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Dance In The US: Alaska Dance Theatre

January 17, 2010 by 4dancers

For our next Dance in the US  organization in Alaska we are featuring…

Name: Alaska Dance Theatre–The School

Location: 550 East 33rd Avenue, Anchorage AK 99503

About: Founded in 1981, this school was located in several different places before settling into its current spot, which is a pretty impressive building. Five different studios provide plenty of space for classes. There is also a lounge for the dancers, a waiting area for the parents and a faculty lounge. In addition to a wide range of classes, ADT offers scholarships as well as performance opportunities for students.

The school division functions as a serious training ground for dancers and curriculum runs throughout the 9-month academic year. They also offer an open division for those who require a more flexible schedule.

As always, if you are from the company or the school and you would like to tell 4dancers readers something about your organization, please feel free to leave a comment…

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Filed Under: Dance In The US Tagged With: 4dancers, adt, alaska dance theatre

Dance In The US: Anchorage Classical Ballet Academy

January 16, 2010 by 4dancers

Continuing in our new series, Dance in the US, we feature our first organization from Alaska…

Name: Anchorage Classical Ballet Academy

Location: 501 W. International Airport Rd., #22, Anchorage, AK 99518

About: This school has been around since 1997 and it offers a complete curriculum, providing classes for everyone from pre-school students to pre-professional dancers. On the site there is an interesting article that outlines 4 Things To Consider If Your Child Is Serious About Ballet, which is an excellent resource for parents. (It can also serve as a great tool for studio owners who are looking for a way to point out their strengths.) One of the points in the piece talks about whether the school has graduates that are successful in the field. Anchorage Classical Ballet Academy has some impressive placements, with students accepted at places such as the Kirov Academy, The Royal Ballet School, and Alvin Aily Company, among others.

Classes here include Mommy & Me, designed for children 18 months to 2 years of age, which I thought looked good since they didn’t try to push for an hour. The class is 45 minutes long, and that is a challenge enough for most students that age. (I know, I’ve taught them!) In addition to ballet classes the studio also offers jazz and modern dance.

As always, if you are from the company or the school and you would like to tell 4dancers readers something about your organization, please feel free to leave a comment…

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Filed Under: Dance In The US Tagged With: Alaska, anchorage classical ballet academy, Ballet, Dance In The US, jazz, modern dance

10 Questions With…Arsene Hodali

January 13, 2010 by 4dancers

I love the Internet. Through the magic of Twitter I found a style of dance I never knew anything about. It’s called krumping. I watched some of the videos on YouTube and it got me really excited…you see, I could feel the emotion coming out of these dancers. It was the most moving thing I have seen in a long time, and I’m really happy to be able to share it with you here today by talking with Arsene Hodali in our next installment of the series, “10 Questions With…”

Can I have your name, location and age?

My name is Arsene Hodali, I live in Toronto, Ontario CA and I’m 19 years old.

Tell me a little bit about yourself and how you became involved with dance.

The easiest way to see what else I do is by visiting my blog at http://www.danceproof.com/. I became involved with dance when I was 16-17 years old. I went and signed up for a hip-hop class on a whim. I loved it. I got over my shyness though dance, I learned to be carefree through dance, and I learned how to laugh at myself though dance.

1. For those who don’t know what krumping is, can you describe it?

The best way I can describe krumping is “the hard-core rock version of hip-hop mixed with contemporary dancing”. It has the same roots as break dancing, as it did come from the streets, was used as an alternate to violence, and incorporates many of the same moves. It also has some roots in old-old school native american/african tribal dance.

2. How did you get into krumping?

I got into krumping, again by accident. When I turned 17 problems at home caused me to drop out of the hip-hop dance program due to me not being emotionally attached to all the “happiness”. I saw “RIZE” (a documentary on krumping and clowning) later on in the summer and was immediately captured by it’s message of dancing out your sorrow and anger.

I searched Youtube, saw some instructional videos, and learned from them for a while. But they didn’t really help. I then sought out some more experienced krumpers in my city, and eventually finding them, they agreed to teach me. We grew into NORTHBUCK Ent. (best krumpers in Canada) and the rest is history I suppose.

3. How is krumping different from other dance styles?

Krumping is different from other dance styles because it incorporates emotion and attitude into it as a necessasity. For example you could be an amazing “technique” krumper and do amazing things, such as b-boys do. But you would easily lose a battle against someone without these fancy moves if they show heart, emotion, anger, happiness, cockiness, etc. in their dancing. There’s even times when people don’t actually move and it’s amazing. The closest dance style I see it resembling are breakdancing, and contemporary.

4. How easy is it to learn krumping?

Krumping is easy to pick up, hard to perfect.

 The basics are simple. Chest pumps, arm swings, arm jabs, travels, buck hops, army moves, etc. and can be taught in one day.

 However, learning how to properly arm swing, arm jab, buck hop while timing to the music, telling a story, and entertaining the audience is extremely hard, complicated, and is an art in it’s self.

5. What has being involved in dance done for you?

Being involved with dance has opened me up as a human being. I’m more social, more carefree, and more understanding in life. One has to learn how to not really care what other people think in order to krump (one of the least understood dance styles).

 Krumping has also given me a sense of family. I’ve never really been close to my family, and thus never really had a sense of family in my life. But, through krumping I became closer to the people i krumped with. We became family. When I say NORTHBUCK is my family. I literary mean, they are my family. I would fight for any of them, any time.

6. I understand you are going to be involved in an instructional DVD project. Can you tell readers a bit about that?

The DVD is one of those things we want to make and don’t want to make. We want to make it because so many people asked us to make one so we can teach them from afar (we can’t personally teach people in Italy, Russia, Argentina, etc.). But, we also know that the founder of krumping (Tight Eyez) has instructional DVDs out that teach people these basics. They are classics and a staple in a die-hard krumpers library of DVDs.

We are in the process of making a instructional DVD not to replace the DVDs the founder made, but as an add-on. The DVDs were made over 6-8 years ago, and A LOT of things have changed in krump since then. New basics have been added, new moves, etc. And we want to cover these new areas.

7. How often do you dance?

I, and a lot of krumpers, dance everyday.

When I hear a new krump song, you’ll usually find me engrossed in krumping for the next 2-8 hours after. It’s that addicting. Krumping, as we see it, is not just a dance, it’s a lifestyle.

What ballerina can tell you that when they lost their mom, they danced out their emotion? What jazz dancer can say that? I literally krump anywhere that music exists, if I hear it, I krump…. it’s addicting.

 8. Can you describe how you feel when you are dancing?

When I krump I am at my happiest. It’s a feeling of opening up my heart to the world, whether angry, happy, or sad.

btw- Krumping is also used for praising God. It’s actually a key part of it that I forgot to mention. In fact Krump is actually spelled K.R.U.M.P. and stands for Kingdom Radically Uplifted Mighty Praise. It was started as a way to praise God (on top of the release anger, and stop violence aspects of it).

9. What type of music is used for krumping?

You can krump to anything with “soul”. But if I had to put it into a category I would say you can find yourself mostly krumping to jazz, hip-hop, rap, funk, soul, etc. Rap being the dominant one.

10. Do you have any other experience with dance besides krumping, or was it your first exposure?

As I said I used to hip-hop dance for a while before krumping.

And speaking of www.NORTHBUCK.com, you should check out our videos there. There are videos on our performances, battles, sessions, etc.

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Filed Under: 10 Questions With... Tagged With: african tribal dance, Arsene Hodali, b-boys, breakdance, canada, contemporary dance, dance, hip hop, krump, krumping, northbuck ent., rize

Teaching Portfolio Basics

January 12, 2010 by 4dancers

 

Do you know what a dance teaching portfolio consists of? Do you know when you need one? If you have ever been asked to provide one of these and had no idea where to begin, take a look at the information provided by Chicago Artists Resource on the basics.

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Filed Under: 4teachers, JOBS, Online Dance Resources Tagged With: chicago artists resource, dance, teaching portfolio

How To Moonwalk

January 11, 2010 by 4dancers

Time Magazine ran this piece which I came across and I thought I’d share it with 4dancers readers today. It breaks down the “moonwalk,” the famous dance step that Michael Jackson became known for.

I can still remember watching him in the 80’s and trying to mimic his dance steps. Coming from a strong ballet background, this was always a struggle for me.

I have to admit that I never mastered the moonwalk, but it doesn’t mean that I will stop trying. If you haven’t given it a go yet, now’s your chance.

Filed Under: Dance History Tagged With: michael jackson, moonwalk, time magazine

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