officials in 1930s Soviet Russia weren’t keen on the idea of changing Shakespeare’s story (a.k.a. Prokofiev had to follow orders). It wasn’t until 2008 that choreographer Mark Morris staged a version with the original happy ending. It’s safe to say, of course, that Prokofiev’s revision has yet to upstage The Bard’s conclusion to this famous tale of woe.

 Created with "swKCB0514_ 1685" by KCBalletMedia. Licensed under CC Attribution 2.0 Generic. [Changes to image: cropped; filters, background, and text added] Lyrics quoted on image from "Love Story", artist Taylor Swift.
Created with “swKCB0514_ 1685” by KCBalletMedia. Licensed under CC Attribution 2.0 Generic. [Changes to image: cropped; filters, background, and text added] Lyrics quoted on image from “Love Story“, artist Taylor Swift.

Filed Under: 4dancers Tagged With: Ballet, Ballet History, Bathilde, dance, Dance History, giselle, history, odette, Original Ending, pacific northwest ballet, Prokofiev, romeo and juliet, siegfried, swan lake, Valentine's Day

Paris, Passion, And Pointe Shoes: Atlanta Ballet Presents Moulin Rouge®

February 4, 2016 by Rachel Hellwig

Atlanta Ballet in Moulin Rouge®. Photograph by Charlie McCullers.
Atlanta Ballet in Moulin Rouge®–The Ballet. Photograph by Charlie McCullers.

By Rachel Hellwig

A tragic love triangle, the City of Lights, and the bohemian nightlife of the late nineteenth century—Atlanta Ballet brings Jorden Morris’ Moulin Rouge® – The Ballet back to the Cobb Energy Performing Arts Centre from February 5-13.

Created in 2009 for the 70th anniversary of Canada’s Royal Winnipeg Ballet, the production has since toured internationally, been adapted into a ballet film, and was re-staged on Atlanta Ballet in 2010.

Inspired by the iconic French nightclub depicted in the art of Henri de Toulouse-Lautrec, Moulin Rouge® blends ballet, Cancan, and tango to the music of composers such as Debussy, Offenbach, Shostakovich, Ravel, Johann Strauss Jr. and Astor Piazzolla, among others.

"At the Moulin Rouge" by Henri de Toulouse-Lautrec. Wikimedia Commons Public domain image.
At the Moulin Rouge by Henri de Toulouse-Lautrec. Wikimedia Commons public domain image.

A fantasia of history and imagination, the ballet follows the stories of Nathalie–a laundress turned cabaret dancer, Charles Zidler–the sinister proprietor of the Moulin Rouge (“The Red Mill”),  Matthew–an aspiring painter, and, of course, Henri de Toulouse-Lautrec.

Atlanta Ballet veteran John Welker, now in his 21st season with the company, will portray Zidler and Toulouse-Lautrec. “What I really enjoy about these roles is that they are both based on real people,” he says. “They are not just a figment of the choreographer’s imagination. I love that, in some strange way, it makes you feel connected to that time period in Paris.”

The original Moulin Rouge circa 1914. Wikimedia Commons public domain image.
The original Moulin Rouge circa 1914. Wikimedia Commons public domain image.

Interestingly, the historic Toulouse-Lautrec would not likely have been able to dance. After breaking his legs as a youth, the bones did not heal properly and stopped growing. As a result, he was disproportionately short and struggled to walk, even with a cane.

Nonetheless, Morris wanted to bring him to life through dance. In an interview for Pittsburgh Ballet Theatre, he explained, “When choreographing the dance for Toulouse, I wanted the audience to see the amazing and beautiful things going on in his mind – which is translated through dance. It would have been easy to make his choreography twisted and deformed, but then we would never see the beauty behind what was in his mind.”

John Welker and Christine Winkler as Matthew and Nathalie in Moulin Rouge®. Photograph by Charlie McCullers.
John Welker and Christine Winkler as Matthew and Nathalie in Moulin Rouge®–The Ballet. Photograph by Charlie McCullers.

As Nathalie, the rags-to-riches Moulin Rouge star whose life is fatefully intertwined with Matthew, Nadia Mara returns to a role she first visited in Atlanta Ballet’s 2010 production. She delights in the character’s creative and dramatic possibilities. “Nathalie goes through so many emotions and transformations during the story,” she says. “It allows me to explore and work on my acting, which I always love. I can’t wait to show the audience this beautiful ballet!”

If you would like to be in the audience of Moulin Rouge®–The Ballet, tickets starting at $25 may be purchased here.

https://www.youtube.com/watch?v=9nHgU4g-Gro

Filed Under: 4dancers Tagged With: atlanta ballet, Charles Zidler, Henri Toulouse-Lautrec, John Welker, Jorden Morris, moulin rouge, Moulin Rouge Ballet, Moulin Rouge®--The Ballet, nadia mara, Preview

Prix Rewind–Women’s Classical Variations

January 20, 2016 by Rachel Hellwig

by Rachel Hellwig

Prix de Lausanne is tough competition. Inevitably, many wonderful dancers aren’t counted among the prize winners.  Here are some lovely non-winning performances from past competitions by dancers who are now in companies…

Tyler Donatelli – 2014. Now with Houston Ballet.

 

Thamires Chuvas – 2012. Now with San Francisco Ballet.

 

Mai Miyazaki – 2012. Now with Tokyo City Ballet.

 

Natsuki Yamada – 2014. Now with Semperoper Dresden.

 

Ayaka Fujii – 2012. Now with Stuttgart Ballet.

 

Anisa Sinteral Scott- 2011. Now with Ballet West.

Filed Under: Competition Tagged With: ballet competitions, dance competitions, dance videos, isabelle brouwers, natsuki yamada, Prix de Lausanne, san francisco ballet, shuri ishihara, sophie silnicki, thaimires chuvas

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