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Summation Dance Company – Performace at BAM Fisher

May 5, 2014 by 4dancers

20140401_Summation-BAM_Christopher.Duggan_024

by Christopher Duggan Summation Dance is a growing company that has always wanted to work with the best quality dance photos and video. This year, I did a dance promo photo shoot with Summation in a studio in Queens as a lead-up to their performances at Brooklyn Academy of Music (BAM). Nel and I really appreciate that they’ve made the investment in dance photos and video, and it’s paid off. They have excellent video documentation and they are smart enough to see that having great representation of their work is how you get the next grant or the next gig. It’s how you sell your tickets, how you build your house. They are so dedicated, constantly thinking and developing; they’re just really good artists. Here’s Summation Dance at BAM Fisher.

20140401_Summation-BAM_Christopher.Duggan_00920140401_Summation-BAM_Christopher.Duggan_08920140401_Summation-BAM_Christopher.Duggan_064

Contributor Christopher Duggan is a wedding and dance photographer in New York City, the Berkshires and beyond. Duggan has been the Festival Photographer for Jacob’s Pillow Dance since 2006. In this capacity, and as a respected New York-based dance photographer, he has worked with renowned choreographers and performers of international acclaim as well as upstarts in the city’s diverse performance scene.
Christopher Duggan, Photo by Julia Newman
Christopher Duggan, Photo by Julia Newman

He photographs dancers in the studio and in performance, for promotional materials, portraits and press, and he often collaborates with his wife, Nel Shelby, and her Manhattan-based dance film and video editing company Nel Shelby Productions (nelshelby.com). Together, they have documented dance at performances from New York City to Vail International Dance Festival.

Christopher Duggan Photography also covers the finest wedding venues in the Metropolitan and Tri-State areas, in Massachusetts and the Berkshires, and frequently travels to destination weddings.

His photographs appear in The New York Times, The Huffington Post, The Knot, Destination I Do, Photo District News, Boston Globe, Financial Times, Dance Magazine, and Munaluchi Bridal, among other esteemed publications and popular dance and wedding blogs. One of his images of Bruce Springsteen was added to the Rock & Roll Hall of Fame and his dance photography has been exhibited at The National Museum of Dance and Jacob’s Pillow Dance Festival.

His Natural Light Studio (http://www.christopherduggan.com/portfolio/natural-light-studio-jacobs-pillow-photography/) at Jacob’s Pillow is his most ambitious photography project to date – check out his blog to see more portraits of dance artists in his pop-up photo studio on the Pillow grounds.

Filed Under: Dance Photography, Finis Tagged With: bam fisher, christopher duggan, dance photography, summation dance

Dance: Teaching Beyond Technique

May 2, 2014 by 4dancers

dancer posing upside down
Janet Neidhardt

by Janet Neidhardt

Dance is such an amazing medium and practice because it allows us to be challenged physically, mentally, and emotionally. As a dance educator it is easy to feel successful (or unsuccessful) based on how well my students improve in their physical technique. Days when I see my students finally spot a turn or find their balance on one leg, I give myself a pat on the back because they finally got it! But what that physical accomplishment gives students is so much more than coordination. It provides for them a challenge to try, fail, try again, and succeed. At the end of the day what I really want my students to leave my class being able to do is feel confident and love their individuality a little bit more.

I recently received an amazing thank you letter from a senior student whom I have had the privilege of teaching dance to this school year. This letter did not say thank you for teaching me to do a perfect (insert any dance move/trick here) instead it was a thank you letter that talked about personal growth and discovery. My student wrote about making new friends in my class and what it felt like to be a part of a team. I often refer to our class as a team to help build a safe environment for risk taking.

The greatest section of the letter stated: “One piece of advice that I am always going to remember is you telling me not to judge myself based on peoples dance skills and focus on myself. This stuck with me because for a long time I always focused on other people and how to be like them. You taught me originality and to stop comparing myself to other people and I am thankful for that.”

This wonderful thank you letter was a great reminder to me that what my students leave my class with is so much more than new found physical ability. To be able to teach students self confidence, the ability to take chances, and to not give up when things are challenging is a wonderful gift. Dance offers the opportunity for students to learn these life lessons so easily because they embody movement challenges, emotional challenges, and internalize personal growth.

When I approach teaching movement, giving corrections, coaching performance, etc., I keep in mind how I go about doing these things because I know that my words hold great weight in effecting how my students feel about themselves and their abilities. I try to be encouraging and emphasize effort most of all. Yes, it is important that my students grow within their physical abilities, but I know that everyone will grow at different rates and what is most important to me is that they have fun and embrace the challenges posed to them and do not feel defeated.

We walk a thin line as teachers between challenging students and overwhelming them with difficult objectives. As teachers we too can get caught up in competition of who does it the best in class or whose class has better dancers. We must keep in mind that we set the tone for what is most important in our class, be it work ethic or something else.

It is essential, no matter if you teach in a studio or school, to always remember that as a dance educator we have the ability and responsibility to teach dance in a way that will strengthen our students’ characters. I have never had a student thank me for teaching them a pirouette or tricky movement combination but I have had many thank you’s regarding emotional self growth. I hope this inspires you to see yourself as more than a teacher of dance movement.

I know I will hold on to this thank you letter forever as a great reminder of what I can and should be teaching beyond technique.

Contributor Janet Neidhardt has been a dance educator for 10 years. She has taught modern, ballet, and jazz at various studios and schools on Chicago’s North Shore. She received her MA in Dance with an emphasis in Choreography from the University of North Carolina-Greensboro and her BA in Communications with a Dance Minor from the University of Wisconsin-Madison. Throughout her time in graduate school, Janet performed with Sidelong Dance Company based in Winston-Salem, NC.

Currently, Janet teaches dance at Loyola Academy High School in Wilmette, IL. She is the Director of Loyola Academy Dance Company B and the Brother Small Arts Guild, and choreographs for the Spring Dance Concert and school musical each year. Janet is very active within the Loyola Academy community leading student retreats and summer service trips. She regularly seeks out professional development opportunities to continue her own artistic growth. Recently, Janet performed with Keigwin and Company in the Chicago Dancing Festival 2012 and attended the Bates Dance Festival.

When she isn’t dancing, Janet enjoys teaching Pilates, practicing yoga, and running races around the city of Chicago.

 

Filed Under: 4teachers, Teaching Tips Tagged With: dance class, high school dance, teaching dance

DVD Review: Still Moving: Pilobolus at Forty – A Film By Jeffrey Ruoff

April 28, 2014 by 4dancers

logoby Emily Kate Long

The dance company Pilobolus is named for a fungus that has the ability to launch its spores a distance of up to two meters—for a person, that would mean being thrown through the air at 100 times the speed of sound. The pilobolus fungus is also remarkable for its accuracy. The company makes no such claims; late co-founder Jonathan Wolken describes how Pilobolus’s first forty years brought about “the evolution of our own style…whatever that might be.” As co-diector Robby Barnett remarks, and as Ruoff illustrates, the company is process-oriented. For Barnett, that process is more interesting than any of the finished dances the company has produced.

Still Moving opens with footage of the dancers loading up a couple of cars and hitting the road. They’re on their way from the company’s studios in Washington Depot, CT to Dartmouth College in Hanover, NH. Wolken, Barnett, and Michael Tracy began the collaboration that would evolve into Pilobolus at Dartmouth in the early 1970s. With no prior dance education, they worked to amuse themselves, living communally and practicing in any spare space they could find.

Forty years out, the company still embraces that experimental, simple, communal way of living and working (some interviews are punctuated by insects chirping in the background). The dancers are like a family, supporting one another through injuries and Wolken’s death in 2010.

Ruoff captures the company thoughtfully through interviews, performance footage, and clips of Pilobolus in rehearsal. Perhaps most telling is footage from the community workshops, classes in which the public get to participate in the creative process of developing movement, comfort and trust in one another to make a short dance work.

The film runs 38 minutes. The DVD also contains a version dubbed over with Ruoff’s insightful commentary. This documentary does a thorough job of celebrating what’s so unique about Pilobolus, a modern dance company that, as Barnett half-jokes, doesn’t “know anything about modern dance.”

 

 

Filed Under: Dance Video, Reviews Tagged With: dance video, dvd review, modern dance, pilobolus

Savoring The Score Of Joffrey’s Romeo & Juliet

April 25, 2014 by 4dancers

Romeo & Juliet Rehearsal - Christine Rocas and Rory Hohenstein - Photo by Herbert Migdoll
Romeo & Juliet Rehearsal – Christine Rocas and Rory Hohenstein – Photo by Herbert Migdoll

The Joffrey is taking on Romeo & Juliet this season, which has an amazing score by Sergei Prokofiev. We asked conductor Scott Speck some questions about the music, and he shares some wonderful insights with us here.

Can you share some background information about the composer and the development of this score?

​One of the great thrills of working in the field of ballet is the opportunity to perform the score to Romeo and Juliet by Sergei Prokofiev. I am grateful to the Joffrey’s Artistic Director, Ashley Wheater, for programming it. All the musicians of the Chicago Philharmonic feel the same way.

Prokofiev was a Russian composer — or more accurately, for much of his life, a Soviet composer. But his work bears very little resemblance to that of his revered countrymen, Tchaikovsky or Stravinsky. Prokofiev had a musical style that was entirely his own. Generally speaking, he could be considered part of the Neoclassical movement — paying tribute to the great Baroque and classical masters with a familiar tonal language and forms such as the “Gavotte”, but with a modern take ​that could never be mistaken for anything but twentieth-century. But Igor Stravinsky was also a neoclassicist for part of his career, and there is no confusing the two composers. Prokofiev’s style is very melodic — there is hardly a moment that can’t be sung. He got his start in ballet early, moving to Paris and composing for a very young Balanchine and the Ballets Russes. (In fact, Prodigal Son, which the Joffrey Ballet performs in September, was one of his first in the genre.) If he did imitate the great Russian ballet composers in any way, it was in his pacing. The music drives the action in the play admirably, with gorgeous melodies for each major character and theme in the story.

What are some of the particular challenges when it comes to conducting the music of Prokofiev for this ballet?

​The biggest challenge is the sheer virtuosity of the writing — the difficulty of the score itself.  Being a great pianist, Prokofiev infused his scores with devilish technical challenges that would be much easier to play on the piano than on the various instruments of the orchestra.​ It takes a truly great orchestra to do justice to the intricacies of his music. Luckily we have the Chicago Philharmonic!

Are there any specific instruments that feature prominently here, and what does that add to the overall feel and mood of the score? [Read more…]

Filed Under: Music & Dance Tagged With: ballet music, joffrey, joffrey ballet, music for dance, Prokofiev, romeo and juliet, scott speck, Sergei Prokofiev

Yumelia Garcia Says Goodbye To Joffrey

April 24, 2014 by 4dancers

Joffrey - Continuum ft. Yumelia Garcia - Photo by Cheryl Mann
Joffrey – Continuum ft. Yumelia Garcia – Photo by Cheryl Mann

The lovely Yumelia Garcia is leaving Joffrey this month and shared a few thoughts about her time there with us at 4dancers. We wish her all the best! Take a look at some of her memorable moments through the years…

Joffrey Ballet 2011 Merry Widow
Joffrey Ballet 2011 Merry Widow

I can’t believe it, but I have made the decision to say good bye to The Joffrey Ballet. A place I never imagined I would be. Dancing for this company has been my own Cinderella story. As a little girl from Venezuela, I only dreamed of having the opportunity to dance professionally in the United States. I never imagined I would end up dancing for a world class company. I have lived out my dream better than I ever thought was possible.

I have many unforgettable memories with the roles I have danced and the friends I have made. I hold these memories close to my heart and will cherish them forever. My time at the Joffrey has played a pivotal role not only in my dancing career, but it has helped shape my path for the future. For that, I am forever grateful.

~Yumelia Garcia

Yumelia Garcia as Sugar Plum Fairy (2), photo by Herbert Migdoll
Yumelia Garcia as Sugar Plum Fairy, photo by Herbert Migdoll
Tarantella ft. Yumelia Garcia & Derrick Agnoletti; photo by Herbert Migdoll
Tarantella ft. Yumelia Garcia & Derrick Agnoletti; photo by Herbert Migdoll

 

Filed Under: Uncategorized Tagged With: joffrey, yumelia garcia

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