• Contributors
    • Catherine L. Tully, Owner/Editor
    • Dance Writers
      • Rachel Hellwig, Assistant Editor — Dance
      • Jessika Anspach McEliece, Contributor — Dance
      • Janice Barringer, Contributor – Dance
      • José Pablo Castro Cuevas, Contributor — Dance
      • Katie C. Sopoci Drake, Contributor – Dance
      • Ashley Ellis, Contributor — Dance
      • Samantha Hope Galler, Contributor – Dance
      • Cara Marie Gary, Contributor – Dance
      • Luis Eduardo Gonzalez, Contributor — Dance
      • Karen Musey, Contributor – Dance
      • Janet Rothwell (Neidhardt), Contributor — Dance
      • Matt de la Peña, Contributor – Dance
      • Lucy Vurusic Riner, Contributor – Dance
      • Alessa Rogers, Contributor — Dance
      • Emma Love Suddarth, Contributor — Dance
      • Andrea Thompson, Contributor – Dance
      • Sally Turkel, Contributor — Dance
      • Lauren Warnecke, Contributor – Dance
      • Sharon Wehner, Contributor – Dance
      • Ashley Werhun, Contributor — Dance
      • Dr. Frank Sinkoe, Contributor – Podiatry
      • Jessica Wilson, Assistant Editor – Dance
    • Dance Wellness Panel
      • Jan Dunn, MS, Editor
      • Gigi Berardi, PhD
      • James Garrick, MD
      • Robin Kish, MS, MFA
      • Moira McCormack, MS
      • Janice G. Plastino, PhD
      • Emma Redding, PhD
      • Erin Sanchez, MS
      • Selina Shah, MD, FACP
      • Nancy Wozny
      • Matthew Wyon, PhD
    • Music & Dance Writers
      • Scott Speck, Contributor – Music
    • Interns
      • Intern Wanted For 4dancers
    • Contact
  • About
    • About 4dancers
    • Advertise With 4dancers
    • Product Reviews on 4dancers
    • Disclosure
  • Contact

4dancers.org

A website for dancers, dance teachers and others interested in dance

Follow Us on Social!

Visit Us On YoutubeVisit Us On TwitterVisit Us On PinterestVisit Us On FacebookVisit Us On Instagram
  • 4dancers
    • Adult Ballet
    • Career
    • Auditions
    • Competition
    • Summer Intensives
    • Pointe Shoes & Footwear
      • Breaking In Shoes
      • Freed
      • Pointe Shoe Products
      • Vegan Ballet Slippers
      • Other Footwear
  • 4teachers
    • Teaching Tips
    • Dance History
    • Dance In The US
    • Studios
  • Choreography
  • Dance Wellness
    • Conditioning And Training
    • Foot Care
    • Injuries
    • Nutrition
      • Recipes/Snacks
  • Dance Resources
    • Dance Conferences
    • Dance Products
      • Books & Magazines
      • DVDs
      • Dance Clothing & Shoes
      • Dance Gifts
      • Flamenco & Spanish Dance
      • Product Reviews
    • Social Media
  • Editorial
    • Interviews
      • 10 Questions With…
      • Dance Blog Spotlight
      • Post Curtain Chat
      • Student Spotlight
    • Dance in the UK
    • Finding Balance
    • Musings
    • One Dancer’s Journey
    • Pas de Trois
    • SYTYCD
    • The Business Of Dance
    • Finis
  • Music & Dance
    • CD/Music Reviews

Ballet Class with Dmitri Roudnev: Beginner/Intermediate level

August 22, 2013 by Ashley David

by Emily Kate Long

In this 54-minute DVD, Bolshoi-trained Roudnev leads his 12-year-old student Maggie through barre, center, and pointe work. As a set of exercises, the class is quite well constructed, but is offset by the DVD’s home-video production quality. Each exercise is demonstrated and explained by Roudnev, then demonstrated by Maggie with music from volume 11 of Roudnev’s Ballet Class music CD series.

Roudnev’s student demonstrates strengths consistent with classical Bolshoi-style training: a solid back and strong, straight legs: extremely deep demi-plie, and well-coordinated jump. Troublingly, however, he encourages the placement of the feet in 180-degree turnout whether or not the hips allow it. Similarly, the position of the leg a la seconde points directly side of the body, whether or not the hips permit the leg to open so far. For a body that possesses full rotation, such a stance is logical. In today’s democratic training landscape, however, where not every student’s body is “ideal”, the practice of developing turnout from the feet up seems questionable at best.

Roudnev’s method of developing pointe work features the practice of jumping off pointe without rolling through the feet for beginners. Here again we see in Maggie strong, straight legs and ankles (Roudnev reveals it’s only her fourth pointe lesson), but a lack of refinement in the use of the feet.

Roudnev’s class construction for the beginner lesson is sensible and thorough. His teaching manner is both nurturing and demanding. As a study tool for teachers, this disc is a look into Dmitri Roudnev’s method. Like any syllabus, teacher, or teaching tool, it has both value and limitations—aspects that are effective, and aspects less so. Ballet Class with Dmitri Roudnev: Beginning/Intermediate Level is available on Amazon.com and on Roudnev’s website, BalletMethod.com.

Related Posts Plugin for WordPress, Blogger...

Filed Under: 4teachers Tagged With: ballet class, teaching dance

Join Us on YouTube!

Dance Artwork

Get Your Dance Career Info Here!

Dance ebook cover

Podcast

Disclosure – Affiliate & Ad Info

This site sometimes features advertising, affiliate marketing, or affiliate links, such as Amazon Associate links and others. When you click on these links, we get a small sum that helps to support the website operations. Thank you! There’s more detailed information on ads and our disclosure policy under the About tab in our navigation at the top of the site. We clearly mark any and all posts that contain these features.

Copyright Notice

Please note that all of the content on 4dancers.org is copyrighted. Do not copy, utilize, or distribute without express permission. We take cases of infringement seriously. All rights reserved ©2022.

Copyright © 2025 · Metro Pro on Genesis Framework · WordPress · Log in